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Klanggut: Eine Zeitschrift zur Kirchenmusik in Sachsen: Konferenz für Kirchenmusik14 November 2022 (has links)
No description available.
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Klanggut: Eine Zeitschrift zur Kirchenmusik in Sachsen: Konferenz für Kirchenmusik14 August 2023 (has links)
No description available.
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Klanggut: Eine Zeitschrift zur Kirchenmusik in Sachsen: Konferenz für Kirchenmusik09 February 2024 (has links)
No description available.
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Doubt and Belief: Hugo Wolf’s settings of Geistliche Lieder from Mörike Lieder and Spanisches LiederbuchPark, Moon-Sook 22 November 2010 (has links)
No description available.
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Klanggut: Eine Zeitschrift zur Kirchenmusik in Sachsen: Konferenz für Kirchenmusik17 May 2024 (has links)
No description available.
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Klanggut: Eine Zeitschrift zur Kirchenmusik in Sachsen: Konferenz für Kirchenmusik07 November 2024 (has links)
No description available.
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Schwesternspiegel im 15. Jahrhundert Gattungskonstitution - Editionen - UntersuchungenBorries, Ekkehard January 2002 (has links)
Zugl.: Göttingen, Univ., Diss., 2002
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Die Gestalt des Pontius Pilatus in Legende, Bibelauslegung und Geschichtsdichtung vom Mittelalter bis in die frühe Neuzeit Literaturgeschichte einer umstrittenen Figur /Scheidgen, Andreas, January 2002 (has links)
Thesis (doctoral)--Universität, Mainz, 2000. / Includes bibliographical references (p. [299]-317) and index.
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Von der Kunst der BeschränkungKrumbiegel, Martin 03 February 2017 (has links)
No description available.
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Six Odes by C.F. Gellert set by C.P.E. Bach and Ludwig van Beethoven: A Comparative Analysis, a Lecture Recital Together with Three Recitals of Selected Works by Monteverdi, Caldara, Mozart, Brahms, Mendelssohn, Ives, Honegger, and OthersSeelig, Timothy 08 1900 (has links)
The lecture recital was given on July 13, 1987. The discussion of the poetry by C. F. Gellert and the musical settings by C. P. E. Bach and Ludwig van Beethoven including analyses of all the pieces was followed by their performance.
In addition to the lecture recital, three other public recitals were given: three of solo literature for voice and piano and one of vocal chamber literature. These included the works of Monteverdi, Caldara, Mozart, Brahms, Strauss, Mendelssohn, Ives, Honegger, Debussy, Faure", and others.
All of these recitals were recorded on magnetic tape and filed along with the written version of the lecture material as a part of the dissertation.
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