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Carpentier's baroque fiction : returning Meduza's gaze /Wakefield, Steve, January 2004 (has links)
Texte remanié de: Thesis Ph. D.--Sydney, Australie--University of New South Wales. / Notes bibliogr.
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Richard Wagner's presence in some literary works of Alejo Carpentier /Maldonado, Drucila D. January 2002 (has links)
Thesis (M.A.)--Central Connecticut State University, 2002. / Thesis advisor: Lilian Uribe. " ... in partial fulfillment of the requirements for the degree of Master of Arts in Spanish." Includes bibliographical references (leaves 106-108). Also available via the World Wide Web.
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Returning Medusa's gaze : Baroque intertext in Alejo Carpentier /Wakefield, Steve. January 2003 (has links)
Thesis (Ph. D.)--University of New South Wales, 2003. / Also available online.
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Alejo Carpentier's "The kingdom of this world" and the spectral voice of communal consciousnessStanley, Linda Darnell. January 2006 (has links)
Thesis (M.A.)--University of Florida, 2006. / Title from title page of source document. Document formatted into pages; contains 67 pages. Includes vita. Includes bibliographical references.
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Returning Medusa's gaze : Baroque intertext in Alejo CarpentierWakefield, Steve, School of Modern Languages, UNSW January 2003 (has links)
This thesis studies the concept of the baroque as applied to the works of the Cuban novelist Alejo Carpentier (1904-1980). It revisits the original inspiration that the writer found in baroque architecture and sculpture, as expressed in the articles he wrote from Spain in the early 1930s, and follows his use of baroque culture in each of his novels. It is found that, through his attempt to create a period ambience for his historical fictions by incorporating into his novels descriptions of the art and architecture of the Baroque era, and by imitating the literary style of Spanish Golden Age writers, he ultimately produced a parodic and ironic style that was put to a highly original use even in those works set in the contemporary period. Finally, the mature works produced in the last decade of Carpentier's life are studied, and the continuities and discontinuities between these works and those of previous periods are examined, in order to arrive at a critical assessment of the potential to renovate the Latin American novel created by this writer's use of the baroque. Throughout this thesis the primary focus is placed upon the role played by the visual arts, including architecture, in Carpentier's development of baroque themes and style, a secondary focus being placed upon literary influences. Thus the importance for Carpentier of various writers and artists is examined, such as Cervantes, Quevedo, Piranesi, Vico, Goya, Barr????s and d'Ors. It is found that Carpentier's use of baroque themes, motifs and style enabled him to make a unique contribution to literature in a number of ways: by creating an original means of representing the position of the individual with regard to society and the historical process, by reevaluating Latin American culture and environment vis-????-vis is Europe, and by adopting a postcolonial perspective of cultural self-assertiveness that was to pave the way for the 'boom' in the Latin American novel.
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Returning Medusa's gaze : Baroque intertext in Alejo CarpentierWakefield, Steve, School of Modern Languages, UNSW January 2003 (has links)
This thesis studies the concept of the baroque as applied to the works of the Cuban novelist Alejo Carpentier (1904-1980). It revisits the original inspiration that the writer found in baroque architecture and sculpture, as expressed in the articles he wrote from Spain in the early 1930s, and follows his use of baroque culture in each of his novels. It is found that, through his attempt to create a period ambience for his historical fictions by incorporating into his novels descriptions of the art and architecture of the Baroque era, and by imitating the literary style of Spanish Golden Age writers, he ultimately produced a parodic and ironic style that was put to a highly original use even in those works set in the contemporary period. Finally, the mature works produced in the last decade of Carpentier's life are studied, and the continuities and discontinuities between these works and those of previous periods are examined, in order to arrive at a critical assessment of the potential to renovate the Latin American novel created by this writer's use of the baroque. Throughout this thesis the primary focus is placed upon the role played by the visual arts, including architecture, in Carpentier's development of baroque themes and style, a secondary focus being placed upon literary influences. Thus the importance for Carpentier of various writers and artists is examined, such as Cervantes, Quevedo, Piranesi, Vico, Goya, Barr????s and d'Ors. It is found that Carpentier's use of baroque themes, motifs and style enabled him to make a unique contribution to literature in a number of ways: by creating an original means of representing the position of the individual with regard to society and the historical process, by reevaluating Latin American culture and environment vis-????-vis is Europe, and by adopting a postcolonial perspective of cultural self-assertiveness that was to pave the way for the 'boom' in the Latin American novel.
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Entre culturas : Los pasos perdidos, de Alejo Carpentier /Giovannini, Arno January 1991 (has links)
Diss. : Philosophie : Zürich : 1990.
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El tiempo en la narrativa de Alejo CarpentierGutiérrez, Mariela. January 1974 (has links)
No description available.
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El tiempo en la narrativa de Alejo CarpentierGutiérrez, Mariela. January 1974 (has links)
No description available.
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The short novel and the representation of subjectivity Manhunt by Alejo Carpentier and Memory of my melancholy whores by Gabriel García Márquez /Villarreal, Marlene Sofia. Prescott, Laurence E. January 2009 (has links)
Thesis (Ph.D.)--Pennsylvania State University, 2009. / Mode of access: World Wide Web. Thesis advisor: Laurence Prescott.
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