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Exploration in architectural expression: the Chiu Chow Association Building of Hong Kong.January 2001 (has links)
Fong Tai Hung. / "Architecture Department, Chinese University of Hong Kong, Master of Architecture Programme 2000-2001, design report." / Includes bibliographical references. / Chapter I. --- RESEARCH AND PROGRAMMING STAGE / Background / Introduction to Chiu Chow --- p.P1 / History of Chiu Chow People in Hong Kong --- p.P2 / Chiu Chow People in Hong Kong Toady --- p.P3-4 / Hong Kong Chiu Chow Chamber of Commerce --- p.P5 / Chiu Chow Culture --- p.P6-7 / Potential for Redevelopment --- p.P8 / Hypotheses of the development Scheme --- p.P9 / Site Analysis / Site Selection --- p.P10-11 / Site Context --- p.P12-13 / Site Analysis --- p.P14-18 / Ideologies of the Chi Chow People --- p.P19 / "Mission, Issues, goals and Performance Requirements" --- p.P20-22 / Chapter II. --- DESIGN STAGE / Design Development / Chapter 1. --- External Review on 28/10/2000 --- p.P23 / Chapter 2. --- Internal review - 10 diagrams on 15/11/2000 --- p.P24 / Chapter 3. --- External Review on 08/12/2000 --- p.P25 / Chapter 4. --- Site visit on 08/01/2001/5/7 --- p.P26 / Chapter 5. --- External Review on 10/02/2001 --- p.P27 / Chapter 6. --- Internal Review - integration on 26/02/2001 --- p.P28 / Chapter 7. --- Internal Review ´ؤ Image Sketch on28/02/2001 --- p.P29 / Chapter 8. --- Internal Review on 30/03/2001 --- p.P30-31 / Chapter 9. --- Final Review on 27/04/2001/5/7 --- p.P32 / Final Design / Plans --- p.P33-35 / Section --- p.P36 / Landscape garden --- p.P37-38 / Elevation Rendering --- p.P39 / Special Studies --- p.P40-42 / Users and Programmes --- p.P43 / Means of Escape --- p.P44 / Emergency Vehicular Access --- p.P45 / Structural Integration --- p.P46 / HVAC integration --- p.P47 / Schedule of Accommodation --- p.P48 / Bibliography / Appendices
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Tanka water sanctorum: human individuality/architecture/inheritance.January 2003 (has links)
Yip Siu Ka. / "Architecture Department, Chinese University of Hong Kong, Master of Architecture Programme 2002-2003, design report." / Includes bibliographical references (p. 223). / Synopsis --- p.5 / Chapter I. --- Prelude - a search for the start --- p.11 / "Thesis, to me," / Memory floating / Starting Issues --- p.17 / Chapter II. --- Window- behind the iconic meaning --- p.19 / History of Window / What is a window? / Alternative definition of window --- p.45 / Redefinition of a hole to a window / Chapter III. --- Human individuality in Architecture - Are we identical to architecture? --- p.51 / Research Intention / A space with different individual experience / ACONFESSION SPACE / Study Model 1 - a space open for redefinition --- p.65 / Design & Conclusion / Study Model 2 - Individual Memory-Architecture - Time --- p.75 / "(Refer to Vedio CD, track 1-P01)" / Design Methodology and Attitude --- p.91 / Chapter IV. --- Selection of site - Cheung Chau --- p.93 / About Cheung Chau / Contradiction between Chinese ethical system & Western Individualism / "Definition of ""tradition""" --- p.115 / Inheritance & human individuality --- p.117 / Function of Ancestral Hall in the pass / Chapter V. --- Selection of target Group - Tanka People --- p.123 / History of Tanka / Rhythms of Living / Annual Rhythms - Festivals of Tanka / Cultures & Religion / Tanka & Cheung Chau / Identity of Tanka people --- p.143 / Chapter VI. --- Design Proposal ´Ø A search for Identity --- p.145 / Social need / Strategy / Program --- p.153 / "Role of the clannish sanctorum in 3 levels: Individual, Clannish, Public" --- p.155 / Chapter VII. --- "Spatial Sequence - ( Refer to Vedio CD, track 2- P03)" --- p.171 / 弟一環The 1st layer: --- p.173 / from sea / from land - a sense of hovering / 第二環The 2nd layer: --- p.175 / from sea to air - a sense of elevation / 第三環 The 3rd layer: --- p.177 / spiral plan - a sense of centrality / 第四環The 4th layer: --- p.177 / Confined space - a sense of origin / 第五環The 5th layer: --- p.179 / from human to sky - a sense of in-between / Section A / Section B / Chapter VIII. --- "Details - Facade, Partitions, Furniture" --- p.185 / Cultivation of Human Individuality / Tradition - Architecture - Human Individuality --- p.189 / Furniture and individual space / Chapter IX. --- Structure - Reinterpretation of Traditional wood structural quality --- p.197 / Material & Structural Logic --- p.199 / Foundation / Details / Chapter X. --- Environmental Strategies --- p.207 / Natural Lighting / Natural Ventilation / HVAC System / Natural Energy / Appendices --- p.221 / Bibliography / Acknowledgement
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Een etnoarcheologische benadering tot de 'materiële cultuur' van de VendaDederen, Jean-Marie 21 October 2014 (has links)
M.A. (Anthropology) / Please refer to full text to view abstract
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Dzūkijos etnografinių sodybų tradicijos tęstinumas kaimo turizmo pastatuose / Tradition‘s continuity of Dzukija region‘s ethnic farmsteds in countryside homesteads architecture / Dzukija ethnographique ferme la continuité de la tradition du tourisme rural dans les bâtimentsMorkūnaitė, Danguolė 08 September 2009 (has links)
Liaudies architektūra yra greitai nykstatntis mūsų krašto paveldas, todėl yra itin svarbu ne tik tinkamai saugoti esamus unikalius objektus, tačiau ir skatinti etnografinių sodybų statymo tradicijos tęstinumą. Palankia terpe atgimti tradicinei medžio statybai, pritaikant liaudies architektūros bruožus, galima įvardyti kaimo turizmo reikmėms kuriamas sodybos.
