la ricerca si propone lo studio della figura di Lucio Quinzio Cincinnato, paradigma di vir Romanus della prima età repubblicana, e della sua gens di appartenenza, la gens Quinzia, lungo tutto l'arco della sua esistenza. Scopo del lavoro è quello di decodificare come è stata costruita nel tempo, da parte della cultura romana, la figura esemplare di Cincinnato, evidenziando gli eventuali aspetti storici della sua vicenda e le possibili stratificazioni storiografiche e “ideologiche” successive che ne hanno fatto un personaggio paradigmatico della storia di Roma. / The research aims to study the figure of Lucius Quinctius Cincinnatus, a paradigmatic vir Romanus of the early roman Republic, and his belonging clan, the gens Quinctia, throughout its existence. Aim of the work is to decode how it was built over time by the roman culture, the exemplary figure of Cincinnatus, highlighting any historical aspects of his story and the subsequent historiographical and "ideological" layers that have made it a paradigmatic character of the roman history.

Lina Bo Bardi e Lucio Costa foram importantes intelectuais-arquitetos brasileiros do século XX. Suas trajetórias, muito diferentes nos princípios e nas causas, têm muito em comum nos seus efeitos. Relatar a importância de suas atuações públicas em todos os abrangentes aspectos relativos à inteligência e à arquitetura está sendo objeto de muitas novas pesquisas, com renovado interesse. Nesse aspecto, apresentamos nossa versão de suas atuações, desenvoltas, na arte e na técnica - antigas ou modernas -, no plano político e social, na vida cotidiana e na vida urbana, e, numa palavra, arquitetura. Procura-se, nas duas diferentes trajetórias, localizar e identificar pontos de atuação comuns ou díspares, inserir os comentários relativos ao que estava ocorrendo paralelamente ou à margem deles, inseridos nos contextos históricos, ou vertiginosos na história - venturas, mas muitos mais dissabores -, pelos quais passaram, e que não foram poucos. Mas reagiam e prosseguiam. A inteligência das diferentes reações - no mais das vezes veementes - somadas ao ânimo de continuar no afazer do ofício é impressionante. Os capítulos que tem por nome obras específicas, acabam por ser ziguezagueantes, pulando para outras obras ou fatos, na tentativa de se explicar processos técnicos ou até mesmo fatos históricos nos quais estas obras estão inseridas. / Lina Bo Bardi and Lucio Costa were brazilian important intelectual-architects of the 20th century. Their pathways, very differents in their principles and in their causes, have a lot in common on their effects. Relating the importance of their public actions in all the aspects concerning intelligence and architecture have been the object of lots of new researches, with renewed interest. In this aspect, we present our version of their actions, developed in art and in technique - antique or modern -, in political and social foreground, in everyday life and urban life, and, to say one word, architecture. The intention is to locate and identify the differences and the common points of actions in their trajectories and also make comments concerning what was happening among them or in spite of them. In their history context, the adventures and, most of all, the discontentments that they have been through - and they were many. But they reacted and carried on. The impassioned intelligence together with the cheer to labor on is impressive. The chapters that are named by specific works tend to be a bit zig-zagging. They jump from works to facts in the attemp to explain technical processes and historical facts in which this works are inserted.

