Thesis--University of the Witwatersrand. / Includes bibliographical references.

Thesis--University of Calcutta. / Includes bibliographical references.

Thesis (M.S.)--University of Wisconsin--Madison, 1915. / Typescript. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references

Thesis (Ph. D.)--New School for Social Research, 2002. / Typescript. Includes bibliographical references (leaves 266-274). Also available in electronic format on the World Wide Web. Access restricted to users affiliated with the licensed institutions.

Thesis--University of the Witwatersrand. / Includes bibliographical references.

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<p> This dissertation examines how legacies of war and ongoing violence are incorporated into peacetime development in contemporary Laos. I introduce the conceptual parallel of remains and revivals. By &ldquo;remains,&rdquo; I refer to massive military wastes left over from the Secret War in Laos in the 1960s and 1970s. During the Vietnam War, Laos was secretly bombed by the United States for nearly a decade. As a result of this covert conflict, contemporary Laos is the most massively cluster-bombed country in the world. Dangerous explosives continue to maim and kill; the risk of explosion frustrates plans to lure investors and build basic infrastructure. Remains also refers to the ongoing sociocultural impact of violence, including experiences of malicious ghosts and personal misfortune. By &ldquo;revival,&rdquo; I refer to the present period of rapid socioeconomic transformation as Laos opens to foreign intervention. I use revival as a touchstone for several interweaving processes: socioeconomic liberalization, authoritarian renovation, and religious awakening. Drawing on ethnographic evidence of Lao poetic parallelism, I innovate a method of poetic inquiry suited to hazardous fieldwork.</p><p>

A MOROCCAN REMAINS A MOROCCAN contrasts old and new methods of clothes-making and situates Morocco in its multi-dimensional position among ancient, colonial, post-modern, and global influences. Themes of class, gender, and identity are the backdrop to stories about unique characters and the varieties of clothing that they make. The changing characteristics of clothing are a metaphor for the transformations happening both on the surface and to the infrastructure of Moroccan culture and economics.

A MOROCCAN REMAINS A MOROCCAN contrasts old and new methods of clothes-making and situates Morocco in its multi-dimensional position among ancient, colonial, post-modern, and global influences. Themes of class, gender, and identity are the backdrop to stories about unique characters and the varieties of clothing that they make. The changing characteristics of clothing are a metaphor for the transformations happening both on the surface and to the infrastructure of Moroccan culture and economics.