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The big picture and the epic American landscapePeters-Campbell, John R. January 1900 (has links)
Thesis (Ph. D.)--Cornell University, 1989. / eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (p. 251-286).
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Rooms with a view landscape representation in the early national and late colonial domestic interior /Marley, Anna O'Day. January 2009 (has links)
Thesis ()--University of Delaware, 2009. / Principal faculty advisor: Wendy Bellion, Dept. of Art History. Includes bibliographical references.
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Rhetoric and redress Edward Hopper's adaptation of the American sublime /Crouch, Rachael M. January 2007 (has links)
Thesis (M.A.)--Ohio University, August, 2007. / Title from PDF t.p. Includes bibliographical references.
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A critical study of Eastern American landscape painting from 1817 to 1860Langer, Sandra L. January 1974 (has links)
Thesis (Ph. D.)--New York University, 1974. / eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (leaves 113-125).
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"America as Landscape" : Marsden Hartley and New Mexico, 1918-1924 /Hole, Heather, January 2005 (has links) (PDF)
Thesis (Ph.D.)--Princeton University, 2005. / Includes bibliographical references (p. 282-286).
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"America as Landscape" Marsden Hartley and New Mexico, 1918-1924 /Hole, Heather, January 2005 (has links) (PDF)
Thesis (Ph.D.)--Princeton University, 2005. / Title from PDF title page. Available through UMI ProQuest Digital Dissertations. Includes bibliographical references (leaves 282-286). Also issued in print.
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The legacy of the HighwaymenUnknown Date (has links)
In the 1950s, a group of African-American artists based around Ft. Pierce, Florida, began selling their landscapes of palm hammocks, colorful sunsets, and Evergladian fauna to tourists traveling south to the Sunshine State. Mass-produced in the artists' backyards, these subtropic landscapes found their way into Florida's motels, hotels, banks, and office buildings as well as private homes. The regional art form fell out of favor until the mid-1990s when an art aficionado coined the name "Highwaymen." Since then a resurgence of interest has brought new fame to the surviving members of the group. Along with this modern interest in the Highwaymen comes another facet of the subject : Several Highwaymen have sons and daughters who paint. Do the children paint like their parents? Are the children riding on the coattails of their parents or have they developed their own original style? Is the legacy of the Highwaymen continued in their progeny? / by Elissa Rudolph. / Thesis (M.A.)--Florida Atlantic University, 2005. / Includes bibliography. / Electronic reproduction. Boca Raton, FL : 2005 Mode of access: World Wide Web.
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