Siekiant išsiaiškinti šiandieninę padėtį kaimo turizmo sodybų architektūroje, buvo pasirinkta dvidešimt Dzūkijos etnografinio regiono kaimo turizmui naudojamų sodybų ir analizuojama, kaip jose siekta etnografinių sodybų statymo tradicijos tęstinumo. Buvo nagrinėjami tiek naujos statybos, tiek rekonstruoti pastatai.
Tyrimas parodė, jog savitų, išlaikusių arba įgavusių istoriniams Lietuvos kaimo etnokultūriniams regionams būdingus istorinius bruožus bei teigiamai atkartojusių senasiąs statybos tradicijas, kaimo turizmo sodybų minėtame regione nėra daug. Šiuo metu dominuoja sodybos, kuriuose tik fragmentiškai ir nekokybiškai siekta atkartoti tradicinės architektūros bruožus. Jose tiek sodybos aplinkai, tiek pastatams mėginama įkvėpti etnografinių bruožų naudojant įvairius pseudoetninius motyvus. Nemažai yra ir modernių, internacionalinės pakraipos stiliaus sodybų, savo architektūriniais sprendimais darkančių rekreacinį kaimo kraštovaizdį.
Dėl tokios, etnografinių sodybų statymo tradicijos tęstinumui nepalankios šiandieninės situacijos galima išskirti keletą praktinių problemų, su kuriomis susiduriama atnaujinant ar kuriant... [toliau žr. visą tekstą] / Today countryside tourism can become the effective preservaition‘s means of nature‘s and culture‘s heritage. Namely in this area is turned at ethnic architecture. Besides in this field is increased the interes of communities with yourselves traditions and customs.
Author‘s research concerns the twenty countryside homesteads in Dzukija ethinic region. The aim of research is to investigate, how exact is continued ethnic‘s architecture‘s traditions in planic structure, architecture‘s elements and interior of countryside farmsteads.
The results of research shows, that traditional countryside homesteads don‘t predominate in Dzukija region. The most of countryside homesteads are pseudoethnic or modern style and they were built not taken account into country lanscape and were ignored traditional architecture‘s trait. Generally in countryside homesteads‘ architecture of edificeis are imitated building materials, but not kept traditional sizes and forms of constructions. The interior of countryside homesteads are mixed. Here are harmonized natural and modern materials in interior decoration, also are composed traditional and comfortable funiture.
A few reasons can be separated because of such situation: 1) in the beginning of countryside tourism the architecture of the new countryside homesteads weren‘t regulated. Requirements of that time didn‘t motivate to repeat the building tradition of ethnic farmsteds. Because of this countryside homesteads‘ hosts laid out buildings, designed... [to full text] / Architecture populaire est rapidement nykstatntis le patrimoine de notre région, de sorte qu'il est extrêmement important non seulement pour protéger les objets uniques, mais aussi pour encourager la construction de fermes tradition ethnographique de la continuité. Favorable moyen de relancer la construction en bois traditionnelle, folk adapter les caractéristiques architecturales peuvent être identifiées pour le tourisme rural a besoin d'un endroit.
Afin de clarifier la situation actuelle du tourisme rural dans l'architecture, a été sélectionné en tant que vingt Dzukija ethnographiques tourisme de la région rurale de fermes et d'analyser, comme ils ont cherché à construire la ferme ethnographique tradition. On a examiné deux projets de construction et de reconstruction des bâtiments.
La recherche a montré que distinctif, išlaikusių ou įgavusių historique lituanien régions rurales de la spécificité ethno-culturels et historiques de l'ancien bâtiment positif atkartojusių traditions, le tourisme rural dans cette région n'est pas beaucoup. Actuellement, la dominante familiale, où seule une fragmentation et la mauvaise qualité cherché à reproduire les caractéristiques architecturales traditionnelles. Ils ont tous les deux homestead environnement, à la fois dans les bâtiments d'inspiration ethnographique par les tentatives visant à utiliser les différentes fonctionnalités pseudoetninius raisons. Il existe un certain nombre de moderne, axée sur le style internacionalinės fermes... [toliau žr. visą tekstą]
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