Im Rahmen des Schriftentauschs erhielt die SLUB kürzlich vom Germanischen Nationalmuseum ... den ... Faksimiledruck des Trachtenbuchs von Christoph Weiditz (1500 - 1559) ...

Vor 800 Jahren, im Jahre 1206, wurde Dresden erstmals urkundlich erwähnt. Vor 450 Jahren, im Jahre 1556, legte Kurfürst August von Sachsen mit seiner "Liberey" im Dresdner Schloss den Grundstock für die heutige Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Dresden, ...

Großer Empfang für das Faksimile des Codex Dresdensis: Vom 20.-28. Oktober besuchten auf Einladung von Luis Fernando Andrade, Vizeaußenminister Guatemalas, Prinz Alexander von Sachsen, außenpolitischer Berater des sächsischen Ministerpräsidenten, Prof. Dr. Nikolai Grube, Ordinarius und Archäologe an der Universität Bonn, und Dr. Thomas Bürger, Generaldirektor der SLUB, mehrere Städte Guatemalas. Höhepunkt der Reise war die feierliche Übergabe eines Faksimiles an Vizestaatspräsident Eduardo Stein im Nationalmuseum für Archäologie und Ethnologie in Guatmala City.

This dissertation, G.A.M.E., refashions James McNeill Whistler’s book, The Gentle Art of Making Enemies, into a hypermediated facsimile text and archive. By remediating the text, the socio-historical context of the Victorian time period in which Whistler lived is reestablished, making his book more accessible to twenty-first century audiences. The era studied in this dissertation includes the expansion of the idea of celebrity, the power of the press, and the concept of art for art’s sake from 1863 through 1892. In order to showcase these concepts, archival materials, such as personal correspondence, newspaper clippings, and published pamphlets, from this period were collected, digitized, and organized into a digital archive and edition. In 1890, Whistler, an American-born, British-based artist known for his arguments with the critics of his day, published The Gentle Art, a collection of previously printed letters and pamphlets. Throughout the book, Whistler refers to people, publications, and events relevant to himself and his work. Persons unfamiliar with those references may find themselves frustrated while reading due to the lost social and historical context referred to on the pages, because those references remain difficult to access. G.A.M.E., makes Whistler’s The Gentle Art more accessible by realizing the proto- hypertextual nature of his book. Like many modern-day websites, The Gentle Art contains numerous references to references – a virtual daisy chain of associations Whistler made to and with his work encircling his artistic philosophy, art for art’s sake. From 1890, when the book was published, until now, Whistler’s “links” have remained dormant on the page. G.A.M.E. activates those links and reanimates The Gentle Art via a hypermediated facsimile text for twenty-first century readers. The Gentle Art of Making Enemies is a window into the late Victorian art world. G.A.M.E. houses and archives this contextual material in order to resurrect The Gentle Art and reconcile it with the man who created it.

<p>Modern semiconductor design methods makes it possible to design increasingly complex system-on-a-chips (SOCs). Testing such SOCs becomes highly expensive due to the rapidly increasing test data volumes with longer test times as a result. Several approaches exist to compress the test stimuli and where hardware is added for decompression. This master’s thesis presents a test data compression method based on a modified facsimile code. An embedded processor on the SOC is used to decompress and apply the data to the cores of the SOC. The use of already existing hardware reduces the need of additional hardware. </p><p>Test data may be rearranged in some manners which will affect the compression ratio. Several modifications are discussed and tested. To be realistic a decompressing algorithm has to be able to run on a system with limited resources. With an assembler implementation it is shown that the proposed method can be effectively realized in such environments. Experimental results where the proposed method is applied to benchmark circuits show that the method compares well with similar methods. </p><p>A method of including the response vector is also presented. This approach makes it possible to abort a test as soon as an error is discovered, still compressing the data used. To correctly compare the test response with the expected one the data needs to include don’t care bits. The technique uses a mask vector to mark the don’t care bits. The test vector, response vector and mask vector is merged in four different ways to find the most optimal way.</p>

Modern semiconductor design methods makes it possible to design increasingly complex system-on-a-chips (SOCs). Testing such SOCs becomes highly expensive due to the rapidly increasing test data volumes with longer test times as a result. Several approaches exist to compress the test stimuli and where hardware is added for decompression. This master’s thesis presents a test data compression method based on a modified facsimile code. An embedded processor on the SOC is used to decompress and apply the data to the cores of the SOC. The use of already existing hardware reduces the need of additional hardware. Test data may be rearranged in some manners which will affect the compression ratio. Several modifications are discussed and tested. To be realistic a decompressing algorithm has to be able to run on a system with limited resources. With an assembler implementation it is shown that the proposed method can be effectively realized in such environments. Experimental results where the proposed method is applied to benchmark circuits show that the method compares well with similar methods. A method of including the response vector is also presented. This approach makes it possible to abort a test as soon as an error is discovered, still compressing the data used. To correctly compare the test response with the expected one the data needs to include don’t care bits. The technique uses a mask vector to mark the don’t care bits. The test vector, response vector and mask vector is merged in four different ways to find the most optimal way.

Im Rahmen des Schriftentauschs erhielt die SLUB kürzlich vom Germanischen Nationalmuseum ... den ... Faksimiledruck des Trachtenbuchs von Christoph Weiditz (1500 - 1559) ...

