O presente estudo parte da tese de que as danças urbanas começam a se constituir como uma das formas de ser homem e profissional na contemporaneidade, na qual as interdições sociais já não são tão limitantes como foram outrora. Desta forma, apresentamos como objetivo geral investigar como tal processo se dá na cidade do Rio de Janeiro, estudando as artes de fazer destes atores, os dançarinos urbanos. Mais especificamente, desdobramos este objetivo em três aspectos diferentes: investigar suas táticas para organizar o acontecimento de sua dança na cidade, descrever suas formas de narrar suas próprias histórias de vida e perspectivas e, finalmente, analisar suas formas de recriar a dança de rua original do movimento hip hop em novas linguagens. Os temas são apresentados em três diferentes artigos. O primeiro, Do racha na rua à batalha nos palcos: o acontecimento da dança de rua no Rio de Janeiro, de caráter mais etnográfico, faz uma análise dos eventos de danças urbanas que foram destacados como os mais importantes da cidade pelos dançarinos de break cariocas. O segundo artigo, Retóricas da caminhada: narrativas dos jovens dançarinos urbanos na cidade do rio de janeiro, tem como matéria prima as entrevistas realizadas com os dançarinos urbanos, nas quais contam suas histórias de vida, as suas construções enquanto artistas e suas perspectivas em relação à dança e ao futuro. O terceiro trabalho A dança do passinho: uma criação carioca fala sobre uma manifestação de dança urbana criada nas favelas do Rio de Janeiro, a partir de uma linguagem que deriva do hip hop, que é o funk. Tivemos nos estudos de Vianna (1997) e Herschmann (2000) o ponto de partida para entendermos este processo, difuso e disperso em função de seu desdobramento na forma da cultura funk carioca. A metáfora do liso e do estriado, proposta por Deleuze e Guatarri (2012) foi acionada como ferramenta para refletir sobre a vida dos jovens dançarinos urbanos e seus trânsitos. Buscamos também estabelecer um diálogo entre esta proposta e as ideias de Certeau (2008), baseados no aspecto da criatividade cotidiana diante das estratégias dos sujeitos de poder. Ao final, apresentamos algumas considerações a respeito dos achados das pesquisas de campo realizadas, em perspectivas com os conceitos de alisamento e estriagem do espaço e das relações entre táticas e estratégias neste contexto. / This study is based on the idea that the urban dances begin as one of the ways to become a man and a professional in modern times. That being said, the main objective of this work is to present how this process happens in Rio de Janeiro city by studying the urban dancers. This objective is split in three: describe the tactics used by the dancers to organize their dance in the city; describe their way of telling their story and life perspectives; analyze how they refactor the original hip hop street dance. Each of these is presented in an article: From the street fighting to the stage battles: the rise of street dancing in Rio de Janeiro, Journeys rhetoric: young urban dancers stories in Rio de Janeiro city and The passinho dance: a dance born in Rio. We based ourselves in Vianna (1997) and Herschmann (2000) in order to understand this diffuse and disperse process as a function of its presence in Rios funk culture. The liso e estriado metaphor was used as a tool to make us think about these young dancers life. We also seek to establish a dialog between our ideas and Certeaus (2008). In the end, we present some ideas based on our research and field work.

The central objective of this work is to present an analysis of the asymptotic conformal Killing vectors in asymptotically-flat space-times of general relativity. This problem has been examined by two different methods; in Chapter 5 the asymptotic expansion technique originated by Newman and Unti [31] leads to a solution for asymptotically-flat spacetimes which admit an asymptotically shear-free congruence of null geodesics, and in Chapter 6 the conformal rescaling technique of Penrose [54] is used both to support the findings of the previous chapter and to set out a procedure for solution in the general case. It is pointed out that Penrose's conformal technique is preferable to the use of asymptotic expansion methods, since it can be established in a rigorous manner without leading to the possible convergence difficulties associated with asymptotic expansions. Since the asymptotic conformal symmetry groups of asymptotically flat space-times Are generalisations of the conformal group of Minkowski space-time we devote Chapters 3 and 4 to a study of the flat space case so that the results of later chapters may receive an interpretation in terms of familiar concepts. These chapters fulfil a second, equally important, role in establishing local isomorphisms between the Minkowski-space conformal group, 90(2,4) and SU(2,2). The SO(2,4) representation has been used by Kastrup [61] to give a physical interpretation using space-time gauge transformations. This appears as part of the survey of interpretative work in Chapter 7. The SU(2,2) representation of the conformal group has assumed a theoretical prominence in recent years. through the work of Penrose [9-11] on twistors. In Chapter 4 we establish contact with twistor ideas by showing that points in Minkowski space-time correspond to certain complex skew-symmetric rank two tensors on the SU(2,2) carrier space. These objects are, in Penrose's terminology [91, simple skew-symmetric twistors of valence [J. A particularly interesting aspect of conformal objects in space-time is explored in Chapter 8, where we extend the work of Geroch [16] on multipole moments of the Laplace equation in 3-space to the consideration. of Q tý =0 in Minkowski space-time. This development hinges upon the fact that multipole moment fields are also conformal Killing tensors. In the final chapter some elementary applications of the results of Chapters 3 and 5 are made to cosmological models which have conformal flatness or asymptotic conformal flatness. In the first class here we have 'models of the Robertson-Walker type and in the second class we have the asymptotically-Friedmann universes considered by Hawking [73].

