Thesis (D.M.A.)--University of Southern California, 1964. / eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (leaves 466-479).

陳偉強. / 論文(神學碩士) -- 香港中文大學硏究院宗敎及神學學部, 1997. / 參考文獻: leaves 82-84. / Chen Weiqiang. / 目錄 --- p.1 / Chapter 第一章 --- 引言 --- p.2 / Chapter 第二章 --- 趙紫宸對基督敎中華本色化及大自然的看法 --- p.6 / Chapter 第三章 --- 《華人聖頌》的華文聖詩對大自然的描寫 --- p.17 / Chapter 第四章 --- 華文聖詩在大自然的描寫上的本色化情況 --- p.36 / Chapter 第五章 --- 總結 --- p.48 / 附錄 --- p.52 / 附表 --- p.57 / 書目 --- p.82

Leung Naap-Kei Andrew. / Thesis (M.Phil.)--Chinese University of Hong Kong, 2007. / Includes bibliographical references (leaves 141-155). / Abstracts in English and Chinese. / Abstract --- p.ii / Acknowledgement --- p.iv / Table of Content --- p.vi / Abbreviations --- p.vii / Chapter Chapter One --- ´ؤIntroduction --- p.1 / Chapter Chapter Two --- ´ؤBackground: Towards a Hymnody for China --- p.10 / Chapter Chapter Three --- ´ؤThe Union Project --- p.31 / Chapter Chapter Four --- "´ؤHymns, Chinese, and Indigenization" --- p.58 / Chapter Chapter Five --- ´ؤ An Expression of the Chinese Church --- p.85 / Chapter Chapter Six --- ´ؤ The Coming of the Hymnal and Thereafter --- p.105 / Chapter Chapter Seven --- ´ؤ Conclusion --- p.117 / Glossary --- p.121 / Appendix --- p.124 / Bibliography --- p.141

陳愼慶. / 稿本 ; 複本據稿本影印. / 論文(神學學部碩士)--香港中文大學硏究院. / 參考文獻: leaves 372-396. / Chen Shenqing. / 前記 --- p.3 / Chapter 第一章 --- 導言 --- p.5 / Chapter 第二章 --- 早期西教士的工作（1800－1870） --- p.12 / Chapter 一 --- 歷史背景 --- p.12 / Chapter 二 --- 聖詩工作概況 --- p.34 / Chapter 三 --- 個別研究：賓威廉(William C. Burns) --- p.59 / Chapter 第三章 --- 西差會的工作（1870－1936） --- p.115 / Chapter 一 --- 歷史背景 --- p.115 / Chapter 二 --- 聖詩工作概況 --- p.129 / Chapter 三 --- 西教士對聖詩工作的體認 --- p.170 / Chapter 第四章 --- 中國信徒的努力（1900－1936） --- p.205 / Chapter 一 --- 趙紫宸（1888－1979） --- p.210 / Chapter 二 --- 楊蔭瀏（1899－1984） --- p.265 / Chapter 三 --- 劉廷芳（1890－1947）　　 --- p.301 / Chapter 第五章 --- 神學反省 --- p.357 / 參考書目 --- p.365 / 附錄 --- p.390

Cheng Hui Tung, Eos. / Thesis (M.Phil.)--Chinese University of Hong Kong, 2004. / Includes bibliographical references (leaves 409-416). / Abstracts in English and Chinese. / Acknowledgements --- p.vi / Chapter Part I --- Introduction / Chapter 1 --- Introduction of the Present Study --- p.1 / Chapter Part II --- Word-music Interactions in Translated Hymns Sung in Cantonese / Chapter 2 --- An Overview of Vocal Text Translating --- p.18 / Chapter 3 --- Word-music Interaction: Tone-melody Relationship --- p.87 / Chapter 4 --- "Word-music Interaction: Aspects of Time - Rhythm, Accent, and Phrasing" --- p.153 / Chapter 5 --- Word-music Interaction: Rhyming --- p.223 / Chapter 6 --- Word -music Interaction: Immediate Comprehensibility --- p.295 / Chapter 7 --- Reconciling Words and Music for a Dialectal Hymnal --- p.369 / Chapter Part III --- Conclusions / Chapter 8 --- Conclusions --- p.396 / References --- p.409 / Appendix: Development of Chinese Christian Hymns --- p.417