Made available in DSpace on 2016-04-26T18:17:19Z (GMT). No. of bitstreams: 1 Celia Regina Trindade Chagas Amorim.pdf: 55739492 bytes, checksum: f3ccf33de1f819555df1a55ca3454db0 (MD5) Previous issue date: 2008-06-09 / Conselho Nacional de Desenvolvimento Científico e Tecnológico / This work is entitled Jornal Pessoal: a journalistic metalanguage in the Amazon. The object studied is the alternative journal of the sociologist and journalist Lúcio Flávio Pinto. The periodical has been released for 20 years, in Belém, state of Pará. The hypothesis examined is that the journal presents journalistic metalanguage based in the principles of street journalism truth, ethic and liberty as well as of its practice. The generator problem of this investigation arose from the following question: why turning to the study of journalistic metalanguage through an alternative journal if the general press, considered as a journalism paradigm, contains metalinguistic elements? The main objective is to reflect on the importance of alternative media in the process of construction of a journalism effectively committed to society. The theoretical and interpretative basis involved the concept of metalanguage, a second language which analyses the first one, the object language. The theorists studies in the international field like Habermas, John Downing, Carnap, Jakobson, Barthes, Jesús Martín-Barbero and Nelson Traquina, besides Brazilian researchers like Bernardo Kucinski, Ciro Marcondes Filho, Perseu Abramo and Nelson Werneck Sodré were fundamental to explain, in the light of the communication theories, the press language and history, the phases and the proposed objectives. The methodology followed a qualitativedescriptive analysis of the periodical production, mainly the one emphasizing the journalistic language in its 20 years existence. From the 400 editions published, 40 were selected, that is, 10% of each group of 100 samples were extracted, in order to design a profile of the metajournalism of the Jornal Pessoal. This work is also included in the Communication area, a Journalism subfield, more specifically related to alternative media. At present, this expression has been more used in the researchers meetings in Brazil and abroad due to the possibility to shelter several alternative objects. The results achieved are relevant to the Communication field, once they present a new perspective to the alternative media, which must be free of prejudices as to associate those means to a minor, marginal, type of press. They also show the need of studies emphasizing the history of the press aiming at understanding the transformation process through which the journalistic production passed in the capitalism context, and finally, the singularity of this PhD research which was to examine, through the journalistic metalanguage expressed by an alternative journal, the excessive ethic nature deviations in the great Amazon press, mainly in Belém, state of Pará, which compromise the consolidation of a journalism concerned with the citizen / Este trabalho tem como título Jornal Pessoal: uma metalinguagem jornalística na Amazônia. O objeto estudado é o jornal alternativo do sociólogo e jornalista Lúcio Flávio Pinto. O periódico circula há 20 anos, em Belém do Pará. A hipótese examinada é a de que a publicação faz metalinguagem jornalística assentada nos princípios da verdade, da ética, da liberdade e do fazer jornalismo de rua. O problema gerador da investigação partiu da seguinte indagação: por que recorrer ao estudo da metalinguagem jornalística por meio de um jornal alternativo se a grande imprensa, considerada como paradigma de jornalismo, possui elementos metalingüísticos? O objetivo central é refletir sobre a importância da mídia alternativa no processo de construção de um jornalismo direcionado efetivamente para a sociedade. A base teórica e de interpretação se valeu do conceito de metalinguagem, uma segunda linguagem que analisa uma primeira, a linguagem-objeto. Os estudos dos teóricos no âmbito internacional como Habermas, John Downing, Carnap, Jakobson, Barthes, Jesús Martín-Barbero e Nelson Traquina, além dos de pesquisadores brasileiros como Bernardo Kucinski, Ciro Marcondes Filho, Perseu Abramo e Nelson Werneck Sodré foram fundamentais para dar conta, à luz das teorias da comunicação, da linguagem e da história da imprensa, das etapas e objetivos propostos. A metodologia se pautou na análise qualitativodescritiva da produção do periódico, especificamente aquela que se volta para a linguagem jornalística nos seus 20 anos de existência. Das 400 edições existentes, foram selecionadas 40, ou seja, extraiu-se o percentual de 10% da amostra em cada grupo de 100 exemplares, visando traçar um perfil do metajornalismo do Jornal Pessoal. O trabalho se insere no âmbito da Comunicação, sub-área Jornalismo, especificamente no que diz respeito à mídia alternativa. Atualmente, nos encontros de pesquisadores no Brasil e exterior, tal expressão vem ganhando força dada à possibilidade de abrigar os mais diversos objetos alternativos. Os resultados obtidos são relevantes para o campo da Comunicação, pois lançam um novo olhar para a mídia alternativa que deve ser destituído de preconceitos como o de associar esses meios a um tipo de imprensa menor, marginal; mostram também a necessidade dos estudos na área voltarem-se à história da imprensa com a finalidade de entender o processo de transformação pelo qual passou a produção jornalística dentro do contexto do capitalismo, e, por fim, a singularidade desta pesquisa de doutoramento que foi o de examinar, pela metalinguagem jornalística operada por um jornal alternativo, os excessivos desvios de natureza ética da grande imprensa na Amazônia, especificamente em Belém do Pará, que comprometem a consolidação de um jornalismo cidadão

