1 |
Além dos baihunos: tensões nas artes baianas e poéticas visuais à margemFerreira, Ayrson Heráclito Novato 22 June 2016 (has links)
Submitted by Filipe dos Santos (fsantos@pucsp.br) on 2016-10-04T16:55:20Z
No. of bitstreams: 1
Ayrson Heráclito Novato Ferreira.pdf: 5161682 bytes, checksum: bdffc485b91663e0fd4b750a917a9839 (MD5) / Made available in DSpace on 2016-10-04T16:55:20Z (GMT). No. of bitstreams: 1
Ayrson Heráclito Novato Ferreira.pdf: 5161682 bytes, checksum: bdffc485b91663e0fd4b750a917a9839 (MD5)
Previous issue date: 2016-06-22 / This thesis has as its universe the political and cultural tensions in the field of
art in Bahia. The main axis of this research is to point out to the emergence of
collections and institutionalized artists, and as a result of this vision to
signalize the artists who remained marginal of these process. This initiative
scrutinizes documents, interviews and artistic productions to understand how
the art scene in Bahia was built from the 1960s, trying to critically analyze
conceptual constructions about the art of Bahia. The research reveals how
civilizations projects and personal utopias contributed to the tessitura and
modification of the specific cultural policies in the state of Bahia. In this sense,
the work is settled on an ideal which observes the most institutionalized art
system and also on the existence of an independent scene materialized by
artists who have a radical artistic production, highlighting the social tensions in
Bahia in the period of military dictatorship. So, this thesis is backed by the
following questions: 1) the links between civilization projects and cultural
policies; 2) the creation of cultural structures in the Bahia’s art scene due to
utopias; 3) the collectionism action as a political strategy for the arts; 4) the
cultural resistance of artists who produced a marginal condition to art systems
in Bahia. Therefore, the relevance of this work is the possibility of thinking
about reinforcements and leakages of the art circuit - by attending to the
power of producers, although they are not recognized in the Art History of
Bahia, who worked significantly in building an innovative and imminently
radical visuality / Este trabalho tem como universo de pesquisa as tensões políticas e
culturais no campo das artes na Bahia. O eixo principal da investigação é
pontuar a emergência de coleções e artistas mais institucionalizados e, em
consequência disso, sinalizar a resistência de artistas que permaneceram às
margens desse processo. Esta iniciativa esmiúça documentos, entrevistas e
produções artísticas para compreender como se erigiu um cenário artístico na
Bahia a partir da década de 1960, tentando analisar criticamente construções
conceituais sobre a arte baiana. A pesquisa evidencia como projetos de
civilização e utopias pessoais contribuíram na tessitura e modificação de
políticas culturais específicas no estado da Bahia. Nesse sentido, o trabalho
está assentado num ideal que observa o sistema de arte mais
institucionalizado e também a existência de uma cena independente
materializada por artistas que possuem uma produção artística radical,
evidenciando as tensões sociais baianas no período da Ditadura Militar. De
tal modo, esta tese está lastreada nas seguintes questões: 1) os
imbricamentos entre projetos de civilização e políticas culturais; 2) a criação
de estruturas culturais no cenário artístico baiano decorrentes de utopias; 3) o
ato de colecionismo como uma estratégia política para as artes; 4) a
resistência cultural de artistas que produziram numa condição marginal aos
sistemas de arte na Bahia. Portanto, a relevância deste trabalho está na
possibilidade de pensar em reforços e fugas dos circuitos de arte – atentando
para a potência de produtores que, ainda que não sejam reconhecidos dentro
da História da Arte Baiana, trabalharam de forma significativa na construção
de uma visualidade inovadora e iminentemente radical
|
2 |
La beauté microscopique dans les arts plastiques contemporains / Microscopic beauty in contemporary artsXu, Yan Jun 09 December 2017 (has links)
Cette thèse présente l'exploration humaine du monde microscopique de règle de la beauté formelle, afin de révéler la loi inhérente de l’univers dans lequel tous les êtres sont connectés et communiqués. La thèse encourage les hommes à découvrir le charme unique de l’univers via les médias d’art, et à découvrir la signification essentielle de l'humanité qui apportera plus de l’esprit d’innovation. Tirer et appliquer de nombreuses formes de beauté des cellules biologiques sous le microscope dans la création de l’art contemporain est un travail totalement innovant et magique, comme les petites cellules contiennent l’essence de l’univers. La loi de l’univers joue un rôle primordial dans la formation de la beauté du monde microscopique. Cette thèse a également étudié comment l’esprit humain participe au processus de l’esthétique microscopique qui améliore la théorie de l’esthétique dans son ensemble. Tout cela enrichit la pensée et la forme de la création des artistes contemporains. Cette thèse vise à promouvoir la construction et la communication de l’esprit du monde microscopique, et à retrouver les inspirations et les natures. C’est un sujet spirituel qui mérite l’attention des artistes contemporains. / This thesis presents the human exploration of the rule of beauty, of forms in the microscopic world, to reveal the inherent law of the universe in which all beings are connected and communicated. The thesis encouraged men to experience the unique charm of the universe via the media of the arts, and to discover the essential meaning of humanity that will bring more spirits of innovation. Learning and applying the beauty of many forms of biological cells under the microscope in the creation of contemporary art is a completely innovative and magical work, since the small cells contain the essence of the universe. The law of the universe plays a crucial role in the formation of the beauty of the microscopic world. This thesis also studied how the human mind involved in the process of microscopic aesthetic that enhances the theory of aesthetics as a whole. All this enriched the thought and the form of the creation of contemporary artists.This thesis aims to promote the construction and communication of the spirit of the microscopic world, and to find the inspirations and natures. It is a spiritual subject that deserves the attention of contemporary artists.
|
Page generated in 0.0436 seconds