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  • About
  • The Global ETD Search service is a free service for researchers to find electronic theses and dissertations. This service is provided by the Networked Digital Library of Theses and Dissertations.
    Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
1

Four twentieth century American printmakers and their trends toward a formalism

Harley, Ralph Leroy. January 1900 (has links)
Thesis (M.A.)--University of Wisconsin--Madison, 1965. / eContent provider-neutral record in process. Description based on print version record. Bibliography: l. [142]-145.
2

Les gravures d'Etienne Delaune (1518-1583)

Pollet, Christophe. January 1900 (has links)
Thesis (doctoral)--Université de Strasbourg, 1995. / Includes bibliographical references (p. 809-821) and index.
3

From medicine to art Nils Paul Larsen (1890-1964) /

Powers, Janine A. January 2003 (has links)
Thesis (Ph. D.)--University of Hawaii at Manoa, 2003. / Includes bibliographical references (leaves 264-278).
4

The life and work of William Bell Scott, 1811-1890

Walker, Vera January 1951 (has links)
No description available.
5

Ingenious Italians : immigrant artists in eighteenth-century Britain

McHale, Katherine Jean January 2018 (has links)
Italian artists working in eighteenth-century Britain played a significant role in the country's developing interest in the fine arts. The contributions of artists arriving before mid-century, including Pellegrini, Ricci, and Canaletto, have been noted, but the presence of a larger number of Italians from mid-century is seldom acknowledged. Increasing British wealth and attention to the arts meant more customers for immigrant Italian artists. Bringing with them the skills for which they were renowned throughout Europe, their talents were valued in Britain. Many stayed for prolonged periods, raising families and becoming active members in the artistic community. In a thriving economy, they found opportunities to produce innovative works for a new clientele, devising histories, landscapes, portraits, and prints to entice buyers. The most successful were accomplished networkers, maintaining cordial relationships with British artists and cultivating a variety of patrons. They influenced others through teaching, through formal and informal exchanges with colleagues, and through exhibition of their works that could be studied and emulated.

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