Framed within a discussion of populism, this thesis provides a critical analysis of the campaign and short tenure in office of Ecuadorian President Lucio Gutiérrez Borbúa. It outlines a multi-dimensional approach to populism that is characterized by five components: (1) personalistic leadership, (2) a heterogeneous coalition of support, (3) top-down political mobilization, (4) an ambiguous ideological discourse, and (5) a redistributive and clientelistic economic approach. Applied to the Gutiérrez case, the multi-dimensional approach highlights the viability and volatility of populism.<p> This thesis argues that Gutiérrez ascended to the presidency through the successful application of a populist strategy, which generated significant expectations among the public and his political allies. Yet, once in office, Gutiérrez populist strategy was unable to sustain the support he enjoyed during the campaign. The expectations he generated went unmet as he engaged in clear reversals of the populist imaginary created by his candidacy. His twenty-eight months in office were characterized by neoliberalism, corruption, and status quo political machinations that had sunk his predecessors. Tracking Gutiérrez transition from populist champion to political pariah using the multi-dimensional approach indicates that although populism can be an effective electoral strategy, it can also impose significant limitations on a government. Ultimately, the Gutiérrez case reinforces the important role played by the populist imaginary in determining the success or failure of populist leaders.

Framed within a discussion of populism, this thesis provides a critical analysis of the campaign and short tenure in office of Ecuadorian President Lucio Gutiérrez Borbúa. It outlines a multi-dimensional approach to populism that is characterized by five components: (1) personalistic leadership, (2) a heterogeneous coalition of support, (3) top-down political mobilization, (4) an ambiguous ideological discourse, and (5) a redistributive and clientelistic economic approach. Applied to the Gutiérrez case, the multi-dimensional approach highlights the viability and volatility of populism.<p> This thesis argues that Gutiérrez ascended to the presidency through the successful application of a populist strategy, which generated significant expectations among the public and his political allies. Yet, once in office, Gutiérrez populist strategy was unable to sustain the support he enjoyed during the campaign. The expectations he generated went unmet as he engaged in clear reversals of the populist imaginary created by his candidacy. His twenty-eight months in office were characterized by neoliberalism, corruption, and status quo political machinations that had sunk his predecessors. Tracking Gutiérrez transition from populist champion to political pariah using the multi-dimensional approach indicates that although populism can be an effective electoral strategy, it can also impose significant limitations on a government. Ultimately, the Gutiérrez case reinforces the important role played by the populist imaginary in determining the success or failure of populist leaders.

Lina Bo Bardi e Lucio Costa foram importantes intelectuais-arquitetos brasileiros do século XX. Suas trajetórias, muito diferentes nos princípios e nas causas, têm muito em comum nos seus efeitos. Relatar a importância de suas atuações públicas em todos os abrangentes aspectos relativos à inteligência e à arquitetura está sendo objeto de muitas novas pesquisas, com renovado interesse. Nesse aspecto, apresentamos nossa versão de suas atuações, desenvoltas, na arte e na técnica - antigas ou modernas -, no plano político e social, na vida cotidiana e na vida urbana, e, numa palavra, arquitetura. Procura-se, nas duas diferentes trajetórias, localizar e identificar pontos de atuação comuns ou díspares, inserir os comentários relativos ao que estava ocorrendo paralelamente ou à margem deles, inseridos nos contextos históricos, ou vertiginosos na história - venturas, mas muitos mais dissabores -, pelos quais passaram, e que não foram poucos. Mas reagiam e prosseguiam. A inteligência das diferentes reações - no mais das vezes veementes - somadas ao ânimo de continuar no afazer do ofício é impressionante. Os capítulos que tem por nome obras específicas, acabam por ser ziguezagueantes, pulando para outras obras ou fatos, na tentativa de se explicar processos técnicos ou até mesmo fatos históricos nos quais estas obras estão inseridas. / Lina Bo Bardi and Lucio Costa were brazilian important intelectual-architects of the 20th century. Their pathways, very differents in their principles and in their causes, have a lot in common on their effects. Relating the importance of their public actions in all the aspects concerning intelligence and architecture have been the object of lots of new researches, with renewed interest. In this aspect, we present our version of their actions, developed in art and in technique - antique or modern -, in political and social foreground, in everyday life and urban life, and, to say one word, architecture. The intention is to locate and identify the differences and the common points of actions in their trajectories and also make comments concerning what was happening among them or in spite of them. In their history context, the adventures and, most of all, the discontentments that they have been through - and they were many. But they reacted and carried on. The impassioned intelligence together with the cheer to labor on is impressive. The chapters that are named by specific works tend to be a bit zig-zagging. They jump from works to facts in the attemp to explain technical processes and historical facts in which this works are inserted.

El objetivo de nuestra investigación es indagar los cambio que ha tenido el personaje de la cautiva en la literatura argentina en su pasaje del siglo XIX al XX. Nos proponemos realizar un análisis textual y contrastivo, que examine el rol de la cautiva como personaje fundacional de la literatura argentina y la importancia que ha tenido en la conformación de la Nación. En nuestro estudio son centrales los conceptos: personaje, desierto, frontera, mestizaje y cautiverio.

