The objective of the diploma thesis is a design and a check of load-carrying steel structure of a shopping gallery. The project is designed in two options. The building is located in Vsetin. The total ground plan‘s dimensions are 51x54 metres. The height of the building in the highest point is 17 metres.The whole building is divided into two parts - entrance hall and free-storey building. For selected option the calculation of joints and column anchorage is performed as well as the design documentation.

This study examines the function of art education at the level of selected European and Czech national documents, at the level of Prague 1 galleries and museums that offer education programmes for school groups at the level of the individual education employees of museums, galleries and of primary graphic and plastic art school in Prague 1. The content of the thesis is based on data collected and analyzed using grounded theory of the qualitative research. The research data pass through the entire text and show the links between themselves and connections with theoretical texts. The text of the thesis is divided into two parts. The first one is focused on theoretical and research findings. Here are the resources of the whole work contained, statements about art and education from the perspective of different discourses, creation of gallery and museum education, creation of gallery and museum education, the current trends in the gallery and museum education, position of gallery and museum educators, the competency of educators, the methodology, research results and evaluation of research probe. The second part deals with didactic processing of the exhibition so called "Po sametu" (After Velvet). There is described the preparation, execution and reflection of the gallery education work. Key-words:...

The aim of the master project is to design a new building of the cinema with gallery and to design technical equipment. The building is „L“ shaped, the half of the building is single-storey and the other half is two-storey, there is no basement. The most important rooms are on the ground floor – gallery, cinema, foyer and staff rooms. On the second floor there is projector room, sound engineer room, recording room and other sound adjusting rooms. The vertical loadbearing and non-loadbearing walls are designed from aerated concrete blocks, horizontal structure are cast-in-place reinforced slabs, the roof is flat. There is a reinforced concrete staircase that leads to the second floor, the building is insulated by ETICS. There are 4 HVAC units designed in the building, units are controlled with monitoring and controlling unit, also there are photovoltaics and rainwater storage systems designed. The project and visualizations were made in the ArchiCAD, MS excel, DEK, Halton HIT, AeroCAD software. Experiment validates measured data with mathematical analytics model that I used in 7 theoretical models of ventilator controlling possibilities to achieve energy savings. Re-sults will be compared and assessed.

Kopřivnice as a town that is waking up from the past. There are many places with a potential to be a quality place for a culture, bussines or housing. The project is located near the centre of Kopřivnice, where is a suitable place for the Creative centre. The design uses the potential of old industrial factory halls, which are given new functions of use. The Creative centre as a place for a culture, education, creating and also for fun. The centre with an art gallery, cafe, offices, workshop and place for freetime activity. Close the centre is conversioned hall with new loft apartments and also a new development with apartments, shops and park with water reservoir.

The main objective of the master´s thesis was a design of the town house in the complicated topografical situation of the foothill of Pekařská street. The topography of the building site is influenced by its surroundings. The street Pekařská is lowering from east to west, but the road Anenská is rising from east to west. The biggest difference between the the lowest and the highest point of the site is 7,5 m. This situation enables to design three entrances to three different floors of the building. An outstanding point of the design of the house is a composition axis which is running up Pekařská street. The town house is facing this axis thus the main entrance of the house is accented. There was a compact house designed, which takes advantage of its very good position – there is a two-floor solution with a shopping mall. The hall in its middle is opening over two floors and it is lightened through a roof lightwell. On this platform is situated an „L“ shaped part of the building, which creates a protection against very noisy Pekařská street. The house is opening its form to the south, to a sunny roof garden. This garden is opened only for inhabitants of the house. The garden improves the quality of the living in the house and substitutes a green area, which used to be in this place. The shape of the building is lowering down from Pekařská street to Anenská road. There are some terraces designed this way to improve the living in the roof apartments and provide a beatiful view to the west.

The master thesis deals with the completion of the city ring road of Brno. Specifically, the building of media library with mediagalery and conference center.

Assignment of master project was find a solution of new entrance to Vejvanovského street in Kroměříž. The location is situated on the edge of the historic center. The proposal define new function to this location and there is a gallery, art studio, bicycle depository, atd.