Facsimile No. 3 of the Book of Abraham contains parallels to other Egyptian throne scenes found elsewhere, which fact has led many to pass Facsimile No. 3 off as commonplace. However, the lack of a broad comparative study examining these types of scenes in their varying contexts has rendered most conclusions regarding Facsimile No. 3 superficial at best. Hugh Nibley was perhaps the first to notice this problem, arguing that "The great abundance of pictures of the Facsimile No. 3 variety calls for the widest possible comparative study. In a case like this the student's first obligation is to compare, as widely and as carefully as possible." This thesis takes a critical step in solving this problem by looking at both the textual and iconographic elements found in Facsimile No.3 and comparing them with the larger corpus of Egyptian texts, temples, tombs, and stelae. Significantly, this study compares Facsimile No. 3 with the throne scenes from every other publicly known copy of the Book of Breathings, the ancient Egyptian document on which Facsimile No. 3 was found.In this thesis, I argue that Facsimile No. 3 is not as commonplace as some scholars have argued in the past. I begin this thesis with an introduction which presents some of the main issues surrounding Facsimile No. 3, including some of the likely reasons as to why it has remained the least studied of the three Facsimiles of the Book of Abraham. The first chapter contains a literature review of the published writings and theories that deal with Facsimile No. 3. Chapter Two gives a closer look at the hieroglyphs of Facsimile No. 3 and discusses some of the challenges relating to the translations that have been offered for them. The iconography of Facsimile No. 3 is discussed in the third chapter, where it is compared with the larger corpus of Book of Breathings vignettes. This discussion is especially important, as it is the first study to date which compares Facsimile No. 3 with the vignettes from all other extant copies of the Book of Breathings. In Chapter Four, this comparative study broadens, and parallels to Facsimile No. 3 are looked for in Ptolemaic copies of the Book of the Dead, Temples, Tombs, and funerary stelae.

Text in Afrikaans / Die doel van die verhandeling is om vas te stel in hoe 'n mate vyftien geselekteerde studies van Fernando Sor uit die Yepes- en Segovia-uitgawes van mekaar verskil deur die studies te vergelyk. Albei uitgawes is ook met die faksimilee-uitgawe vergelyk om die korrektheid van die Yepes- en Segoviauitgawes te bepaal. Seide Yepes en Segovia het heelwat veranderings aangebring. Die kenmerkendste van hierdie verskille word nie net uitgewys nie, maar daar word ook na moontlike redes gekyk waarom sulke verskille in die twee uitgawes aangebring is. Die gevolgtrekking is dat Yepes en Segovia duidelike redes gehad het waarom hulle verskil het van die faksimilee-uitgawe. Yepes en Segovia het verskillende tegniese benaderings wat bydra tot die uniekheid van die twee uitgawes wat vir die kitaarspeler 'n rykdom van moontlikhede bied in die uitvoering van hierdie studies. / The aim of the dissertation is to determine the differences between the Yepes and Segovia editions by comparing selected studies. In order to determine the correctness of the Yepes and Segovia editions both are compared to the facsimile edition as well. Yepes and Segovia both introduced a number of changes. The most typical of these are indicated and possible reasons for their inclusion in the two editions are discussed. The conclusion is that Yepes as well as Segovia had very definite reasons for including alterations to the facsimile edition in their own editions. Both have in their own editions an individual and highly personal approach which leaves us with the unique gifts of the two editions, and the guitar student with a variety of possibilities in the performance of these studies. / Department of Musicology / M.Mus. (Department of Musicology)

Text in Afrikaans / Die doel van die verhandeling is om vas te stel in hoe 'n mate vyftien geselekteerde studies van Fernando Sor uit die Yepes- en Segovia-uitgawes van mekaar verskil deur die studies te vergelyk. Albei uitgawes is ook met die faksimilee-uitgawe vergelyk om die korrektheid van die Yepes- en Segoviauitgawes te bepaal. Seide Yepes en Segovia het heelwat veranderings aangebring. Die kenmerkendste van hierdie verskille word nie net uitgewys nie, maar daar word ook na moontlike redes gekyk waarom sulke verskille in die twee uitgawes aangebring is. Die gevolgtrekking is dat Yepes en Segovia duidelike redes gehad het waarom hulle verskil het van die faksimilee-uitgawe. Yepes en Segovia het verskillende tegniese benaderings wat bydra tot die uniekheid van die twee uitgawes wat vir die kitaarspeler 'n rykdom van moontlikhede bied in die uitvoering van hierdie studies. / The aim of the dissertation is to determine the differences between the Yepes and Segovia editions by comparing selected studies. In order to determine the correctness of the Yepes and Segovia editions both are compared to the facsimile edition as well. Yepes and Segovia both introduced a number of changes. The most typical of these are indicated and possible reasons for their inclusion in the two editions are discussed. The conclusion is that Yepes as well as Segovia had very definite reasons for including alterations to the facsimile edition in their own editions. Both have in their own editions an individual and highly personal approach which leaves us with the unique gifts of the two editions, and the guitar student with a variety of possibilities in the performance of these studies. / Department of Musicology / M.Mus. (Department of Musicology)