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Chaucer's "matere/mater/ia": constructing social response through authority in The house of fame and character in Troilus and CriseydeBonar, Andrew 31 March 2011 (has links)
This thesis compares Chaucer’s production of the image of himself as author in The House of Fame to his production of characters in Troilus and Criseyde. In doing so, this thesis brings to the forefront an image of Chaucer as an author concerned with both the manner in which his work would be received in posterity as well as the manner in which he would be received through his work. It is my contention that Chaucer goes to great efforts to embed a complex and defined model of textual authority that is able both to resist and withstand orthodox cultural authority as a guarantor of meaning in his time and times to come. This model, which Chaucer terms his “matere,” is upheld, supported, and based in the figures in and of the texts, characters and author.
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Chaucer's "matere/mater/ia": constructing social response through authority in The house of fame and character in Troilus and CriseydeBonar, Andrew 31 March 2011 (has links)
This thesis compares Chaucer’s production of the image of himself as author in The House of Fame to his production of characters in Troilus and Criseyde. In doing so, this thesis brings to the forefront an image of Chaucer as an author concerned with both the manner in which his work would be received in posterity as well as the manner in which he would be received through his work. It is my contention that Chaucer goes to great efforts to embed a complex and defined model of textual authority that is able both to resist and withstand orthodox cultural authority as a guarantor of meaning in his time and times to come. This model, which Chaucer terms his “matere,” is upheld, supported, and based in the figures in and of the texts, characters and author.
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The problem of the two prologues to Chaucer's Legend of good womenFrench, John Calvin, January 1905 (has links)
Thesis (Ph. D.)--John Hopkins University. / Life.
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Chaucer and his churlsCurtz, Thad. January 1977 (has links)
Thesis (Ph. D.)--University of California, Santa Cruz. / Xerox copy of typescript. Bibliography: leaves 207-211.
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The ancestry of ChaucerKern, Alfred Allan, January 1906 (has links)
Author's thesis, submitted to the Board of the University Studies of the Johns Hopkins University in conformity with the requirements for Degree of Doctor of Philosophy. / Includes bibliographical references.
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"In widewes habit blak" : Chaucer's Criseyde and late Medieval widows /Middleton, Michelle L., January 2005 (has links) (PDF)
Thesis (M.A.) -- Central Connecticut State University, 2005. / Thesis advisor: Candace Barrington. "... in partial fulfillment of the requirements for the degree of Master of Arts in English." Includes bibliographical references (leaves 57-60). Also available via the World Wide Web.
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The Clerk's Tale : literal monstrosities and allegorical problems /Brock, Christopher James. January 1900 (has links)
Thesis (M.A.)--Oregon State University, 2008. / Printout. Includes bibliographical references (leaves 55-57). Also available on the World Wide Web.
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Queer performativity and Chaucer's Pardoner /Norman, Taryn Louise, January 2006 (has links) (PDF)
Thesis (M.A.) in English--University of Maine, 2006. / Includes vita. Includes bibliographical references (leaves 90-97).
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The place of group F in the Canterbury chronologyHawkins, Laurence Faulkner, January 1937 (has links)
Thesis (Ph. D.)--New York University, 1940.
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A study of Chaucer's Pandarus : his character, his actions, his motives /Cobble, Zita. January 1983 (has links) (PDF)
Thesis (M.A.)--Eastern Illinois University. / Includes bibliographical references (leaves 37-38).
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