The thesis deals with the historical development of applied arts and the plant motifs of decorative creation. There is also mentioned the problem of the natural geometric decorative motifs development and the difference between the functional and decorative artefact. Then there are described the sources of inspiration, which were used as basis for the practical part. Description of the practical part deals with the production of ceramic artefacts, then with the problem of colours and in the end it describes the installation of light into one of the objects, which is the decorative light.

This thesis deals with the issue of collection of ceramic solitary dishes, which are decorated with colour pigments with landscape motives. Five individual objects, variable in shape, which form one complete set. These are five records of floodplain landscape, vineyards and fluvial forests. This thesis aims at connection between wall painting and ceramic material, connection of utility and free creation. The introduction is devoted to the theoretical knowledge; the second part develops technological and practical skills.