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Letoviska Karlštejn a Srbsko. Příspěvek ke studiu proměn příměstské krajiny v době industriální / Summer resorts Karlštejn and Srbsko. Contribution to study of transformation suburban landscape during the period of industrializationČechová, Tereza January 2018 (has links)
This diploma thesis is about recreational activities of citizens of Prague in the period from the second half of 19th century through the second half of 20th century. It focuses on the era of industrialization, in which the suburban landscape underwent many changes, mainly thanks to new development of the city. This thesis is divided into theoretical and empirical part. The theoretical part is dedicated to the terms of industrialization and industrial revolution. It moreover deals with stratification of the society, focusing on the middle class, and describes recreational activities in different resorts. From the recreational activities, tramping and settlement establishing are specifically described. The empirical part is dedicated to two recreational resorts, Karlštejn and Srbsko, which are one train station apart from each other. In each case there is a description of the location of the resort. The description of the original inhabitants, recreational objects, current inhabitants and their important buildings and the cottage areas is following. One chapter is about a particular tramping settlement in Srbsko called "Valley of Dread". The paper analyzes what builders were chosen by the holiday-makers and also the social characteristics of the holiday-makers. An important chapter is about...
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Hrad Karlštejn ve 20. století / Karlštejn Castle in 20th CenturyBenešová, Petra January 2014 (has links)
Karlštejn Castle is one of the most popular tourist sights in the Czech Republic. This thesis therefore focuses on the use of this conservation area, especially in the second half of the 20th century and all the 21st century. Based on the available archival documents, in the thesis there are described changes of the expositions in the castle's rooms that are opened to the visitors. The thesis is also focused on the tour routes and development of the visitors' turnout. Last of all, in this thesis there are mentioned past and present events held in the castle and other "crowd-pullers" that are attractive to the visitors. In the first part the thesis also deals with the issue of the castle's ownership and the effort for the integration among the UNESCO sights.
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Návštěvníci hradu Karlštejn a národní identita / Visitors of Karlštejn castle and national identityHolubová, Renáta January 2010 (has links)
The objective of Visitors of Karlštejn study is to identify socio-demographic profile of visitors of this particular Czech castle during the side-season, to describe considered alternatives to leisure time spending competing to Karlštejn castle and to find out satisfaction of visitors with individual areas of their visit of castle and surrounding. Also spontaneous association concerning Karlštejn is in our focus in terms of national identity. Data used for this study was collected by quantitative research methodology conducted during October 2011 to January 2012 among visitors after their tour route. Results of this study should help the castle management set content of communication campaign and improve provided services.
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Nástěnné malby na hradě Karlštejn ve světle restaurátorských zásahů / The mural paintings in Karlštejn castle in the light of the restoration effectsUchytilová, Barbora January 2019 (has links)
The mural paintings in Karlštejn castle in the light of the restoration effects This thesis focuses on the mural paintings located in Karlštejn castle. These mural paintings form a complex iconography of the entire castle, which weaves together all the sacred spaces of the castle, culminating in the Chapel in the Great Tower. The thesis deals with the mural paintings situated in two chapels in the first floor of the Imperial palace, so-called the Hall of Ancestors, where the genealogy of Charles IV. originally decorated this hall, the Church of the Virgin Mary and the Chapel of Saint Catherine inside the Marian Tower, on the walls of the staircase and in the Chapel of the Holy Cross, inside the Great Tower, not only in the light of the restoration effects, which may have affected and influenced the original appearance. Tracking of the origin of the re- paintings, followed by an iconographical analysis, draws from the restoration reports and archives connected with the last major reconstruction of the castle, which was led from Vienna by architects Fridrich Schmidt and Josef Mocker. I analyse their iconography and authorship, and evaluate the restoration efforts carried out in the last centuries. Key words: Middle Ages, mural paintings, 14th century, Karlštejn castle, Chapel of the Holly Cross, Master...
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Lenní institut na statcích českého krále v raném novověku / The Feudo-vassal System on Royal Estates in Early Modern BohemiaNovotná, Markéta January 2016 (has links)
Markéta Novotná Abstract - The Feudo-vassal System on Royal Estates in Early Modern Bohemia The study is devoted to the topic of feudo-vassal relations in early modern Bohemia presented on a sample of specific royal and chamber domains at the castle Karlštejn. The first part of the thesis describes how the feudo-vassal tenures were treated in Czech and European historical studies, using impulses from the philosophy and sociology. The others chapters are dedicated to the main object of this analysis - to the Karlštejn vassal system - a group of small-sized estates connected to castle Karlštejn through feudo-vassal bonds. The second chapter of the thesis deals with the problem of historical consciousness, where the castle Karlštejn is imagined as the site of "the national memory", which strongly effected the interpretation of the Karlštejn vassal system. The third (main) part of the thesis presents the factual analysis of the Karlštejn vassal system from the last third of sixteenth century to the turn of the seventies and the eighties of the next century. At the end of the study the analysis of four chosen vassal estates is added. Key words: Karlštejn, historiography, vassals, feudal system, domain, chamber, lower nobility
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Stavební podoba hradu Karlštejna v době Karla IV. / The form of Karlstejn Castle at the time of Charles IV.Vávrová Hanušová, Barbora January 2015 (has links)
The form of Karlstejn Castle at the time of Charles IV. Diploma thesis "The form of Karlstejn Castle at the time of Charles IV." deals at first with historical reports not only about the foundation of the castle itself but also about additional events during the life of Charles IV. These events are put in context of the construction form of the castle. The main part of this text is focused on the comprehensive description of the building taking into account previous research and construction plans. Then its construction form is compared with other castles founded by Charles IV. In particular castles Kasperk, Radyne, Karlshaus and Lauf an der Pegnitz are studied in detail. Since in general, castles in the 14th century served primarily residential purposes, this thesis also mentions Karlstejn's indoor arrangements and such building components as heating systems, windows, etc.
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Katedrála sv. Víta v Praze: Liturgie, symbolika a architektonická imitace ve středověkých Čechách / St Vitus' Cathedral in Prague: Liturgy, Symbolism and Architectural Imitation in Medieval BohemiaUličný, Petr January 2020 (has links)
St Vitus' Cathedral in Prague: Liturgy, Symbolism and Architectural Imitation in Medieval Bohemia In this thesis, the focus is put on the Wenceslas Chapel in St Vitus' Cathedral, the unusual design of which seems to have two levels of meanings: On the one hand, it was probably designed as a recreation of an earlier rotunda that had been founded by St Wenceslas. On the other hand, it seems that the intention was made the chapel and the whole cathedral would resemble the Church of the Holy Sepulchre in Jerusalem, where the Calvary Chapel occupied the same position as the Wenceslas Chapel. This was most likely inspired by presence of the Imperial insignia containing the valuable Passion relics that Charles had acquired in 1350 and placed in the basilica, probably near the Wenceslas Chapel. Perhaps from that reason Charles had the new Gothic chapel decorated with semi-precious stones, because its red spots were associated with the blood of Christ and the Passion. The Wenceslas Chapel together with two Passion chapels at Karlstein Castle, containing Charles IV's private passion treasure, gave rise to the "Passion" architecture of the Luxembourg period. It included the church of St Margaret in the Cistercian monastery in Zlatá Koruna and the Resurrection Chapel attached to the church of SS Peter and Paul at...
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