Das Leonhardi-Museum in Dresden gehörte in der DDR zu den legendären Ausstellungsorten für zeitgenössische, nonkonforme Kunst. Seine Besonderheit bestand darin, daß die Konzeption und Organisation der Ausstellungen in den Händen der Künstler selbst lag - die sich dafür immer wieder in einer offenen Formation, einer Arbeitsgruppe (AG) zusammenschlossen -, und daß es kein inoffizieller oder autonomer Ort war, sondern zunächst eine Galerie des staatlichen Künstlerverbandes VBK und später des Stadtbezirkes Dresden Ost. In der vorliegenden Dissertation konnten von 1963 bis 1990 über 100 Ausstellungen und Aktionen im großen Saal des Leonhardi-Museums nachgewiesen und dokumentiert werden: In der Mehrzahl Personal-Ausstellungen von Graphikern, Malern und Bildhauern, die Haltungen provozierten, Sehgewohnheiten erweiterten und sich von der Dimension des Raumes zu Experimenten anregen ließen. Nicht selten war es für sie die erste Gelegenheit, überhaupt auszustellen. Kanonbildend waren vor allem die gemeinsamen Feste und die spektakulären Gruppenausstellungen zu den Themen „Türen“ (1979) und „Frühstück im Freien“ (1982), welche das Leonhardi-Museum auch über die Stadt- und Staatsgrenze hinaus bekannt machten. Ferner trugen die durch das Ministerium für Staatssicherheit veranlassten Verbote und Schließungen zur Popularität des Hauses bei. Im Vergleich mit anderen offiziellen Ausstellungsorten in Berlin (Kunstkabinett von Lothar Lang, Galerie Arkade), Leipzig (Galerie am Sachsenplatz, Herbstsalon), Karl-Marx-Stadt (Galerie Clara Mosch) und Dresden (u.a. die Galerien Kunst der Zeit, Nord, Comenius und Mitte; Puschkinhaus, Lücke frequentor, Intermedia) konnte gezeigt werden, daß sich die Bedeutung des Leonhardi-Museums veränderte, es aber der einzige Ausstellungsort in der DDR war, an dem es Künstlern über drei Jahrzehnte gelungen ist, offizielle Strukturen (aus-) zu nutzen, um in produktiver Eigenständigkeit einen Freiraum für bildende Kunst zu schaffen. / The Leonhardi-Museum in Dresden belonged to one of the most legendary exhibition centers / galleries for contemporary nonconformist art in the GDR. Its peculiarity was derived from the fact that the concept and organization of the exhibitions lay in the hands of the artists themselves – who continually formed open ad hoc working groups (Arbeitsgruppe / AG) – as well as the fact that it was not an unofficial or autonomous institution, but primarily a gallery belonging to the State Association of Artists in the Graphic Arts in the GDR (VBK) and later to the city council Dresden-East. This dissertation examines and documents more than 100 exhibitions and events held in the principal hall of the Leonhardi-Museum between 1963 and 1990. The majority were personal exhibitions by graphic artists, painters and sculptors which provoked attitudes and opinions, broadened viewing habits and which featured experiments which were stimulated by the dimensions of the room. Often it was the first opportunity at all for artists to exhibit. Especially the communal festivities and spectacular group exhibitions around the topics “doors” and “Alfresco Breakfast” made the Leonhardi-Museum famous both nationally and internationally. Ministry of “Staatssicherheit” bans contributed to the increased popularity of the Leonhardi-Museum. Comparisons with similar official exhibition venues in Berlin (Lothar Lang’s Art-Cabinet, Gallery Arkade), Leipzig (Gallery on the Sachsenplatz, Herbstsalon), Karl-Marx-Stadt (Gallery Clara Mosch) and Dresden (Galleries Kunst der Zeit, Nord, Comenius and Mitte; Puschkinhaus, Lücke frequentor, Intermedia) demonstrate that the importance of the Leonhardi-Museum changed, but that for three decades it remained the only place in the GDR in which artists were able to use official structures for their art. In doing so they created scope for freedom for the graphic arts.

Après une étude tectonique et statistique de la fissuration du massif de l'Arpille , et de la galerie du Trient , les analyses hydrogéologiques, hydrochimiques sont faites sur les venues d'eau de la galerie du Trient ( Massif du Mont Blanc) .

This article focuses on Baroque heraldry, specifically the phenomenon of galleries of coats of arms in the Bohemian lands during the post-White Mountain period. Using auxiliary historical sciences methods, three sets of coats of arms from 1660-1690 are analysed: 1. Heraldic coats of arms and insignia of benefactors on sixteen paintings of the Saint Wenceslas series in the Basilica of St. Wenceslaus in the pilgrimage area of Stará Boleslav near Prague; 2. A set of three painted coats of arms in stucco cartouches on the triumphal arch of the Chapel of the Virgin Mary and St. Charles Borromeo in the former Vlašský Hospital in Prague's Lesser Town; 3. Heraldic coats of arms and insignia on ten wooden plinths of statues of Bohemian patrons in the archdeanery church of the Assumption of the Virgin Mary in Tachov. The article yields a series of named sets of coats of arms, and the identification of most persons to whom they belonged to, including a comparison with coats of arms presented in other sources (seals, designs on deeds for coats of arms, old prints). With the placement into a wider historical context and an analysis of the donor structure, the article also points to the composition of the elite at that time, stemming from a range of higher and lower nobility, clergy and burghers, and to the need to make...