高國雄. / "2008年5月". / "2008 nian 5 yue". / Thesis (M.Phil.)--Chinese University of Hong Kong, 2008. / Includes bibliographical references (leaves 49-50). / Abstracts in Chinese and English. / Gao Guoxiong. / Chapter 【第一章】 --- 引言 --- p.1 / 本文所硏究的範圍及其進路 --- p.1 / 粤語的特色，粤語歌曲的限制 --- p.3 / 本文的硏究進路、方法 --- p.5 / 本文的限制 --- p.6 / Chapter 【第二章】 --- 本地基督新教現代粤語詩歌的發展槪況 --- p.7 / Chapter 【第三章】 --- 一個新的開始 --- p.9 / 本地基督新教現代粤語詩歌的起源 --- p.9 / 陳以誠與《怎能忘記》 --- p.9 / 現代粤語詩歌運動的萌芽一由《齊唱新歌》開始 --- p.11 / 《城市之歌》的特色 --- p.12 / 《齊唱新歌》第一、二集的特色及ACM的誕生 --- p.14 / 《齊唱新歌》的成長期（第一集到第六集） --- p.16 / 教會界不同的反應 --- p.17 / 新的取向（《齊唱新歌》第七、八集) --- p.20 / 《齊唱新歌》的高峰與沒落（第九集） --- p.22 / 《齊唱新歌》成功的因素 --- p.23 / Chapter 【第四章】 --- 「『外展唱片』一要進入世界」 --- p.26 / 「赤道」的誕生 --- p.26 / 「赤道」的成長 --- p.28 / 「赤道」的沒落 --- p.34 / Chapter 【第五章】 --- 一次破天荒的合倂 --- p.39 / 合倂白勺背景 --- p.39 / 合倂的對象:「城市旋律協會」 --- p.41 / 合倂的原因、過程 --- p.42 / 合倂還是吞倂？ --- p.43 / 合倂的影響 --- p.44 / Chapter 【第六章】 --- 綜合與總結 --- p.45 / 經濟的影響 --- p.45 / 教會的支持 --- p.46 / 個別人才的問題 --- p.47 / 永恆的張力 --- p.47 / 現代粤語詩歌的貢獻 --- p.48 / 參考資料 --- p.49 / 附件一 〈本地基督新教現代粤語詩歌(1980-1998)´ؤ覽表〉Error! Bookmark not defi / 附件二 產品圖片 --- p.93

