Submitted by Clebson Anjos (clebson.leandro54@gmail.com) on 2015-11-03T18:43:36Z No. of bitstreams: 1 arquivototal.pdf: 42429990 bytes, checksum: 73b94c005d54caae39822d3081337167 (MD5) / Approved for entry into archive by Clebson Anjos (clebson.leandro54@gmail.com) on 2015-11-03T19:05:57Z (GMT) No. of bitstreams: 1 arquivototal.pdf: 42429990 bytes, checksum: 73b94c005d54caae39822d3081337167 (MD5) / Made available in DSpace on 2015-11-03T19:05:57Z (GMT). No. of bitstreams: 1 arquivototal.pdf: 42429990 bytes, checksum: 73b94c005d54caae39822d3081337167 (MD5) Previous issue date: 2014-06-13 / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES / In this work we study the principle of the Deductive and Experimental Geometry trated in the High School. We begin the work with a set of axioms of the Plane Geometry, and we follows the work studing some topics of the Spacial Geometry. To illustrate some definitions and results ao long of the work, some solids are constructed with paperboard, straw and etc. / Neste trabalho estudamos os princípios da geometria dedutiva e experimental tratada no Ensino Fundamental e Médio. Iniciamos o trabalho com um conjunto de axiomas da geometria plana, e seguimos o mesmo estudando alguns tópicos da geometria espacial. A fim de ilustrar algumas definições e resultados discutidos ao longo do trabalho, alguns sólidos são construídos com cartolina, isopor, canudos e etc.

Submitted by Filipe dos Santos (fsantos@pucsp.br) on 2017-11-14T13:47:14Z No. of bitstreams: 1 Luis Carlos Barroso de Sousa Girão.pdf: 1361803 bytes, checksum: 0434a5a4b7e1c95b599ff15a169f0d27 (MD5) / Made available in DSpace on 2017-11-14T13:47:14Z (GMT). No. of bitstreams: 1 Luis Carlos Barroso de Sousa Girão.pdf: 1361803 bytes, checksum: 0434a5a4b7e1c95b599ff15a169f0d27 (MD5) Previous issue date: 2017-11-10 / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES / The present study aims to reflect about the narrative border in the works Shadow (2010), by the South Korean Suzy Lee, and O cântico dos cânticos (1992), by the Brazilian Angela Lago. Our main purpose is to contribute to studies on children’s literature’s theory and criticism, pointing out how the authors broaden up the interpretative potential for their picture-books, in its materiality and visuality, by exploring the use of the codex’s borders as structures for pictorial narratives. In addition to the theory focused on the specific critics of literature for children and young adults (Sarah Dowhower, Maria Nikolajeva, Sophie Van der Linden, Maria José Palo) and the studies on the book as an art form (Julio Plaza, Johanna Drucker, Maria do Carmo de Freitas Veneroso, Paulo Silveira), bibliographies on the concepts of the binding fold dialectics (Michel Melot) and the threshold (Walter Benjamin, Jeanne Marie Gagnebin, Georges Didi-Huberman) are also mobilized. This passage from literary criticism to the artistic philosophy about the book as an object, culminating in the interdisciplinarity of literature and art criticism, aims to re-present and re-know this artistic phenomenon, the picture-book, in the potential of its hybridity, occupying a threshold space between artist’s books and children’s books / A presente dissertação visa refletir sobre a margem que narra nas obras Sombra (2010), da sul-coreana Suzy Lee, e O cântico dos cânticos (1992), da brasileira Angela Lago. O objetivo dessa abordagem é contribuir com os estudos em teoria e crítica de literatura infantil e juvenil, apontando como as autoras ampliam o potencial interpretativo dos livros-imagem, em sua materialidade e visualidade, ao explorar o uso das margens do códex como estruturadoras de narrativas pictóricas. Além da teoria voltada para a crítica específica de literatura para crianças e jovens (Sarah Dowhower, Maria Nikolajeva, Sophie Van der Linden, Maria José Palo) e dos estudos do livro como forma de arte (Julio Plaza, Johanna Drucker, Maria do Carmo de Freitas Veneroso, Paulo Silveira), também são mobilizadas bibliografias sobre os conceitos de dialética da dobra (Michel Melot) e de limiar (Walter Benjamin, Jeanne Marie Gagnebin, Georges Didi-Huberman). Esta passagem da crítica literária para a filosofia artística acerca do objeto livro, culminando na interdisciplinaridade da literatura e crítica de arte, tem como meta re-apresentar e re-conhecer este fenômeno artístico, o livro-imagem, na potência de sua hibridez, ocupando espaço liminar entre os livros de artista e os livros infantis

This thesis consists of two parts ? theoretical and practical. The theoretical part is focused on the topics of beautiful book ? i.e. bibliophilia, artist?s book, illustration, and overall literary art. The basis for the practical part of this thesis is figure and work, namely ?The Day of the Triffids? by John Wyndham, as well as meaning and place of science fiction in the world of art. The practical part consists of set of illustrations, a cover design and a typographical solution of the book ?The Day of the Triffids? The aim of this work was to create a book, which could be classified as valuable literature, not only by its contents, but by its appearance as well.