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Helmuth Plessners Philosophie des Organischen im Hinblick auf das Selbstbild des MenschenMayer, Torsten. January 2005 (has links)
Chemnitz, Techn. Univ., Magisterarb., 2005.
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Leibniz, le vivant et l'organisme /Duchesneau, François. January 2010 (has links)
Notes bibliogr. - Bibliogr. p. (327)--333. - Index.
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Improvisationen der Ehrfurcht vor allem Lebendigen : Albert Schweizers Ästhetik der Mission /Ohls, Isgard. January 2008 (has links)
Zugl.: Hamburg, Universiẗat Diss, 2007 u.d.T.: Ohls, Isgard: Albert Schweizer und die Ästhetik der Mission ... / Mit zeitgeschichtl. Dokumentenanhang.
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Das Leben zur Sprache bringen Bergson und Heidegger im Lichte eines buchstäblich zeit-losen Problems /Thönnes, Volker. Unknown Date (has links) (PDF)
Universiẗat, Diss., 2004--Freiburg (Breisgau).
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The 'Leben-Jesu-Forschung' in recent research and debate, with special reference to Continental theologiansRobinson, Wayne B. January 1965 (has links)
No description available.
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Muslimisches Leben in OstdeutschlandStenske, Leonie, Bioly, Tom 06 September 2021 (has links)
No description available.
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Das musikalische Leben der religiösen Gemeinden Odessas am Anfang des 20. Jahrhunderts: Besonderheiten der multikulturellen UmgebungShip, Sergey 10 August 2017 (has links)
Religiöse Gemeinden und deren Gebäude in Odessa
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Recasting Gender: 19th Century Gender Constructions in the Lives and Works of Robert and Clara SchumannSmith, Shelley L. 05 October 2009 (has links)
No description available.
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A Discussion Of Robert Schumann's Compositional Process In The Song Cycle Frauenliebe Und -lebenDenham, Brittany Monique 01 January 2012 (has links)
Robert Schumann’s compositional work during 1840 stands out as an unexpected turn of events. With relatively no background composing songs, Schumann suddenly produced a plethora of widely successful and monetarily lucrative songs all within one year. Perhaps most fascinating was the amount of detail Schumann placed into each song. This detail can be seen in the sketches which include the composer’s handwritten edits in both the piano and vocal scores. With a focus on Schumann’s song cycle, Frauenliebe und -leben the qualities of Schumann’s songs and the compositional process used to create the songs’ final versions are examined through this study. The origins of the poems and their author, Adelbert von Chamisso, are investigated in addition to the relationship created by Schumann between the poems and vocal lines. Main emphasis is placed on tracing the progression from the rough vocal lines found in the autograph score to the relatively finished copyist’s score and finally to the final published version of the cycle
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Strafrechtlicher Lebensschutz in vivo das ungeborene menschliche Leben als Schutzgut des Strafgesetzbuches - eine medizinstrafrechtliche UntersuchungDuncker, Martin Andreas January 2006 (has links)
Zugl.: Zürich, Univ., Diss., 2006
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