nÃo hà / Investiga as representaÃÃes de afetos femininos nos contos de fadas de Marina Colasanti, considerando o diÃlogo com a narrativa feÃrica tradicional e situando-a no contexto da narrativa contemporÃnea, sobretudo da literatura brasileira destinada ao pÃblico infantil. O corpus da pesquisa compreende os livros de contos de fadas Uma ideia toda azul (1979), Doze reis e a moÃa no labirinto do vento (1982), Entre a espada e a rosa (1992) e Longe como o meu querer (1997). Aborda o perfil das personagens femininas e sua funÃÃo na conflituosa relaÃÃo de afetos com a oponente figura masculina, geralmente o pai, e as provaÃÃes enfrentadas para atingirem a maturidade, concretizada atravÃs da individuaÃÃo, do casamento ou da emancipaÃÃo em relaÃÃo a forÃas opressoras do domÃnio masculino. Identifica na narrativa feÃrica da autora a construÃÃo da identidade feminina e a postura de altivez incorporada pelas protagonistas, jovens em idade de casar, frente à descoberta do amor e da intimidade. / It investigates the representations of feminine affection in fairy tales of Colasanti Marina, considering the dialogue with the traditional narrative and pointing out it in the context of the narrative contemporary, over all of the Brazilian literature destined to the infantile public. The corpus of the research understands books of fairy tales an Uma ideia toda azul (1979), Doze reis e a moÃa no labirinto do vento (1982), Entre a espada e a rosa (1992) and Longe como o meu querer (1997). It approaches the profile of the feminine personages and its function in the delicate relation of affection with the opponent masculine figure, generally the father, and the faced tests to reach the maturity, materialize through the individuation, of the marriage or the emancipation in relation the forces oppressors of the masculine domain. It identifies in the narrative of the author the construction of the feminine identity and the determination incorporated for the protagonists, young in age to marry, front to the discovery of the love and the privacy.

Ma thèse s’articule autour de nombreux cas cliniques d’analysantes femmes et vise à montrer certaines formes de déni de la sexualité féminine au Moyen-Orient. Nous nous sommes proposée d’explorer dans un premier temps et d’exposer les idées et les théories psychanalytiques régnantes en matière de sexualité féminine, tant en Orient qu’en Occident. Dans un deuxième temps, nous exposons les cas cliniques puis, à la lumière de ce que nous avons relevé dans les récits littéraires, les études sociologiques, et la littérature psychanalytique consultée à cet effet, nous tâchons de répondre à la question suivante : Pourquoi ces femmes qui présentent toutes le même profil familial, socioculturel et économique, que nous pouvons considérer comme des femmes (apparemment) modernes, présentent-elles toutes certaines défaillances dès lors qu’il s’agit pour elles d’assumer leur vie (sexuelle) de femme tout court. D’où le titre de notre recherche : Les formes de déni de la sexualité chez la femme au Moyen-Orient. / My thesis is based on numerous clinical reports of women under analysis, and purports to show certain forms of denial for a female sexual life in the Middle East. First, we explore and present current psychoanalytic concepts and theories on the sexual life of women, either in the East or in the West. Second, we study these clinical reports in light of what we have found in literary tales, in sociological research, and in the literature on psychoanalysis, and we try to answer the following question: Why do women, who have the same family, socio-cultural and economic profiles, and who we can can call (apparently) modern, show similar failures in what regards their simple sexual lives? Hence the title of our research is: The categories of denial of sexuality for women in the Middle East.

Dodô, Marlucia Nogueira do Nascimento. De fadas e princesas: afetos femininos em Marina Colasanti. 2010. 135f. Dissertação (Mestrado em Letras) – Universidade Federal do Ceará, Departamento de Literatura, Programa de Pós-Graduação em Letras, Fortaleza-CE, 2010. / Submitted by Liliane oliveira (morena.liliane@hotmail.com) on 2012-07-06T15:21:13Z No. of bitstreams: 1 2010_DIS_MNNASCIMENTO.pdf: 341158 bytes, checksum: 75d3fab98589dc84396af45738b67043 (MD5) / Approved for entry into archive by Maria Josineide Góis(josineide@ufc.br) on 2012-07-24T11:20:33Z (GMT) No. of bitstreams: 1 2010_DIS_MNNASCIMENTO.pdf: 341158 bytes, checksum: 75d3fab98589dc84396af45738b67043 (MD5) / Made available in DSpace on 2012-07-24T11:20:33Z (GMT). No. of bitstreams: 1 2010_DIS_MNNASCIMENTO.pdf: 341158 bytes, checksum: 75d3fab98589dc84396af45738b67043 (MD5) Previous issue date: 2010 / It investigates the representations of feminine affection in fairy tales of Colasanti Marina, considering the dialogue with the traditional narrative and pointing out it in the context of the narrative contemporary, over all of the Brazilian literature destined to the infantile public. The corpus of the research understands books of fairy tales an Uma ideia toda azul (1979), Doze reis e a moça no labirinto do vento (1982), Entre a espada e a rosa (1992) and Longe como o meu querer (1997). It approaches the profile of the feminine personages and its function in the delicate relation of affection with the opponent masculine figure, generally the father, and the faced tests to reach the maturity, materialize through the individuation, of the marriage or the emancipation in relation the forces oppressors of the masculine domain. It identifies in the narrative of the author the construction of the feminine identity and the determination incorporated for the protagonists, young in age to marry, front to the discovery of the love and the privacy / Investiga as representações de afetos femininos nos contos de fadas de Marina Colasanti, considerando o diálogo com a narrativa feérica tradicional e situando-a no contexto da narrativa contemporânea, sobretudo da literatura brasileira destinada ao público infantil. O corpus da pesquisa compreende os livros de contos de fadas Uma ideia toda azul (1979), Doze reis e a moça no labirinto do vento (1982), Entre a espada e a rosa (1992) e Longe como o meu querer (1997). Aborda o perfil das personagens femininas e sua função na conflituosa relação de afetos com a oponente figura masculina, geralmente o pai, e as provações enfrentadas para atingirem a maturidade, concretizada através da individuação, do casamento ou da emancipação em relação a forças opressoras do domínio masculino. Identifica na narrativa feérica da autora a construção da identidade feminina e a postura de altivez incorporada pelas protagonistas, jovens em idade de casar, frente à descoberta do amor e da intimidade.

