The musical neo-matriarchy is linked to the growing popularity of Neo-Paganism. This pseudo-religious scene is based on romantic heritage, real or invented folk traditions and more or less serious historical, theological and anthropological studies of neo-matriarchy. In the focus of the scene stands the veneration of the Great Goddess and its worshipers are exclusively women. The main ideas of this eco-feminist movement are being conveyed also through (popular) music. My contribution encompasses the origins of the musical neo-matriarchy, the mythology it is based on, the message of the songs for the Great Goddess, the musical characteristics of the material collected, the use of typical instruments, and the dissemination of (musical) knowledge as the rather ‘modern’ way of distribution and consumption of the allegedly ‘archaic’ issues.

The comparison of ČT1 and TV Nova evening newscasts from a gender perspective Study is focused on the comparison of ČT1 (Události) and TV Nova (Televizní noviny) evening newscasts from a gender perspective. In my diploma thesis I follow some feminist studies that were done mainly in the anglo-american context - I try to verify if western theories about androcentrism in television newscast are valid in the czech context. My study is primarily based on the quantitative content analysis of the news - I am interested in aspects like gender inequality, representations of men and women (alternatively of transgender people), gender roles, gender stereotypes (reproduction or subversion) and reflection of the feminist thought by these media. The main aim of reasearch is to compare evening newscasts of leading czech public television (ČT1) and leading czech commercial television (TV Nova) - I try to find out if the commitment of public service has an influence on the gender aspects of these newscasts.

Diploma thesis "Sport and Intersexuality in Media" deals with the topic of intersexuality in professional sport, which was at the centre of media attention during the World Athletics Championship in Berlin in August 2009, as the South African athlete Caster Semenya won on the 800 m track. Because of her sports performance in conjunction with her appearance she had to undergo a sex test and until its evaluation she was excluded from athletic competitions. The aim of the study was to analyse texts published by selected nationally distributed Czech printed journals by using the quantitative content analysis and to describe the image of intersexuality, a publicly infrequently discussed topic, media submit to its readers, to capture any differences in the presentation of intersexuality and intersex people between the analysed media and to evaluate, whether and how the media contribute to retaining of the existing power order discriminating intersex people or whether they try to undermine this order.

This thesis concerns about how the concept of gender interacts in broader social theory of Pierre Bourdieu. Main interest lays on the potentiality to extend useful practical and theoretical perspectives of Bourdieu into feminist thinking, as well as on the feminist critical assesment of Pierre Bourdieu's theory and possible answers on it. Selected feminist views on Bourdieu's theory and on some of its concepts (e.g. habitus or disposition) and the view of Bourdieu on feminism as a critical theory and political movement will be analysed. The thesis follows primary literature written by Bourdieu, using the critical arguments of Toril Moi and Leslie McCall as two main pillars. First, the potentiality of Bourdieu's theory to address emancipation, universality and overcoming essentialist and non-essentialist positions of feminism will be discused. Second, I am focusing on the relations between gender, social order, capital and distinctive/distributive mechanism. Finally the relationship between the terms production and reproduction in Bourdieu's theory will be elaborated and some possible points to feminist critical thinking as well as to Bourdieu's theory will be made. Klíčová slova: Pierre Bourdieu, feminism, gender, habitus, capital, social order, distinction

This thesis concerns subject of Female Genital Mutilation/Cutting (FGM/C), ritual commonly - but inaccurately - named female circumcision. In the thesis I analyze two autobiographical texts written by women who got through the FGM/C - Mutilated written by Senegal author Khady and Desert Flower by Somali author Waris Dirie. Aim of this thesis is to analyze view point of two women who have direct experience with FGM/C, to add more information to research of this ritual and to strengthen effort to understand structural reasons for its existence and continuance. I attach myself to the side of opponents to FGM/C and by this thesis I'd wish to help to banish this ritual. My effort is connected with my feminist conviction but also with human rights discourse. ABSTRAKT Tato diplomová práce zkoumá problematiku Female Genital Mutilation/Cutting (FGM/C), rituálu u nás běžně - avšak nepřesně - nazývaného ženská obřízka. V diplomové práci analyzuji dva autobiografické příběhy žen, které prožily FGM/C. Jedná se o knihy Zmrzačená od senegalské autorky Khady a Květ pouště od somálské autorky Waris Dirie. Cílem tohoto výzkumu je analyzovat pohled dvou žen na rituál FGM/C, připojit další informace ke zkoumané problematice FGM/C, a tak rozšířit nejen znalosti týkající se rituálu samotného, ale zejména podpořit snahu...

This thesis deals with women's images in the chosen novels by the Austrian writer Elfriede Jelinek. The focus lies on exploring women's sexuality and identities in Die Klavierspielerin (The Piano Teacher), Lust (Lust) and Die Liebhaberinnen (Women as Lovers). As for the methodology, I draw on feminist literary criticism and gender studies, primarily Elaine Showalter's and Judith Butler's theories. The development of female protagonists is comprehended as formed through patriarchy - it will be analyzed, and the individual results will be compared in order to get to the general issue about depiction of patriarchy and toxic masculinity in Jelinek's work. Key words: feminism, gender, women's sexuality, self-determination, Elfriede Jelinek

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