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Maupassant est-il mort fou? Considérations médicales et littéraires sur la vie et la mort de Guy de MaupassantFodéré, René. January 1900 (has links)
Issued also as thesis, Universit́e de Paris, under title: La lucidité de Guy de Maupassant dans ses dernières oeuvres (1888-1892).
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Maupassant est-il mort fou? Considérations médicales et littéraires sur la vie et la mort de Guy de MaupassantFodéré, René. January 1900 (has links)
Issued also as thesis, Universit́e de Paris, under title: La lucidité de Guy de Maupassant dans ses dernières oeuvres (1888-1892). / Microfilmed for preservation. DNLM
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Situacionistický pokus o znovuoživení avantgardního projektu - jeho kořeny, cíle a úskalí / Situationist attempt of a revival of the project of the avant-garde - its roots, goals and difficultiesŠtern, Jan January 2013 (has links)
This thesis focuses on the work and thoughts of Guy Debord and with him associatedart group called Situationist International. In the begining we focus on the philosophical roots behind the most important of Debord's books - The Society of the Spectacle. In the main part of our thesis we deal with the way in which the situationists elaborated the legacy of the interwar avant- gardes. We put it in the context of the world of art at that time and show what aspects of dadaism and surrealism were crucial for the situationist production. In the end we analyze in a critical way the main reasons of the situationist failure. The most improtant of them is for us their strict refusal of any form of distance.
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Situacionistický pokus o znovuoživení avantgardního projektu - jeho kořeny, cíle a úskalí / Situationist attempt of a revival of the project of the avant-garde - its roots, goals and difficultiesŠtern, Jan January 2014 (has links)
This thesis focuses on the work and thoughts of Guy Debord and with him associated art group called Situationist International. In the begining we focus on the philosophical roots behind the most important of Debord's books - The Society of the Spectacle. In the main part of our thesis we deal with the way in which the situationists elaborated the legacy of the interwar avant-gardes. We put it in the context of the world of art at that time and show what aspects of dadaism and surrealism were crucial for the situationist production. In the end we analyze in a critical way the main reasons of the situationist failure. The most improtant of them is for us their strict refusal of any form of distance.
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Génie et folie chez Guy de Maupassant.Gabel, Joseph, January 1940 (has links)
Thèse--University of Paris, 1940. / Includes bibliographical references.
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The chansons of the châtelain de CoucyKarp, Theodore. January 1960 (has links)
Thesis--New York University. / Photocopy of typescript of v.1. Ann Arbor, Mich. : University Microfilms International, l980. --- xii, 384 leaves ; 22 cm. Includes bibliographical references (v. 1, leaves 375-384).
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Zahnärztliches bei den italienischen Chirurgen des 13. Jahrhundert und bei Guy de ChauliacSchwind, Oskar, January 1924 (has links)
Thesis (doctoral)--Universität Leipzig, 1924. / Vita. Includes bibliographical references (p. 48).
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Zahnärztliches bei den italienischen Chirurgen des 13. Jahrhundert und bei Guy de ChauliacSchwind, Oskar, January 1924 (has links)
Thesis (doctoral)--Universität Leipzig, 1924. / Vita. Bibliography: p. 48.
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Person, distance and perspective in the short works of Guy de MaupassantGardner, David Aldrich, January 1900 (has links)
Thesis (Ph. D.)--University of Wisconsin--Madison, 1973. / Typescript. Vita. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references.
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Guy de Maupassant quelques recherches sur sa langue ...Bosson, Olof, January 1907 (has links)
Thèse - Lund.
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