Finland’s Biggest Dress Party – A Study of the Role of Women’s Appearances at the Independence Day Reception, aims to understand the role of dresses at Finland’s Independence Day Reception by focusing on how the reception has earned a title “Finland’s biggest dress party”, and meanings behind the dresses. The aims are studied combining fashion and media studies in three analytical chapters focusing on the media’s development and influence, how the dresses work as a communication tool and what kind of messages are sent through dresses, and Finnishness and national identity in the dresses. The chapters are linked to each other by the importance of the communication between the dresses, the media and the audience during the hype around the Independence Day Reception. The study is based on interviews, which were conducted with seven reception guests and three dress designers, archival studies, visual culture studies and (fashion) media discourse. The study draws on theories by Roland Barthes, Malcolm Barnard and Erving Goffman.

This essay casts light on the quantitative aspect of the media representation of foreign news. The purpose of the essay is not only to describe the media representation of the countries of the world, but also to explain the representation out of structures that are mirrored by the mass media. Four hypotheses are stated that are operationalized in the research. These are treating four different factors that are believed to affect the representation, economy, geographical distance, cultural distance and the size of the population. A fifth hypothesis is stating that economy is the most influential of the factors. The factors are tested by using multiple regression analyses. Four Swedish newspapers have been selected for the study, two morning papers, one evening paper and one free daily newspaper. The representation is measured by the number of articles retrieved by searching a database containing the four newspapers. The search have included 183 countries and all articles from 2007 for these countries. The results shows that economy, geographical distance and size of population are the most important factors for the media representation. Economy is evinced to be the most influential of the factors.

The purpose of this study is to investigate binary discourses of self and other constructed by Canadian media in the representation of Saudi women. One of the modest aims of this research is to expound on the status of centralized media coverage in Canada. Drawing on Hegel’s model of dialectics, as framed by Edward Said’s Orientalism (1978) and David Nikkel’s conception of a moderate postmodernism, this research also aims at contributing to the ongoing modern-postmodern discussion by delineating and examining the ways in which dialectical analysis can aid in the deconstruction of metanarratives in Western culture. Utilizing a qualitative research design that employs multidimensional modes of textual analysis, the thesis examined the changes in the portrayal of Saudi Women through a non-probability sampling of 88 Canadian newspaper articles selected from the Toronto Star, Globe and Mail, and National post between 2001-2009. One major finding was that the metanarratives guiding these representations did not change significantly despite changes in narratives as brought about by several major political events. The implications of this thesis revealed what the ideological influences framing these depictions, as well as whether or not the changes that they have undergone, were self-reifying in nature. The research also highlighted the implications resulting from assessing the ontological identities of Saudi women vis-à-vis a Western framework of values.

This diploma thesis deals with the media representation of celebrities, as it is designed within the framework of the adopted American television format of the late-night talk show. In the first part of the thesis, attention is focused on problems of understanding of the phenomenon of celebrities by various authors, as well as on the development of the late-night talk show itself and its characteristic features. The theoretical starting point is the theory of representation (Hall), three levels of representation (Trampota) and social construction of reality (Berger, Luckmann). The method of critical discourse analysis is chosen for the research and the four principles for the analysis are described: commoditization, infotainment, personalization, congeniality. The practical part presents an analysis of the typical representation of celebrities due to the principles mentioned above in selected talk shows which were broadcast in English and Czech languages in 2015-2016, namely American The Tonight Show Starring Jimmy Fallon and Czech Jan Kraus Show. Keywords: Celebrity, Late-night Talk Show, Media Representation, Personalization, Congeniality, Infotainment, Commoditization

Diploma thesis named "The Evolution of Media Representation of Squatting Theme in Czech Mainstream and Alternative Print" is describing the changes and tendencies of media representation of squatting theme in czech printed media based on the most medialized cases in selected media titles. Theme is analysed with the method of quantitative content analysis (partly together with qualitative) of national daily newspapers Mladá fronta DNES and Právo, social magazines Respekt and Reflex and culture periodics A2 and Literární noviny. The results of analysis include the description of media surface dedicated to this topic as well as the frequency and opinion outcome. And especially, which topics were connected to squating the most.

