This thesis investigates representations of happiness in recent German literature and film. The interpretations focus on how happiness is negotiated in the context of home and travel, of Heimat and Fremde, in order to understand happiness, not only insofar as it contributes to “the good life”, but also as an element that shapes public discourses. My readings of works of fiction take into account how notions of happiness have shifted since the turn of the millennium. One reason for this shift is the heightened interest in happiness research, one of the most thriving interdisciplinary research fields of the last decade, which includes disciplines such as psychology, neurosciences, political science, sociology and economics. The following texts and films are examined in this context: Sommerhaus, später (1998) and Nichts als Gespenster (2003) by Judith Hermann, Transfer Lounge (2003) by Gregor Hens, Die Habenichtse (2006) by Katharina Hacker, Head-On (German: Gegen die Wand, 2004) by Fatih Akın, When We Leave (German: Die Fremde, 2010) by Feo Aladağ, Der Blick hinab (2007) by Shirin Kumm, Unveiled (German: Fremde Haut, 2005) by Angelina Maccarone, Cherry Blossoms (German: Kirschblüten – Hanami, 2008) by Doris Dörrie and Zehn (2010) by Franka Potente. My theoretical framework is informed in part by Sara Ahmed’s 2010 influential study, The Promise of Happiness, which takes a critical view toward recent happiness research from a cultural studies perspective. My analysis is directed at the ways in which concepts of happiness are narrated, negotiated and challenged within the context of transnational stories, which are inscribed with the effects of “supermodernity” (Augé) in a globalized world. I show how these works subvert themes and motifs that are associated with happiness, such as home and Heimat and travel or migration into the West. Finally, my readings show how these works mediate and reflect public dialogues and traditional notions about what makes us happy or unhappy, and I demonstrate how new configurations of happiness arise from these narratives. / Thesis (Ph.D, German) -- Queen's University, 2013-05-30 17:42:26.632

Disability Mainstreaming zielt (analog zu Gender Mainstreaming) darauf, Anliegen und Bedürfnisse der Personengruppe "Menschen mit Behinderung" nicht allein in den für diese Gruppe offensichtlich wichtigen Bereichen anzusprechen, sondern sie in allen gesellschaftspolitischen Handlungsebenen mitzudenken und dementsprechende Forderungen umzusetzen. Dabei wird ‚Behinderung‘ vorrangig als soziale Konstruktion interpretiert, die mit der Erfahrung von Diskriminierung und Exklusion einhergeht.

The thesis deals with the birth of the Baroque cantata in Northern and Central Germany. It introduces musical forms that led to the creation of cantata and thus significantly influenced its form, which crystalized during the Late Baroque period. The picture of Early Baroque German music is completed with profiles of three principal composers, on a selection of whose works the gradual development of this new musical form - the German Baroque cantata - is demonstrated. The second part is devoted to an analysis of a work representative of this style, Dietrich Buxtehude's Membra Jesu nostri, which is a supreme example of this musical form.

This diploma thesis focuses on thematic interpretation of the short stories collection Lettipark by Judith Hermann, which was released in 2016 in German language. The Czech translation was published in 2018. Within individual interpretations never realized images, expectations and dreams will be accented. They may be regarded as unfulfilled desires of the main characters of the short stories. One part of this diploma thesis also includes the categorization of the author into German literature since the middle 90's of the last century until today. The prose writer's reception in the Czech Republic is also taken into consideration. KEY WORDS German literature, short story, desire, Judith Hermann, character analysis, thematic interpretation

This diploma thesis deals with the relationship between two important figures at Nazi Germany during the Second World War - Reich Chancellor Adolf Hitler and Commander in Chief of the Luftwaffe Hermann Goering. Although these two men participated on a large scale in shaping the policy of the Third Reich, their relationship went through a various stages during a war time. They did not get along afterwards and the initial euphoria and confidence of their relationship did not last long. As a time went it started to appear partial disagreements that resulted rupturing of work and personal relationship. This so called "cooperation" of both the in the Nazi Germany during the war of the 20th century is the core of this work.

The thesis deals with the relationship between two main politicians of Henlein´s party who significantly participated in destruction of democratic Czechoslovakia at the end of the thirties in 20th century. They are a leader of Sudeten German party Konrad Henlein and his deputy Karl Hermann Frank. The thesis focuses on the events, actions and activities done before World War II by those two assistants of Adolf Hitler and also on the relationships between them. The major part of this thesis discusses the cooperation and relationship between these two Nazi politicians.

