1 Abstract At first the Diploma thesis "Capitular Church of Raising of The Holy Cross in Litomyšl" acquaints shortly with history of Litomyšl, which went before and is important for understanding later period - foundation of a Monastery of the Augustinians the Hermits. This is concern mainly about a Monastery of the Benedictines and then about a Monastery of the Premonstratensians. In 1344 a Bishopric was founded in Litomyšl (Chapter 1). The second resident Bishop Jan II. from Středa founded the Monastery of the Augustinians together with the Church of Raising of The Holy Cross in 1356 (Chapter 2). There was an important change in the meaning of the aforementioned Church during the Hussite period - in 1448 a Parish Office was transfered here from destroyed Church of St. Clement (Chapter 3). In this thesis description of architectural history of the Church is not missing; construction of the Church took 20 years and modifications continued until the Hussitism (Chapter 4). Till the 20th century many noble families cared the Church; these families were also owners of a domain of Litomyšl (Chapter 5). Till the 20th century the Church went through many reconstructions and also a few cardinal renovations (Chapter 6). In the beginnig of the 20th century the Provost titular was given Litomyšl Deanery. Several years...

This thesis is divided into two main parts. The First cultural-historical part is dedicated to introduction of cultural-historical context between Bohemian kingdom and Silesia. Historical development of Silesia and its joining into the union of Lands of Bohemian crown is also shortly discussed. The second art-historical chapter in first part brings the resume of literature dedicated to phenomenon of beautiful style. The second part brings resume of literature dedicated particularly to the Silesian centre of beautiful style. And the last part of this chapter consists of a catalogue of chosen works of beautiful style from Wroclaw. Those are Pietà of St. Elisabeth in Wroclaw, Pietà of Virgin Mary on Sand church in Wroclaw, Man of sorrows from Goldsmith's altar, Pietà from St. Stanislaw and Wenzel church in Sweidnitz, Pietà from St. Matthew church. For each of these works a detailed formal analysis is made and existing research outputs are summarized. As a conclusion of researches mentioned above an attempt is made to improve accuracy of dating and to answer some questions related to those works of art.

This work deals with life and villages in the parish Křemže in the period 1885 to 1920. Home work contains a brief description of the emergence of villages and parishes of the first references in the historical annals, after the year 1885. Another reference to time zone are the years 1885 - 1905 from the perspective of life in the parish and Křemže of sacral buildings in this period. At the same time a separate chapter in the life and community events and intrusions Křemže parish and village life. The following chapter handles the period before the World War II, the years 1911 to 1914. Here is a breakdown done in terms of parish and community Křemže own view, and again the common life away. A separate chapter is devoted to the first veto war. Emphasis here is placed on the description of life in the village itself and the difficulties and War on the territory of the parish. The final chapter contains a description of a new independent Republic and its impact on the ethnic and political. It describes also describe trends and developments in the territory of the Catholic Church parish Křemže from 1919 - 1920.

This master thesis deals with life of roman-catholic parish of Hosin focused to the 2nd period of 19th century till the beginning of the 1st world war period. 1st two chapters are describing the religious events in Bohemia and in Ceskobudejovicka diocese during the mentioned period. Furthermore this master thesis summarizes events and relationships in Hosin?s parish given by political changes in our country including the significant event of old church demolition and construction of a new one. T is tract includes picture attachments with a outlining character. This master thesis is based on historical sources presenting the tracts of famous historian ass well as information sources less known.

The master´s thesis solves a static provision of the Baroque church of Saint James in Městečko Trnávka. The church was built in 1752 in Baroque style on the place of the original Romanesque church. It is a single-nave building with dimensions of about 46 × 20 m. The nave is followed by a massive square tower with a height of about 34 m. The reason for the restoration of the church are cracks in the external masonry and arch due to small space stiffness. The building will be reinforced by horizontal and transverse prestressing. They are designed prestressing tendons, called monostrands, using method of alternative cable channels. It will help to avoid other derformations and it will increase a stiffness of the structure.

The thesis has been written on the basis of main architectural concepts and their application in real life within a historical context investigation. Main architectural concepts are represented in a harmony of architectural composition that deals with relations among form, structure and space in the unique art work. Genius loci play very important role in the architectural creation - it represents a special and extra-ordinary urban locality and its architectural value in the historical, geographical and cultural context. The origin of Ostravice village within the historical frame concept of Moravia domain is the topic of this thesis. Other historical documents gave information about Bruneswerde as the Brno Castle. That means Brno Castle had to be founded not in Brno (as it has been consid-ered for many years) but it was located in Beskydy at Ostravice. The sacred city – Civitas Dei had been located in Bruneswerde region in early ages as the centre of European culture, education and spiritual life. Civitas Dei – divine Jerusalem in the transcription of St. Augustine's book De civitate Dei – is not only glorification of God and religious fantasy. It is also one of significant clues for recognition of historical architecture. The depiction of unknown settlement from the book of unde-fined origin is a superb testimony about extinct architectural works. They are legible from cadastral maps. Brno Castle - residence of nobility and power served shelter to St. Vojtěch, St. Prokop, St. Václav and St. Ludmila as it is obvious for the mentioned picture. Three major temples, three com-position axes symbolized by three towers on coins are in analogical relation to Brno triangle of four saints - the Saint family of Brno temples. Powerful ambitions of Brno City principals and clergy are inscribed into the urban structure in the way of composition relations which are legible to them who devoted themselves to the mystery of harmony. The absence of historical continuity affects personal attitudes and also identity of the whole community. The architecture truly reflects the past state of polis and it is eloquent even after its death. The architectural composition relations influence the natural environment for long time, longer than the architectural work existence. The geometric order of Renaissance Brno existence has not been in attention of architects so far. The features were discovered in characteristic paintings by Albrecht Durer. They are evidently secret works of the genius. A meaningful collaborator and follower in the extensive project was also his friend Jan Čert from Brno and lately from Vienna. His noble genealogy played a significant role in history of Silesia and Moravia for centuries. It is tendency to consider him as Austrian or even German architect. It is because of the fact that the genealogy tree of his noble family had roots in Moravia. It is supposed that Durer with Jan Čert´s support created the extraordinarily monumental architectural and urban works in Brno. A remarkable consensus in the urban composition of two squares and transition of traditional urban structure of Ostravice Civitas Dei into the modern Brno is also confirmed due to the identification of noble creators and owners, who were at the foundation, transformation and extinction of elements of the Moravian urban structure.