In this thesis, I argue that the modern view on tattooing as a new trend and its former association with antisocial people is an old trope, in many ways constructed by the newspapers.  Tattooing is a practice with a long and multifaceted history. From Ötzi the iceman to the presumed tattoo-boom or tattoo-renaissance in the late twentieth century, it has waxed and waned in popularity but never fully got out of sight. The inhabitants of Sweden's capital city Stockholm are said to be the world's most tattooed people.  The Swedish word for tattoo: tatuering, was introduced in 1799 in an article about natives in the South Pacific. For about half a century, the newspapers mostly wrote about tattooing as a native practice in faraway countries. But, as far back as 1869, the Swedish newspapers started to report on a more western-centered tattoo interest. Approximately 30 years later, it was also reported as a trend attracting new target groups such as women and nobility in America and Britain. Since then, Swedish newspapers have repeatedly described tattooing alternatively as a new trend reaching out to new target groups, a practice on the brink of extinction, a danger to the health, or a stigmatizing mark. The tattooed person has been depicted as odd, self-destructive, an outcast, or incapable of making their own decisions. Authorities such as medics, scholars, social workers, and journalists have taken a right to interpret, discuss and judge the choices of other people. From researching Swedish Newspapers from 1799 to 1999, I conclude that the modern reports on tattooing as a trend, a danger, or a sign of deviance is a narrative with a long history. The view of tattooed people as odd, strange, and victims of self-destructive behavior is a discourse with an equally long tradition. Further, I argue that the tattooed person, when interviewed or depicted to this day, is constructed by old conceptions and stereotypes. The result is that people with an interest in tattooing internalizes prejudices as a self-image. This image is either promoted and self-encouraged, or the object of denial, and a wish to be seen as a whole person, not a stereotype or cliché.

"Changes of Media Representation of Agriculture in Press" This diploma thesis is focused on the changes in teh media representation of agriculture in the Czech press on the example of two national dailies - Hospodářské noviny and Právo. The study uses a quantitative research method, content analysis, to detect changes in both the final representation of farmers and mechanisms of news construction in the period from the early 90 of the 20 century to today. The theoretical part presents a brief development of agriculture, basic principles of the media studies theory and mechanisms of news construction (agenda setting, work with information sources, the news values concept, the framing concept). The analysis examines the media attention that is devoted to agriculture but also the use of mechanisms of news construction and the change of representation of farmers in the press. Key words: agriculture; farmers; mechanisms of news construction; content analysis; media representation; agenda setting

This thesis aims to prove or disprove the hypothesis that the media (Mlada fronta DNES and Lidové noviny), owned by a group of MAFRA, creates the media image of a migratory crisis consistent with the preview of the owner Andrej Babis. This thesis examines articles in the newspapers using quantitative content analysis on this topic appearing between March- December 2015. The theoretical section consists of two chapters; first dealing with the media image and the design of the media mechanism and second, introducing the terminology of migration and migration policy. The Thesis also includes the contextual information, capturing and describing the European migration crisis on the basis of these findings and constructed in the design research. The analytical part incorporates knowledge of quantitative analysis and research positions A. Babis. The conclusion answers the research questions that are for the purpose of writing this paper. This work is based on the relevance of the topic and the possible transformation of attitudes of political parties in the coming elections. Keywords: Media representation, migration crisis, refugees, MAFRA, Babiš, migration, media content analysis, ANO 2011, elections, news values

No description available.

This thesis entitled Media construction of gender-based violence in selected Spanish media deals with how the Spanish media frame the topic of gender-based violence. The aim of this work is to identify and describe the dominant interpretive frames that the Spanish media offers in connection with the topic of gender-based violence. The starting point of this diploma thesis is the concept of media framing. The research method is qualitative analysis based on the procedures of grounded theory and uses open and axial coding. The research sample consists of selected Spanish media. Specifically, the online news newspapers El País and El Mundo and the television news stations La 1 and TeleCinco. The result of axial coding is seven categories through which the Spanish media offers the issue of gender-based violence.