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The philosophy of logic of Hugh MacColl.Spencer, John Ross January 1972 (has links)
No description available.
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The work of G.H. Durrant : English studies and the community /Meihuizen, Elizabeth M. M. January 2009 (has links)
Thesis (M.A.)-University of KwaZulu-Natal, Durban, 2009. / Full text also available online. Scroll down for electronic link.
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The rhetoric of devotion : some neglected elements in the context of the early Tudor motetAllinson, David John January 1998 (has links)
No description available.
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Robert Hugh Benson : homme de foi et artiste... /Morris Le Bour'his, Jean. January 1980 (has links)
Thèse--Lettres--Paris III, 1976. / Bibliogr. p. 455-475. Index.
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A critical study of the poetry of Arthur Hugh Clough. --Peattie, Roger W. January 1961 (has links)
Thesis (M.A.) -- Memorial University of Newfoundland. / Typescript. Bibliography : leaves [157]-167. Also available online.
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The Brigham Young University folklore of Hugh Winder Nibley : gifted scholar, eccentric professor and Latter-day Saint spiritual guide /Brady, Jane D. January 1996 (has links)
Thesis (M.A.)-- Brigham Young University. Dept. of English. / Includes bibliographical references (leaves [75]-77).
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Educated speech Victorian philology and the literary languages of Matthew Arnold and Arthur Hugh Clough /Kline, Daniel S. January 2007 (has links)
Thesis (Ph. D.)--Ohio State University, 2007. / Full text release at OhioLINK's ETD Center delayed at author's request
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Auden and documentary in the 1930's /Bryant, Marsha. January 1997 (has links)
Diss.--English literature--Urbana--University of Illinois, [1996]. / Bibliogr. p. 189-196. Filmogr. Index.
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Arthur Hugh Clough : an impression of a Victorian.Hartwell, Robert Metcalf. January 1933 (has links)
No description available.
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Hugh Macdiarmid and the politics of consciousness : a study of nationalism, psychology and materialism in the work and thought of Hugh MacdiarmidRoss, Raymond J. January 1984 (has links)
This thesis concerns itself with the conjunction of literature and politics in the work and thought of Hugh MacDiarmid and seeks to explore the nature of that conjunction: what is referred to as MacDiarmid's "political aesthetic". The thesis sets out to examine MacDiarmid's nationalism, its basis and its relevance to his writing, arguing that his theory of "National Psychology", as I term it, is central to his creative output and one important aspect of which is his imaginative embodiment of his country's "psychology" in his poetic voice: what I have called the "Representative Personality". As with his nationalism, this thesis also treats of his communism, its roots, nature and influence, and with special regard to his definition of the function of art as "the extension of consciousness" and questions the philosophical viability of his declared materialism. It argues here that, in spite of MacDiarmid's cult of the absolute and the extreme, much of the power and range of his poetry derives from his attempt to reconcile, or compromise between, philosophical idealism and dialectical materialism, and that the resultant tension deriving from his empirio-critical position is a major characteristic in his poetry. Concomitant with his empirio-criticism is the "God-building" mentality (as opposed to Solovievian "God-seeking") that he shared with many contemporaries, not least in the ranks of Lenin's Bolshevik Party. This is dealt with at some depth as is the influence of Slavophilism on his nationalism and Russo-Scottish parallelism. The thesis is, in many ways, a comparative study, and always seeks to relate important issues discussed to the relevant historical conditions and so placing MacDiarmid among British and European counterparts. It is not a blow-by-blow account of the poetry, but ranges widely through MacDiarmid's criticism as well, and attempts to define something of the intellectual and imaginative structures which gave power and ubiquity to the voice of the poet.
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