O presente estudo parte da tese de que as danças urbanas começam a se constituir como uma das formas de ser homem e profissional na contemporaneidade, na qual as interdições sociais já não são tão limitantes como foram outrora. Desta forma, apresentamos como objetivo geral investigar como tal processo se dá na cidade do Rio de Janeiro, estudando as artes de fazer destes atores, os dançarinos urbanos. Mais especificamente, desdobramos este objetivo em três aspectos diferentes: investigar suas táticas para organizar o acontecimento de sua dança na cidade, descrever suas formas de narrar suas próprias histórias de vida e perspectivas e, finalmente, analisar suas formas de recriar a dança de rua original do movimento hip hop em novas linguagens. Os temas são apresentados em três diferentes artigos. O primeiro, Do racha na rua à batalha nos palcos: o acontecimento da dança de rua no Rio de Janeiro, de caráter mais etnográfico, faz uma análise dos eventos de danças urbanas que foram destacados como os mais importantes da cidade pelos dançarinos de break cariocas. O segundo artigo, Retóricas da caminhada: narrativas dos jovens dançarinos urbanos na cidade do rio de janeiro, tem como matéria prima as entrevistas realizadas com os dançarinos urbanos, nas quais contam suas histórias de vida, as suas construções enquanto artistas e suas perspectivas em relação à dança e ao futuro. O terceiro trabalho A dança do passinho: uma criação carioca fala sobre uma manifestação de dança urbana criada nas favelas do Rio de Janeiro, a partir de uma linguagem que deriva do hip hop, que é o funk. Tivemos nos estudos de Vianna (1997) e Herschmann (2000) o ponto de partida para entendermos este processo, difuso e disperso em função de seu desdobramento na forma da cultura funk carioca. A metáfora do liso e do estriado, proposta por Deleuze e Guatarri (2012) foi acionada como ferramenta para refletir sobre a vida dos jovens dançarinos urbanos e seus trânsitos. Buscamos também estabelecer um diálogo entre esta proposta e as ideias de Certeau (2008), baseados no aspecto da criatividade cotidiana diante das estratégias dos sujeitos de poder. Ao final, apresentamos algumas considerações a respeito dos achados das pesquisas de campo realizadas, em perspectivas com os conceitos de alisamento e estriagem do espaço e das relações entre táticas e estratégias neste contexto. / This study is based on the idea that the urban dances begin as one of the ways to become a man and a professional in modern times. That being said, the main objective of this work is to present how this process happens in Rio de Janeiro city by studying the urban dancers. This objective is split in three: describe the tactics used by the dancers to organize their dance in the city; describe their way of telling their story and life perspectives; analyze how they refactor the original hip hop street dance. Each of these is presented in an article: From the street fighting to the stage battles: the rise of street dancing in Rio de Janeiro, Journeys rhetoric: young urban dancers stories in Rio de Janeiro city and The passinho dance: a dance born in Rio. We based ourselves in Vianna (1997) and Herschmann (2000) in order to understand this diffuse and disperse process as a function of its presence in Rios funk culture. The liso e estriado metaphor was used as a tool to make us think about these young dancers life. We also seek to establish a dialog between our ideas and Certeaus (2008). In the end, we present some ideas based on our research and field work.

