• Refine Query
  • Source
  • Publication year
  • to
  • Language
  • 1
  • 1
  • 1
  • Tagged with
  • 3
  • 1
  • 1
  • 1
  • 1
  • 1
  • 1
  • 1
  • 1
  • 1
  • 1
  • 1
  • 1
  • 1
  • 1
  • About
  • The Global ETD Search service is a free service for researchers to find electronic theses and dissertations. This service is provided by the Networked Digital Library of Theses and Dissertations.
    Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
1

Cenzura na Internetu / Censorship in the Internet

Žila, Milan January 2011 (has links)
This thesis deals with the problem of internet censorship in China. It describes forms and methods of internet censorship in China. It also presents means to detect, verify and bypass censorship using various tools, applications and internet services. The thesis contains results of performed tests designed to check and verify censored web pages and keywords from various locations in China. Conclusions about censorship in China are drawn based on these tests.
2

Zwischen staatlicher Obrigkeit und bürgerlichem Aufbruch : preußische Zensur und städtische Zensoren in Halle und Naumburg 1816 - 1848 /

Monecke, Uta. January 2006 (has links)
Univ., Diss. u.d.T.: Städtische Zensoren zwischen liberalem Stadtbürgertum und staatlicher Bevormundung im Regierungsbezirk Merseburg von 1816 bis 1848--Halle, 2003.
3

Music Hall and the Age of Resistance / Music Hall and the Age of Resistance: A Study of the Censorship Practices Which Influenced the Form of the Victorian Music Hall Leading to the 1912 Royal Command Performance and Beyond

Feldner, Kirsten January 2019 (has links)
Building on Penelope Summerfield’s argument that the end of the Victorian music hall in the early twentieth century signaled not “death” but a class-conscious evolution of the genre prompted by a “process of deliberate selection later made to look natural and inevitable,” this project examines the acts of censorship and resistance which characterised the final years of the Victorian music hall. Selecting the 1912 Royal Variety or Royal Command Performance as the “end” point of the genre, and limiting my focus to London music halls, this project examines competing aims of working, middle, and upper class participants: it suggests that the upper-class aspirations of the managers of London’s music halls, paired with middle-class moral desire for social control over the working-classes, eventually enforced by the London County Council in the mid-late nineteenth century, saw the rise of “respectability” in the genre while severing its ties to London’s working classes. Juxtaposing ephemeral evidence produced by or focused on London music halls in the late nineteenth century (leading up to and including the 1912 Royal Command Performance) with contemporary research on the classed nature of social control and censorship practices, this thesis intends to make the classed-struggle for power and ownership over the identity of London’s music halls evident. In doing so, the thesis alludes to the potential success of a third wave of music hall or the neo-music hall, to replace out-dated reflections of the music hall revival sparked by “The Good Old Days” and nostalgia post World War II. / Thesis / Master of Arts (MA) / This thesis pairs an analysis of meeting minutes, newspaper articles, song-sheets, and theatrical programmes from London’s Victorian music halls with contemporary music hall scholarship and studies of censorship to add to the discussion of the genre’s “end” or “death.” Using the work of Judith Butler, this thesis is divided into a study of how censorship transformed the music hall’s landscape, content, and culminating performance from its onset. As a result, this thesis argues that the controlling factors which shaped the genre led to what other music hall scholars have considered its end. By identifying the styles and modes of censorship used in the evolution of the English music hall genre, and in in-period methods of resistance to social control, this project suggests the radical potential of the music hall form as a contemporary style of theatre.

Page generated in 0.0543 seconds