[pt] O objetivo desta tese é o estudo da obra do desenhista Seth (1891-1949), um dos mais importantes caricaturistas brasileiros da primeira metade do século XX, percebendo sobretudo a singularidade de sua contribuição, no tocante a criação de personagens negros, e procurando um amplo levantamento documental, biográfico e artístico de sua carreira, buscando analisar sua trajetória no meio artístico do Rio de Janeiro entre as décadas de 1910 e 1940, seu percurso intelectual. A presente pesquisa trabalha com um número expressivo de desenhos produzidos durante esse longo período, no qual se destacam obras da caricatura de costumes como Quando a morena passa, O democrático bonde, Dois desejos, da série Flagrantes Cariocas, entre outras. O trabalho objetiva ainda o estudo das inovações que Seth trouxe para a publicidade com os cartazes da série Casa Mathias. E procura entender como Seth encontrou na participação na política de propaganda cívica do regime Vargas um caminho para a expressão de suas crenças nacionalistas, observando sua relação com os valores do Estado Novo. / [en] This proposition try to bring lights about Seth (1891- 1949) - one of the most importants brazilians caricaturists in the first half of the XX century, talking about the singularity of his contribution, at the concern of his black people characters creations and the searching to enlarge the documental, biographic and artistic aspects of his career, analyzing his trajectory in the middle of the artistic environment in Rio de Janeiro, between 1910 and 1940 decades, his intellectual journey. The present research works with au expressive numbers of drawings, produced along this period, showing works of the customs drawings likes the ones The Brunette´s Walks; The Democratic Streetcar; Two Desires, all frow the Cariocas Flagrants series, between others. This researchs will focus either the study of publicity innovations introduced by Seth for Casa Mathias Magazines calendars and posters. The proposition seeks to understand how the artist founded at the civic propaganda in the Vargas govern times, a way to express his nacionalistics believes, in the craddle of the Estado Novo values.

Les sessions extraordinaires constituent une des innovations majeures de la réforme de 2006 qui a institué le Conseil des droits de l’homme, en tant qu’organe subsidiaire de l’Assemblée générale des Nations Unies. Alors même que le Conseil tient trois sessions régulières chaque année, les sessions extraordinaires permettent aux Etats de réagir face à une situation de crise en organisant un débat, permettant d’évaluer et de qualifier les violations commises et mettant en place des mécanismes d’enquête et de suivi. L’analyse systématique des vingt-six sessions extraordinaires organisées depuis près de douze ans éclaire ainsi non seulement les rapports de force entre les acteurs en présence mais aussi une dynamique nouvelle du droit international public, intégrant le droit international humanitaire et le droit international pénal dans le champ de compétence du Conseil des droits de l’homme. / Special sessions are one of the major innovations of the reform that established the Human Rights Council in 2006 as a subsidiary body of the United Nations General Assembly. While the Council holds three regular sessions each year, a special session allows States to respond to an urgent situation by organizing a debate, to assess and qualify violations and also to establish investigative mechanisms. The systematic analysis of the twenty-six special sessions held in nearly a period of twelve years illuminates, not only the balance of power between the actors involved, but also a new dynamic of international law, integrating international humanitarian law and international criminal law into the field of competence of the Human Rights Council.