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  • About
  • The Global ETD Search service is a free service for researchers to find electronic theses and dissertations. This service is provided by the Networked Digital Library of Theses and Dissertations.
    Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
1

In constant flux

Kuharik, Christian Bernard. January 2003 (has links)
Thesis (M.F.A.)--West Virginia University, 2003. / Title from document title page. Document formatted into pages; contains iv, 29 p. : col. ill. + video clip. Includes an injection system video clip. Vita. Includes abstract. Includes bibliographical references (p. 17).
2

The bloating of clays

Sharp, Everett Walter. January 1940 (has links) (PDF)
Thesis (B.S.)--University of Missouri, School of Mines and Metallurgy, 1940. / The entire thesis text is included in file. Typescript. Illustrated by author. Title from title screen of thesis/dissertation PDF file (viewed March 23, 2010) Includes bibliographical references (p. 31) and index (p. 32).
3

Technical and aesthetic investigations in soda glaze ceramics

Nichols, Gail, 1953- January 2001 (has links)
Abstract not available
4

Developing clays, surfaces, and colors in a conical cone confabulation

Waddle, Amanda M. January 2000 (has links)
There is no abstract available for this thesis. / Department of Art
5

Design tools for enriching the ceramics forms aesthetically by experimental treatments during and post firing / Analyse rétrospective et comparatiste du traitement des surfaces céramiques anciennes pendant et après cuisson : modélisation des glaçures

Gohari, Mohammed El 24 September 2012 (has links)
Dans les arts plastiques, le concept de la beauté doit être associé aux techniques sous-jacentes. L'artiste doit choisir et maîtriser ces techniques afin de les appliquer à l'art en vue d'atteindre les résultats esthétiques visés. Une approche scientifique de ces techniques a un rôle important dans l'amélioration de leur application dans les arts plastiques. Les céramiques et poteries sont un domaine complexe où les réactions chimiques et les propriétés physiques des argiles et des glaçures doivent être prises en compte. Dans ce domaine l'histoire de la science était un guide utile dans une telle recherche. Pour les céramiques, les réactions chimiques se produisant à la phase haute température du processus de cuisson déterminent essentiellement l'aspect final de la surface du produit. En conséquence, changer les conditions de ces réactions (profils de température, la nature de l'atmosphère du four) était une bonne méthode pour obtenir de nouveaux aspects de surface. L'atmosphère du four pendant et après la cuisson permettait de contrôler, dans une large mesure, l'aspect final des produits céramiques, et cela dépend à la fois de la conception et de la mise en place du four. L'étude de l'histoire des techniques céramiques, dans différentes civilisations, a conduis à un aperçu des techniques de cuisson. La compréhension scientifique de ces techniques a mené à des stratégies en vue de modifier la conception du four et la pratique de la cuisson. / In Plastic arts; with the concept of beauty there are also techniques, artists choose between these techniques for apply art works matching with aesthetic viewpoint. As well as science have important role in improved applied arts and fine arts techniques. In ceramics and pottery we are confronted with the chemicals reactions and physical properties of clay and glaze which have deep roots in human history, so history techniques will guide us in this research. In ceramic, chemical reactions need high temperature as condition to exist (Firingprocess), and that have main role in determined final appearance of surface treatments for ceramics forms. When the chemical reactions and physical properties which happen in firing process are responsible of final appearance and aesthetics treatments of ceramics forms, the changing of reactions conditions was used for achieving new treatments for ceramic surface beauty. The atmosphere of kiln during and after firing process whom decide the final appearance for ceramics forms, presented as technique for modifying kiln structure as afactor of enriching aesthetics treatments for ceramic surface. The history and science of ceramics techniques in some civilizations was studied to understand some firing techniques and its roles in ceramic surface esthetics. These provided evidence with experimental study to design a new kiln which can be used as a tool to enrich ceramics forms aesthetically

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