The central objective of this work is to present an analysis of the asymptotic conformal Killing vectors in asymptotically-flat space-times of general relativity. This problem has been examined by two different methods; in Chapter 5 the asymptotic expansion technique originated by Newman and Unti [31] leads to a solution for asymptotically-flat spacetimes which admit an asymptotically shear-free congruence of null geodesics, and in Chapter 6 the conformal rescaling technique of Penrose [54] is used both to support the findings of the previous chapter and to set out a procedure for solution in the general case. It is pointed out that Penrose's conformal technique is preferable to the use of asymptotic expansion methods, since it can be established in a rigorous manner without leading to the possible convergence difficulties associated with asymptotic expansions. Since the asymptotic conformal symmetry groups of asymptotically flat space-times Are generalisations of the conformal group of Minkowski space-time we devote Chapters 3 and 4 to a study of the flat space case so that the results of later chapters may receive an interpretation in terms of familiar concepts. These chapters fulfil a second, equally important, role in establishing local isomorphisms between the Minkowski-space conformal group, 90(2,4) and SU(2,2). The SO(2,4) representation has been used by Kastrup [61] to give a physical interpretation using space-time gauge transformations. This appears as part of the survey of interpretative work in Chapter 7. The SU(2,2) representation of the conformal group has assumed a theoretical prominence in recent years. through the work of Penrose [9-11] on twistors. In Chapter 4 we establish contact with twistor ideas by showing that points in Minkowski space-time correspond to certain complex skew-symmetric rank two tensors on the SU(2,2) carrier space. These objects are, in Penrose's terminology [91, simple skew-symmetric twistors of valence [J. A particularly interesting aspect of conformal objects in space-time is explored in Chapter 8, where we extend the work of Geroch [16] on multipole moments of the Laplace equation in 3-space to the consideration. of Q tý =0 in Minkowski space-time. This development hinges upon the fact that multipole moment fields are also conformal Killing tensors. In the final chapter some elementary applications of the results of Chapters 3 and 5 are made to cosmological models which have conformal flatness or asymptotic conformal flatness. In the first class here we have 'models of the Robertson-Walker type and in the second class we have the asymptotically-Friedmann universes considered by Hawking [73]. / University of Bradford Research Studenship

The aim of the final thesis is to design steel structure of the sports hall in Brno. The design is processed in two options. The option "A" is designed in variant of flat space frame with dimensions 78x46,5 m and the structure height is 13,0 m. The option "B" is designed in variant of truss girder with parabolic lower belt and purlin. Dimensions are 84x46,5 m and the structure height is 12,8 m. Roof covering and curtain walling is made of sendwich panels with polyurethane foam and trapezoidal sheet.

The subject of this final thesis was to elaborate variant proposal and to assess supporting steel structure roof bus station in the shape of a hyperbolic paraboloid. 2 variants were proposed, one of which was chosen as a more appropriate and this was processed details and drawings. Both variants are used as cover glass panels. Structures are made of steel with 235J0.

The objective of the diploma thesis is to design and check a load-carrying steel structure of departure lounge in Ostrava. The building has a rectangular plan with dimensions of 45x63m. Height of the building at its heightest point is 13m. First variant composes of trussed girders and purlins. Spatial rigidity is achieved by bracings. Second variant is a flat space frame. The design of joints, column anchorage and drawings has been made for variant 2.

The work is focused on assessing the structure of urban winter stadium, which will be located in Brno - Komarov. Winter stadium is designed according to standarts of ice hockey with a capacity of approximately 7 000 spectators. Of the 5 850 seating, 1 050 stalls and 100 in the VIP areas. Construction of hockey stadium is made of steel and steel-concrete columns, which together with composit transverse beam, reinforced concrete slab and bracings provide rigidity. Columns are supported by a set of bored piles with capitals. Roofing of the main part of the winter stadium is designed using a flat space frame having a maximum height of 4,5 m. Roof for entrance halls are design by a system of truss girder and purlins, which are hardened bracings to increase spatial rigidity. The structures are made of steel S 355 and concrete C 25/30. For designing steel structures was used software Scia ENGINEER and IDEA RS. Steel columns and composit beams are calculated by hand calculation. The total length of the hockey stadium is 111,5 meters, width outside the entrance hall is 82,02 m and the total width at the entrance hall is 96,85 m. The height of the building at the highest point is 25,6 meters.