Made available in DSpace on 2014-12-17T14:20:12Z (GMT). No. of bitstreams: 1 GloriaLFR.pdf: 1104480 bytes, checksum: 5f980e2d20c21e93f1bbcf2d1d93cff7 (MD5) Previous issue date: 2008-11-28 / Coordena??o de Aperfei?oamento de Pessoal de N?vel Superior / The proposal of this study was to work with women in the politics, focusing on their trajectories, biographies and speeches, to catch the meanings given by themselves to their insertion in the political field. The privileged instrument of research was the autobiographical narratives of fifteen women who, in Para?ba, had participated of the electoral processes and the life partisan politics in the period from 1998 to 2008, in the state and federal scopes. This permitted us to search the dimension of their lived expericence, to understand the trajectories and the processes of autonomation of the women, in the politics. Moreover, a quantitative mapping of the feminine presence in the processes was made electoral politicians in a wider context. In a similar way, two surveys had been carried throughout the research, among others aspects, to understand that image voters and politicians they construct concerning the feminine participation in this field. These instruments were important not to lose of all the social view where these lives were developed, the places from which these women speak and locate and the social meanings originated from this participation. The research aimed to establish dialogues between knowing and fields of discipline, beyond the dichotomy of actor/structure, preventing generalizations that ignore the plurality of the individuals, to reveal some aspects of the complex and contradictory processes that involve their participation in the political field. At last, it is tried to show that, although the frequent accusations of autonomy lack, when establishing relations in the public space, the women, as all subjects, can reflect about themselves, the motives of their thoughts and their actions escaping from the servitude of the repetition and avoid being only product of the institution that formed them (CASTORIADIS, 1992, p.140-141) / A proposta desse estudo foi trabalhar com mulheres na pol?tica, privilegiando suas trajet?rias, biografias e falas, para captar os sentidos dados por elas mesmas ? sua inser??o no campo pol?tico. O instrumento de pesquisa privilegiado foram as narrativas autobiogr?ficas de quinze mulheres que, na Para?ba, participaram dos processos eleitorais e da vida pol?tica partid?ria, no per?odo de 1998 a 2008, nos ?mbitos estadual e federal, o que permitiu buscar a dimens?o do vivido, entender as trajet?rias e os processos de autonomiza??o das mulheres, na pol?tica. Al?m disso, foi feito um mapeamento quantitativo da presen?a feminina nos processos pol?ticos eleitorais num contexto mais amplo. Do mesmo modo, foram realizados dois levantamentos que buscaram, entre outros aspectos, entender que imagem eleitoras e pol?ticos constroem acerca da participa??o feminina nesse campo. Esses instrumentos foram importantes para n?o perder de vista o todo social onde essas vidas se desenvolvem, os lugares a partir dos quais essas mulheres falam e se posicionam e os significados sociais advindos dessa participa??o. Procurou-se estabelecer di?logos entre saberes e campos disciplinares, para al?m da dicotomia ator/estrutura, evitando generaliza??es que ignoram a pluralidade dos indiv?duos, para revelar, alguns aspectos dos complexos e contradit?rios processos que envolvem sua participa??o no campo pol?tico. Enfim, tenta-se mostrar que, apesar das freq?entes acusa??es de falta de autonomia, ao estabelecerem rela??es no espa?o p?blico, as mulheres, como todo sujeito, podem refletir sobre si mesmas, as raz?es de seus pensamentos e motivos de seus atos , escapando da servid?o da repeti??o e deixando de serem apenas produtos da institui??o que as formou (CASTORIADIS, 1992, p.140-141)