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Intertextuality as internal adaptation in Ann-Marie MacDonald's Goodnight Desdemona, Good morning Juliet, Robert Lepage's Le confessionnal, and Atom Egoyan's The sweet hereafterHallquist, Pola L., January 1900 (has links) (PDF)
Thesis (M.A.)--Université de Sherbrooke, 1999. / Includes bibliographical references.
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Room for manoeuvre the role of intertext in Elfriede Jelinek's Die Klavierspielerin, Günter Grass's Ein weites Feld, and Herta Müller's Neiderungen and Reisende auf einem Bein /Symons, Morwenna. January 2005 (has links)
Originally published as the author's thesis (Ph.D.)--University of London, 2003. / Includes bibliographical references (p. [159]-166) and index.
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