Texte remanié de: Diss.--Freie Universität--Berlin, 2000. / Bibliogr. p. 8-23. Notes bibliogr. Index des noms de lieux et de personnes.

Inaug.-diss.--Königsberg i Pr. / "Schriftum": p. 47-48.

Thesis--Basel. / Includes bibliographical references (p. 272-282) and index.

Universiẗat, Diss., 2004--Kiel.

1 Abstract The Acceptance of Works of Lucas Cranach the Elder in Painting of the First Half of the 16th Century in Bohemia The thesis focuses on the personality and works of the Renaissance painter Lucas Cranach the Elder (1472-1553) and the acceptance of his works and works of his workshop in painting in the first half of the 16th century in Bohemia. The art production in Bohemia, analogous to the 15th century, was concentrated in small centres and was mainly directed to the painting of neighbouring, mainly German speaking countries. Traces of Cranach's unmistakable aesthetics could be spotted in the Czech lands from the first decade to the almost seventh decade of the 16th century. The life of Cranach's style was so long because it was prolonged, among others, by his son Lucas Cranach the Younger (1515-1586). We can assert that no other author or his followers was so successful in such a large scale, for such a long period of time nor had customers of broad walks of life as Lucas Cranach the Elder. The reason for this was seen by earlier researchers in mass workshop production and certain "easy acquirement" of his style (Max J. Friedländer) that spread especially from the 1520's outside the borders of the Electorate of Saxony. His works were accepted firstly through his graphic masters, secondly through...

Thesis (Th. M.)--Dallas Theological Seminary, 2000. / Includes bibliographical references (leaves [46]-48).

Thesis (Th. M.)--Dallas Theological Seminary, 2000. / Includes bibliographical references (leaves [46]-48).

Thesis (Th. M.)--Dallas Theological Seminary, 2000. / Includes bibliographical references (leaves [46]-48).

Thesis (doctoral)--Ludwig-Maximilians-Universität, München, (2000). / Includes bibliographical references (p. 306-348) and indexes.

Diploma thesis has an aim to present to students of elementary school graphical methods of relief printing by method of methodological video, for better understanding and imagination of students. The theoretical part occupies with graphic, the fenomena, that accompanies us from prehistoric times. The thesis is going to present method of relief printing, its development and important authors of relief printing. It makes the students familiar with the most important graphic works in history and makes their analysis. It presents the most common subjects and social aspects of graphical production in the final part. The practical part elaborates technology of instructive video and following application for students of various age and its final marking their work. The conclusion of thesis create supplements of the practical part, examples of models and final works.