Transformable Furniture Master’s Degree Work The theme of the Master’s degree work - “Transformable Furniture” – is a topical issue these days, because the problem of irrational and tasteless furniture as well as interiors still exists. After analysing theories of the development of contemporary material environment as well as philosophical and artistic theories and attitude through the prism of the art and science proportion, the conception of the art playfulness, tendencies of the development of furniture and interior installations, assortment and principles of the creation and art conception as well as ergonomic laws, declared by the Functionality, the Constructivism, the concept of the Master’s degree work was formed, theoretical description was prepared and the universal, transformable furniture of 98 sq. m., designed for the interior was created; it enables to plan the dwelling space rationally and creatively. The project is composed from eleven main objects with continuous transformable modifications of the furniture for individual space. The project is presented on fourteen plane-tables with detailed schemes of each object, visualisations of their position in the interior. Three-dimensional models of each object are presented following a chosen scale of M 1 : 10. After the analysis of theoretical sources and their application in the project, the conclusions were made: transformable furniture enables to form the mobile as well as playful individual space... [to full text]

Bakalauro baigiamasis darbas šviečiantis dekoratyvus objektas „220“ sukurtas 2010 m. Darbo tikslas – sukurti šviečiantį objektą atskleidžiant dirbtinės šviesos, meniškumo ir funkcionalumo galimybių sintezę, panaudojant floristines medžiagas. Tikslui pasiekti buvo keliami tokie uždaviniai: išanalizuoti literatūrą pasirinkta tema; suprojektuoti šviečiantį dekoratyvų objektą; išnagrinėti technologinius gaminamo darbo ypatumus; sukurtą objektą pritaikyti pasirinktam interjerui. Lietuvos interjeruose pasigendu savito, išskirtinio apšvietimo, netikėtų, originalių šviestuvų ar šviečiančių objektų parinkimo ir pritaikymo interjere. Europoje šiuo metu sparčiai populiarėja rankų darbo šviestuvai. Į Lietuvą ši mada po truputį ateina. Yra keletas dizainerių, kurie gamina būtent tokius šviestuvus. Tai Dovas Serapinas, Eduardas Bytautas, Laura Keblytė. Manau šią tendenciją vertėtų populiarinti. Tokie daiktai ne tik atlieka savo funkciją, bet ir yra traktuojami kaip meno kūriniai. Atlikus darbą gautos tokios išvados: 1. Nors apšvietimo dizainui dar tik apie 100 metų, jo raida gausi faktais, atradimais, besikeičiančiomis mados tendencijomis. Dabar populiariausi ekologiško dizaino šviečiantys objektai. Inovatyvus ir perspektyvus šviečiantis objektas privalo taupiau naudoti elektros energiją, o jo gamybai panaudotos medžiagos turi natūraliai irti gamtoje. 2. Šiuo metu Lietuvos ir užsienio privačiuose interjeruose dominuoja minimalizmas. Interjerų paletėse populiarios balta, juoda, ruda... [toliau žr. visą tekstą] / Bachelor‘s Thesis is a luminous decorative object „220“ made in 2010. The aim is to create a luminous object combining the synthesis of artificial light, artistic and functional opportunities and using floristic materials. In order to achieve the goal the following objectives have been set: to analyse the literature on the chosen subject, design a luminous decorative object, determine the technological peculiarities, adjust the created object to the interior, prepare theoretical part. Lithuanian interior lacks unique and special lighting, more exactly, there are no surprising, original lights, or luminous objects that can be applied in the interior. At present handmade chandeliers or illuminators become more and more popular in Europe. This fashion is slowly coming to Lithuania too. Some designers who make such chandeliers are Dovas Serapinas, Eduardas Bytautas, Laura Keblytė. I suppose, that this tendency has to be popular in future. The mentioned objects do not onle fulfil their main function, but also are pieces of art. Having performed the work the following conclusions have been set: 1. Light desing is relatively new, just about 100 years, but its development is featured by facts, discoveries, changing fashion trends. At present the most popular are ecological luminous objects. Innovative and perspective luminous object is obliged to use less electricity and its material has to disintegrate or decompose naturally in nature. 2. Recently in foreign... [to full text]

Magistro baigiamajame darbe „Molbertinės tapybos darbai Lietuvos visuomeninių pastatų architektūroje“ nagrinėjami XX-XXI a. pr. Lietuvos visuomenių pastatų interjerai, kurių svarbi meninės raiškos priemonė yra molbertinės tapybos paveikslai. Išsamiai analizuojamos paveikslų naudojimo visuomeniniuose interjeruose prasmės, tapybos integravimo architektūroje istorinės raidos ir dabarties tendencijos. Išryškinami tapybos ir interjero architektūros sąveikos kompoziciniai principai ir dermės dėsningumai. Daroma išvada, kad tiek estetiniu, tiek semantiniu požiūriu tapybos kūriniai gali būti svarbūs architektūrinės erdvės formantai ir, nepaisant daiktinės aplinkos formavimo tendencijų XX a. pabaigoje - XXI a. pr. pokyčių, molbertinės tapybos naudojimas architektūroje išlieka tvarus. Darbo apimtis - 94 psl. 97 iliustracios, 1 lentelė, 94 bibliografiniai šaltiniai. / In master's thesis final paper work “Easel painting in the architecture of Lithuanian public buildings” interiors of public buildings at the period of XX and the beginning of XXI century in Lithuania are considered. Easel paintings have a very important mean of art expression in these interiors. Meanings of use of paintings in interiors of public buildings, historical developments and tendencies of paintings integration in nowadays architecture are analyzed at length. Fundamentals and consistent pattern of harmony of interaction between painting and architecture of interior are highlighted. The conclusion is done that painting works could be important formants of architectural space in esthetical and semantic points of view. Moreover, the usage of easel painting remains stable despite the tendency changes in formation of materialistic surrounding at the end of XX century and at the beginning of XXI century. Size of the paper work - 94 pages, 97 figures, 1 table, 94 bibliographical sources.