Submitted by Kamila Costa (kamilavasconceloscosta@gmail.com) on 2015-06-17T20:37:08Z No. of bitstreams: 1 Dissertação-Andrea M da Mota.pdf: 827395 bytes, checksum: 3b513795b0e557b49dc4814527d37611 (MD5) / Approved for entry into archive by Divisão de Documentação/BC Biblioteca Central (ddbc@ufam.edu.br) on 2015-06-19T14:12:03Z (GMT) No. of bitstreams: 1 Dissertação-Andrea M da Mota.pdf: 827395 bytes, checksum: 3b513795b0e557b49dc4814527d37611 (MD5) / Approved for entry into archive by Divisão de Documentação/BC Biblioteca Central (ddbc@ufam.edu.br) on 2015-06-19T14:14:29Z (GMT) No. of bitstreams: 1 Dissertação-Andrea M da Mota.pdf: 827395 bytes, checksum: 3b513795b0e557b49dc4814527d37611 (MD5) / Made available in DSpace on 2015-06-19T14:14:29Z (GMT). No. of bitstreams: 1 Dissertação-Andrea M da Mota.pdf: 827395 bytes, checksum: 3b513795b0e557b49dc4814527d37611 (MD5) Previous issue date: 2014-09-15 / CAPES - Coordenação de Aperfeiçoamento de Pessoal de Nível Superior / The objective of this notes is to prove in detail a theorem, due to Ernst Heintze and Hermann Karcher, establishing an upper bound for the volume of compact domains in a connected closed hypersurface immersed in Euclidean space E. As application we will give an alternative proof of the Alexandrov’s theorem, which states that the Euclidean spheres are the only embedded closed hypersurfaces of constant mean curvature in E. / O objetivo deste trabalho é demonstrar em detalhes um teorema devido a Ernst Heintze e Hermann Karcher que estabelece uma cota superior para o volume de domínios compactos em uma hipersuperfície conexa, fechada e mergulhada no espaço euclidiano E. Como aplicação será dada uma prova alternativa do Teorema de Alexandrov, que caracteriza as esferas euclidianas como as únicas hipersuperfícies conexas, fechadas e mergulhadas de curvatura média constante em E.

Nous traitons des aspects philosophiques de la réflexion d'Hermann Weyl sur la notion d'espace(-temps) de 1917 à 1923. Il s'agit de sa période d'implication maximale dans les fondements de la théorie de la relativité générale et de la géométrie différentielle. Un point de vue unitaire nous est fourni par le texte d'Espace-Temps-Matière où notre auteur synthétise sa pensée. Notre problématique nait du conflit, dans le texte, entre deux notions aux traits radicalement différents, qui participent toutes les deux à la caractérisation de la notion relativiste d'espace. D'un côté, la notion algébrique qui caractérise l'espace par son groupe de symétrie, et insiste sur son homogénéité. De l'autre, la notion dynamique de champ métrique, issue des travaux d'Albert Einstein, et que la dépendance à l'égard du contenu de l'espace rend nécessairement hétérogène. Après avoir développés les points saillants originaux dans la façon dont Hermann Weyl traite successivement de ces deux notions, nous montrons comment leur cohabitation est rendue possible par l'idée d'une Nahegeometrie. Il s'agit d'une géométrie où les structures infinitésimales sont fixées a priori par des exigences de la raison, mais où les relations à distance ne sont déterminées qu'à travers la médiation de la matière et de ses lois. Ainsi, Hermann Weyl propose une épistémologie cohérente qui fait place à la fois, à un idéalisme transcendantal restreint à la sphère des relations infinitésimales, et à une théorie physique des champs qui exprime la continuité et la vitesse finie de propagation de toute interaction, y compris celles qui s'expriment à travers une déformation de la métrique spatio-temporelle elle-même.

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I uppsatsen analyseras de två karaktärerna Harry Haller och Hermine, från Hermann Hesses Der Steppenwolf, med hjälp av Judith Butlers queerteori. Karaktärernas förhållande till varandra, köns- och genusroller samt heteronormativiteten undersöks och sätts i samband med bokens maskerad- och teatermotiv. Förutom att maskerad- och teatermotivet undersöks i relation till karaktärerna, analyseras det också i sig självt med utgångspunkt i Judith Butlers teorier om det konstruerade könet och dragshowens subversiva funktion.