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Global feminisms in feminist art and their new challengesWong, See-yuen, Gina., 黃思源. January 2007 (has links)
published_or_final_version / Literary and Cultural Studies / Master / Master of Arts
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2 |
Global feminisms in feminist art and their new challengesWong, See-yuen, Gina. January 2007 (has links)
Thesis (M. A.)--University of Hong Kong, 2007. / Title proper from title frame. Also available in printed format.
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Postmodernism and photographyYu, Kit-yee, Flora., 余潔儀. January 1991 (has links)
published_or_final_version / Literary Studies / Master / Master of Arts
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The art of Deborah Kass the "appropriate" representation of the self /Triandos, Theodoros I. January 2009 (has links)
Thesis (M.A.)--University of Delaware, 2008. / Principal faculty advisors: Ann E. Gibson and Ikem Okoye, Dept. of Art History. Includes bibliographical references.
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Postmodernism and photography /Yu, Kit-yee, Flora. January 1900 (has links)
Thesis (M.A.)--University of Hong Kong, 1991.
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Postmodernism and photographyYu, Kit-yee, Flora. January 1900 (has links)
Thesis (M.A.)--University of Hong Kong, 1991. / Also available in print.
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7 |
The quilt as concept /Furnish, Denise Mucci, January 2009 (has links) (PDF)
Thesis (M.A.)--University of Louisville, 2009. / Department of Fine Arts. Vita. "May 2009." Includes bibliographical references (leaves 26-27).
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Dancing in place the radical production of civic spaces /Somdahl, Katrinka Cleora, January 1900 (has links)
Thesis (Ph. D.)--University of Texas at Austin, 2007. / Vita. Includes bibliographical references.
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Dancing in place: the radical production of civic spaces / Radical production of civic spacesSomdahl, Katrinka Cleora, 1970- 28 August 2008 (has links)
Public spaces can be manipulated by choreographers to create political identifications that last long beyond the ephemeral performance event. How public space is defined and utilized is intimately connected with a society's definition of who is to be included and the kind of political community to be fostered. Through an engagement with feminist and political geographic writings I argue that dance, as an art form that is dominated by women, can create meaningful public spaces where these women express political attitudes, assert claims to the public realm, and actively use it for their own purposes. Using qualitative methods, three choreographers are highlighted to investigate how they each use symbolism, the social narratives concerning each site, and the built environment to communicate with their audiences about gentrification, environmental protection, and restrictive social mores. This work asserts that the social value of art combined with the nonverbal communication powers of the body leads to a heightened awareness of the political voice of the women involved in these urban performances.
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10 |
Portraits & plays :Harms, Lisa. Unknown Date (has links)
Thesis (MVisualArts)--University of South Australia, 2001.
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