This diploma thesis describes the situation of independent documentary film in the People’s Republic of China (PRC) over the last three decades (1990–2018), dividing the period into three phases. Focusing on key filmmakers and their work, the thesis illustrates the obstacles and opportunities that independent filmmakers navigate when producing and distributing films outside of the system of censorship. The PRC’s censorship system is described in a short historical review which culminates in the recently-issued Censorship Law of 2017 and its practical provisions, thus clarifying the mechanisms of surveillance and regulation which affect how documentary filmmakers work. Important film festivals and centres of the independent documentary movement are described in chronological order, as well as the disappearance of such activities following the accession to power of the current ruling elite in 2012. Because recent conditions prohibit the free distribution of non-censored films, this thesis pays attention to important support provided by international documentary film festivals, their programmers and curators, and archivists and researchers from Western universities. Finally, the thesis analyzes filmmakers‘ reactions to the current situation, which range from ignorance and obedience, through self-censorship to protest resulting in imprisonment or exile. Finally, the thesis mentions the methods in totalitarian China of nowadays used in controlling the filmmakers and the complete society through digital technologies.

Korean cinematography gained liberty after the military regime, but the situation depends on political situation. The growth of Korean cinematography shows influences of the policies by every korean government. Thanks to the world-wide success of Korean films, korean viewers perceive how the conservative government tries to control the film industry, and they know how to react to it. For example, the film 26 years (2012) - it was not possible to be shot because of the interruption by the conservative government. Because this film contains massacre in 1980 in the city Kwangju by the dictator, and the dictator is still alive. However future viewers of the film supported it, and the production invited subscriptions to a fund. Finally the film was finished in 2012, and distributed to cinemas all around south Korea. However korean animation is out of viewer's concern, even though it has been the biggest scapegoat by policies of Korean government. Every conservative government have used korean comics as a scapegoat whenever they reached problems. When there were serious criminals of youth or criminals against children, korean government strengthened censorships about comics. Some comics were banned, and authors of these comics could not work on their comics. It happened in 1997, and has began again in 2012.

The diploma thesis "Media Reflection of Jaroslav Drobny emigration" considers story of July 1949, when famous Czechoslovak tennis player Jaroslav Drobny left his country. It was during his stay at the tennis tournament in Gstaad, Switzerland. This diploma thesis has a theoretical part. It describes person Jaroslav Drobny, it shows the situation in Czechoslovakia in the late 1940's, situation of international sports at reasons why people were leaving their country. The main part of the work contains a deep search of several general dailies. In 1948 it was Rudé právo, Mladá fronta, Práce, Lidová demokracie and magazine Ruch in the period from the 15th May to the 10th June, when Jaroslav Drobny has been playing French Open in Paris and got to the finals. A year after, 1949, the same media was researched in the period from the 1st to the 31st July. It was the month Jaroslav Drobny left Czechoslovakia. And the same media was researched in the period from the 15th May to the 30th June when Jaroslav Drobny has been again playing French Open in Paris and again got to the finals, but at that time he already owned an Egyptian citizenship. Nineteen year later, in 1968 during the period of "Prague spring", issue of Jaroslav Drobny emigration was re - opened and the same media except magazine Ruch and including...