本研究旨在關注中國神學家趙紫宸（1888-1979）與美國傳教士、音樂家范天祥（Bliss Wiant，1895-1975）於1920年代至1930年代在推動中國聖樂處境化方面的合作。中國讚美詩處境化已成為一個重要的研究領域。然而，相關研究則較少關注對於特定時間內由中國基督徒與傳教士合作的處境化讚美詩（包括讚美詩翻譯及創作）。這一個案研究則將聚焦趙紫宸與范天祥在1930年代初所編撰的兩本讚美詩集《團契聖歌集》（1931）與《民眾聖歌集》（1931），並與20世紀初其他讚美詩（集）作簡要比較。 / 第一章旨在考察19世紀西方新教傳教士對中國讚美詩處境化所作之努力，其後則是對20世紀，特別是20年代晚期至30年代早期，中國基督徒對中國讚美詩處境化所作的追尋。第二章則旨在聚焦《團契聖歌集》的編撰，考察趙紫宸的處境化翻譯，以及其與傳統文化價值及社會圖景內在與外在的互動及對話。第三章則將對由趙紫宸作詞、范天祥配樂的《民眾聖歌集》作出分析。在此，將考量趙的讚美詩作詞原則，以及分析他的讚美詩創作與其早期神學思想之關聯。第四章則將視角轉移至范天祥及《民眾聖歌集》的處境化音樂創作。范為該詩集所選擇的中國曲調將幫助我們窺看它們如何參與進處境化讚美詩的進程。在此，後殖民文化批評的視角將幫助我們從新的解讀框架中理解中國處境化讚美詩編撰。 / 在第五章，我們將把這兩本讚美詩與六公會聯合編撰的《普天頌讚》（1936）作比較，該詩本被視為20世紀前四十年中國讚美詩處境化的最高成就。與此同時，兩個本土小宗派：聚會處及耶穌家庭的讚美詩也在比較範圍之內。同時，我們將運用"全球地域化"的視角就全球化與地域化互動層面進一步解讀20，30年代的中國處境化讚美詩。 / 處境化音樂，從神學上來看，是一種道成肉身的表述。在此，道轉為肉身，肉身轉為歌。這在我們對趙紫宸與范天祥的讚美詩集研究中能得到例證。他們在中國處境化讚美詩上創造性的合作──從歌詞到音樂──都對中國讚美詩處境化作出長久而又獨特的貢獻。對於基督教史的研究及未來的中國教會而言，都是至關重要的。 / This dissertation is concerned with the contextualization of Chinese hymns in the 1920s and 1930s in the collaboration between T. C. Chao (1888-1979), a renowned Chinese theologian, and Bliss Wiant (1895-1975), an American missionary and musicologist. The contextualization of Chinese Christian hymns has become an important area of study, but relatively little attention has been paid to the concrete interpretation of translations and hymns produced in a particular time by Chinese Christians and missionary collaborators. In this case study, the focus is on two hymnals produced by Chao and Wiant, Christian Fellowship Hymns and Hymns for the People, published in the early 1930s, with brief comparisons with other hymnals from the early decades of the twentieth century. / Chapter one surveys the contextualization of Chinese hymns made by Western protestant missionaries in the nineteenth century, followed by an exploration on the contextualization of Chinese hymnology by Chinese Christians themselves, especially in the late 1920s and early 1930s. The subject of Chapter two is the origin and writing of Christian Fellowship Hymns, focusing on T. C. Chao’s contextualized translations and his implicit and explicit interaction and dialogue with traditional cultural values and the contemporary social scene. In Chapter three we consider the second hymnal, Hymns for the People, which contains hymns written by Chao and set to Chinese music by Wiant. Here we consider Chao’s principles for hymn writing, and see how his hymns reflect his early theological thinking. In Chapter four, attention shifts to Bliss Wiant and the music in Hymns for the People. The Chinese tunes Wiant selected for this hymnal are analyzed to see how they were part of the contextualization process. Here, we employ post-colonial criticism to develop the beginnings of a new interpretative framework that can be applied to the process of the contextualization of Chinese hymnology. / Our final Chapter five compares the two Chao/Wiant hymnals with Hymns of Universal Praise, a joint effort by six denominations, which may be seen as the highpoint of the contextualization of Chinese hymnology in the fourth decade of the 20th century. These two hymnals are further compared with the hymnals of two independent/indigenous traditions: the Little Flock and the Jesus Family. Finally, we use the theory of "Glocalization" to further develop the study of Chinese hymnody in the 1920s and 1930s, emphasizing the mutually interactive process between the global and the local in contextualized Chinese Christian hymns. / Contextualized music is, theologically, an expression of the Incarnation, the Word become flesh, the flesh become song. This is evident in our study of the hymnals of T. C. Chao and Bliss Wiant. Their creative collaboration on contextualized Chinese hymns, the words and the music, has made a lasting and in some ways unique contribution to Chinese hymnody. It is important both for the study of the history of Christianity and the future of the Chinese Church. [end] / Detailed summary in vernacular field only. / Detailed summary in vernacular field only. / Detailed summary in vernacular field only. / Detailed summary in vernacular field only. / Chen, Ruiwen. / Thesis (Ph.D.) Chinese University of Hong Kong, 2014. / Includes bibliographical references (leaves 267-298). / Abstracts also in Chinese; includes Chinese.

University of Macau / Faculty of Social Sciences and Humanities / Department of Chinese