Although early Venetian operas by composers such as Claudio Monteverdi and Francesco Cavalli offer today's listeners profound moments of emotion, the complex codes of meaning connecting emotion (or affect) with music in this repertoire are different from those of later seventeenth-century operatic repertoire. The specific textual and musical markers that librettists and composers used to indicate individual emotions in these operas were historically and culturally contingent, and many scholars thus consider them to be inaccessible to listeners today. This dissertation demonstrates a new analytical framework that is designed to identify the specific combinations of elements that communicate each lifelike emotion in this repertoire. Re-establishing the codes that govern the relationship between text, musical sound, and affect in this repertoire illuminates the nuanced emotional language of operas by composers such as Claudio Monteverdi, Francesco Cavalli, Antonio Cesti, and Francesco Lucio. The new analytical framework that underlies this study derives from analysis of seventeenth-century Venetian explanations and depictions of emotional processes, which reveal a basis in their society's underlying Aristotelian philosophy. Chapters III and IV examine extant documents from opera librettists, composers, audience members, and their associates to reveal how they understood emotions to work in the mind and body. These authors, many of whom were educated by Aristotelian scholars at the nearby University of Padua, understood action and emotion to be bound together in a reciprocal, causal relationship, and this synthesis was reflected in the way that they depicted affect in opera. It also guided the ways that singer-actors performed and audiences interpreted this music. In contrast, post-1660 Baroque operas from France and Italy express affect according to the musical conventions of the Doctrine of Affections (based in the ideas of René Descartes) and aim to present a single, clear emotion for each large semantic unit (recitative or aria). This paradigm does not hold true for operas composed before 1660; thus, this vibrant repertoire requires a new analytical approach that respects its pre-Cartesian musical aesthetics. Early Venetian opera composers express not just one, but many affects in each semantic unit. In their operas, musical sound interacts directly with text and dramatic action on a line-by-line basis to produce an unprecedented fluidity of emotional meaning. Chapter II describes a new analytical framework based in this understanding to reveal the means that librettists, composers, and performers used to communicate emotion in this repertoire. Chapters V through X contain hermeneutic and musical analyses (according to the method described in Chapter II) of case studies drawn from Venetian operas performed between 1640 and 1658. These chapters illustrate how this repertoire uses a flexible but well-defined system of musical and textual markers to convey characters' emotions. This new approach unlocks an aesthetic system that privileges the fluid, real-time emotional reactions of the individual in accordance with Aristotelian emotional understanding. In Chapters XI and XII, supporting information gleaned from seventeenth-century acting treatises, reception documents, and conduct books enables an examination of the singer's role in depicting these textual and musical representations of affect in performance. These two chapters address seventeenth-century views on affective communication through voice acting and physical gesture, together with recommendations for today's singers who perform this repertoire. In taking a systematic approach to the identification of specific textual, musical, and gestural means for communicating affect in early Venetian opera, this dissertation offers a new approach to analyzing and performing its dynamic emotional content.

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El presente trabajo tiene por objetivo analizar la manera en que las novelas Adiós, Ayacucho y Rosa Cuchillo, a través de sus protagonistas, establecen la búsqueda de una sociedad decolonizada por medio de la interculturalidad. Sostengo que los textos escenifican un encuentro crítico entre el subalterno y el dominante que pone en evidencia los límites de los discursos hegemónicos sobre el otro andino, tanto desde la oficialidad del Estado peruano como desde Sendero Luminoso. En primer lugar, analizaré los tres discursos definitorios del otro andino provenientes del Estado o de la agrupación terrorista: el letrado, figurado en el encuentro fundacional en Cajamarca entre el cura Vicente de Valverde y el inca Atahualpa; el moderno, cristalizado en el informe de la comisión investigadora de los sucesos de Uchuraccay; y el proveniente de la ideología senderista. En segundo lugar, expondré los mecanismos mediante los que las novelas proponen una confrontación con la hegemonía occidental desde una racionalidad míticoreligiosa y la inversión de posiciones entre sujeto subalterno y sujeto dominante. Finalmente, estudiaré la forma en que la intención de abrir un diálogo en ambos textos puede ser entendido desde una propuesta intercultural, para lo que la figura de Inkarrí y el mito del advenimiento del pachacuti resultan centrales. El aporte de esta investigación radica en entender la apelación a los lectores por parte de las obras como un mecanismo de transformación social.