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211	Sartres Ontologie und die Frage einer Ethik : zur Vereinbarkeit einer normativen Ethik und/oder Metaethik mit der Ontologie non "L'étre et le néant / Töllner, Uwe. January 1996 (has links) Diss.--Universität Hamburg, 1995. / Bibliogr. p. 550-603.
212	Calvins Auslegung der synoptischen Evangelien Schellong, Dieter. January 1969 (has links) Diss.--Münster, 1967. / Bibliography : p. 330-340.
213	Alienation in three novels by Jean Rhys / Hua, Chui-fung. January 2005 (has links) Thesis (M.A.)--University of Hong Kong, 2005.
214	La pensée et le style de Sponde dans ses poésies et ses méditations Caron, Marie-du-Crucifix, January 1966 (has links) Thesis (Ph. D.)--University of Wisconsin, 1966. / Typescript. Vita. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references.
215	Rousseaus "Emile" als Experiment der Natur und Wunder der Erziehung : ein Beitrag zur Geschichte der Glorifizierung von Kindheit / Tremp, Peter. Bühler-Niederberger, Doris. January 2000 (has links) Diss.--Philosophischen Fakultät--Universität Zürich, 1998-1999.
216	Um outro cinema - cinema documentário e memória / Um outro cinema - cinema documentário e memória Francisco, Maria Patrícia 30 April 2008 (has links) A dissertação tem como proposta uma reflexão sobre o processo de realização de um documentário, a partir de minhas reflexões como realizadora. O trabalho tem como marco teórico e prático a memória na proposição de uma forma documental. Parto de conceitos literários sobre a memória subsidiada com referências fotográficas na invenção do conteúdo do documentário. Assim, entre filme e texto, tenho como propósito a apresentação de um pequeno panorama da história do cinema, focando alguns pontos referenciais que resultaram em mudanças para a linguagem do documentário contemporâneo. Na finalização do processo de um filme, estabeleço relações entre o ato de montar e uma possibilidade de montagem apontada por Jean-Luc Godard. / The dissertation has as proposal a reflection on the process of to do a film documentary, starting from my reflections as director. The text has as theoretical and practical mark the memory in the proposition in a form documental. I leave of literary concepts about the memory subsidized with photographic references in the creation of the content of the documentary. Like this, between film and text, I have as purpose the presentation of a small panorama of the history of the movies, showing some primordial points that resulted in changes for the language of the contemporary documentary. In the finalization of the process of a film, I establish relationships among the action of editing and an edition possibility seen by Jean-Luc Godard. Jean-Luc Godard Jean-Luc Godard
217	"Nature" at the Opéra : sound and social change in France, 1750-79 / Cole, Catherine Jean. January 2003 (has links) Thesis (Ph. D.)--University of Chicago, Department of Music, March 2003. / Includes bibliographical references. Also available on the Internet.
218	Der Begriff "doctrina" bei Johannes Calvin : eine theologische Analyse / Assonville, Victor E. d' January 2001 (has links) Texte remanié de: Diss.--Theologische Fakultät--Rostock--Universität, 2000. / Bibliogr. p. 203-219. Index. Calvin, Jean, Calvin, Jean. Dogma. Dogme
219	La condition de la liberté : Rousseau, critique des raisons politiques / Bachofen, Blaise. January 2002 (has links) Texte remanié de: Th. doct.--Lett.--Paris 7, 2000. / Bibliogr. p. 322-328. Index.
220	Der Mensch - die Philosophie - die Geschichte : Jean-Paul Sartres Anthropologie als Metaphysik der Vernichtung / Baba, Teodor Bernardus. January 1900 (has links) Diss.--Philosophische Fakultät--München--Hochschule für Philosophie, 2006. / Bibliogr. p. 335-337. Sartre, Jean-Paul, Sartre, Jean-Paul,

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