"It is the purpose of this paper to assemble in a single volume the facts of Mrs. McCullers' life and a bibliography of the works written by and about her. Such a study is of value and interest to librarians and students of Southern literature as well as a practical exercise in bibliography and library research for a prospective librarian"--Introduction. / Typescript. / "January, 1956." / "Submitted to the Graduate Council of Florida State University in partial fulfillment of the requirements for the degree of Master of Arts." / Advisor: Agnes Gregory, Professor Directing Paper. / Includes bibliographical references (leaves 38-39).

There is no abstract available for this dissertation.

The main purpose of this thesis is to present and highlight the radical potential in the work of Carson McCullers, primarily through an examination of her representation of young, queer individuals. This thesis argues that McCullers forces her readers to re-think the categories of “child” and “adult” through her creation of ambiguously gendered, sexual child characters.

Born in Columbus, Georgia, Carson McCullers was a Southerner by circumstance, but she maintained an emotional and psychological attachment to the South throughout her life. Her choice of a Southern setting with Southern characters for almost all of her works of fiction illustrates that the place off her birth commanded an unmistakable influence on her creative imagination. Therefore, the major Southern themes of place--the burden off the past, the antipathy toward change, the formal versus the formless existence, and the preference for objects rather than ideas-abound in her fiction. She utilizes those themes consistently to establish the significance of physical place in her fiction.Simultaneously, a second concept of place is operant in the McCullers fiction--the metaphysical sense of place. The duality between the physical and the metaphysical is evident throughout the McCullers canon from one of her earliest untitled stories to Clock Without Hands, her final novel. The early story of the girl who stands outside the gates of a convent and dreams of a marvelous party inside is the first manifestation of that duality.The short fiction incorporates an especially stringent duality. Like the convent gates, the boundaries of the South represent a formidable barrier against the outside world. An either/or dichotomy emerges in the short fiction which contrasts the South to non-Southern locales, particularly New York City.Mrs. McCullers' first novel, The Heart Is a Lonely Hunter introduces the physical/metaphysical dichotomy of place in which several characters, especially Mick Kelly, find the physical locale undesirable and long for a more satisfying place.Reflections in a Golden Lye presents an extension of physical/metaphysical dichotomy since the rigidly defined boundaries of the army base setting are similar to those of a small Southern town.The lever/beloved dichotomy in The Ballad of the Sad Cafe is simply an embellishment on the physical/metaphysical duality.The Member of the Wedding, Carson McCullers' most realistic novel, comes close to blending the physical and the metaphysical sense of place. Frankie Addams finds an answer to her metaphysical search for place in Mary Little-John.Mrs. McCullers brings the prototype convent story to its ultimate happy ending in Clock Without Hands by resolving the conflicts between the physical and the metaphysical search for place. In the character of Jester Clane, the author presents a happy fusion off the two conflicting philosophies. He proves that one can open the gates of the convent, enjoy the marvelous party, and return to the physical world with new wisdom and commitment. He finds his metaphysical sense of place by conquering the burden of the past, by overcoming the antipathy toward and by rising above his formless adolescence to become formal, fully developed adult who can transcend the coercive codes of the confined community.

Thesis (Ph. D.)--University of California, Santa Cruz, 1984. / Typescript. Includes bibliographical references (leaves 180-182).

Thesis (M.A.)--University of Missouri-Columbia, 2004. / Typescript. Includes bibliographical references (leaves 61-62). Also available on the Internet.

Thesis (M.A.)--University of Missouri-Columbia, 2004. / Typescript. Includes bibliographical references (leaves 61-62). Also available on the Internet.

The theme of isolation in some degree is drawn through every character in every novel by Carson McCullers. This thesis examines the works of McCullers and the ideas of loneliness and isolation in her works and in her life.

This thesis examines the trope of anthropology in the Canadian poet Anne Carson's work. This trope functions as an extended metaphor to describe the study of cultures, texts, and the "alien countries" of other human souls. Anne Carson rejects anthropological practices that aim at the "invasion" of the other, and associates such practices with the actions of seeing, projecting and even "devouring." Instead she favours anthropological approaches that foster mutual "encounters", such approaches being typically charged with the actions of listening, absorbing and breathing. This distinction becomes crucial when we consider its implications for reading and writing about Anne Carson's work. Can a reader encounter rather than invade a poem? What meaning can the reader find in such an encounter if, unlike the practice of anthropology, it is undertaken in written form and in isolation? Might we conclude that all responses to poetry emerge not from the fullness and immediacy of an encounter, but precisely from the impossibility of ever undergoing the experience of such an encounter?

No description available.