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1	För gull och för edela kransar : en identifiering av 22 nyfunna ballader Sverkersson, Micael, Bäckvall, Louise January 2006 (has links) In February 2005, a collection predominantly containing medieval ballads was found in the library of Växjö. The collectors were mainly George Stephens, originally from Scotland, and Gunnar Olof Hyltén-Cavallius, both active in Småland in the nineteenth century. In connection with an intital inventory of the material, Magnus Gustafsson, ethnomusicologist at Smålands Musikarkiv, marked ballads of uncertain origin with a question mark. The purpose of this essay is to investigate 22 of these marked ballads. To be able to compare them with other material we have developed a method to identify differences. By means of the method both the text and the melody are compared and in addition the differences in terms of quality and quantity are assessed. We have compared the collection, named Växjö Stadsbiblioteks Stephenssamling (VSS), with the Swedish edition of medieval ballads, Sveriges Medeltida Ballader (SMB). In the comparison, a ballad forgotten since the mid nineteenth century was retrieved . medieval ballad comparative method George Stephens Gunnar Olof Hyltén-Cavallius VSS Växjö Stadsbiblioteks Stephenssamling SMB Sveriges Medeltida Ballader Music Musikvetenskap
2	För gull och för edela kransar : en identifiering av 22 nyfunna ballader Sverkersson, Micael, Bäckvall, Louise January 2006 (has links) <p>In February 2005, a collection predominantly containing medieval ballads was found in the library of Växjö. The collectors were mainly George Stephens, originally from Scotland, and Gunnar Olof Hyltén-Cavallius, both active in Småland in the nineteenth century. In connection with an intital inventory of the material, Magnus Gustafsson, ethnomusicologist at Smålands Musikarkiv, marked ballads of uncertain origin with a question mark.</p><p>The purpose of this essay is to investigate 22 of these marked ballads. To be able to compare them with other material we have developed a method to identify differences. By means of the method both the text and the melody are compared and in addition the differences in terms of quality and quantity are assessed. We have compared the collection, named Växjö Stadsbiblioteks Stephenssamling (VSS), with the Swedish edition of medieval ballads, Sveriges Medeltida Ballader (SMB). In the comparison, a ballad forgotten since the mid nineteenth century was retrieved .</p> medieval ballad comparative method George Stephens Gunnar Olof Hyltén-Cavallius VSS Växjö Stadsbiblioteks Stephenssamling SMB Sveriges Medeltida Ballader Music Musikvetenskap
3	Moody Men and Malicious Maidens : Gender in the Swedish medieval ballad Ryd, Elisabet January 2017 (has links) Syftet med den här uppsatsen är att granska hur genus och genusrelationer uttrycks i svenska, medeltida ballader. Genom att förstå balladkaraktärernas handlingar som performativa, ämnar uppsatsen undersöka hur maskulinitet och femininitet etableras och omförhandlas i balladernas narrativ genom att kartlägga handlingsmönster. Av betydelse är att belysa hur karaktärernas handlingsmöjligheter påverkas av faktorer såsom kön, social status och familjerelationer, men även jämföra hur genusmönster i balladen reflekterar eller utmanar normer och ideal i det senmedeltida samhället. Uppsatsen åskådliggör hur män och kvinnor har möjlighet att utöva och förhandla om makt på olika sätt. Genom detta rör man sig bort från uppfattningen om passivitet och maktlöshet som analogt med femininitet, och aktivitet och makt som synonymt med maskulinitet. Resultaten uppvisar därmed en problematisering och nyansering av genusuttryck i medeltida ballader som saknas i tidigare forskning, och framhäver fördelarna att bedriva ett mer inkluderande synsätt gentemot den här typen av källmaterial inom historievetenskapen. Medieval ballad Scandinavian ballad gender studies gender masculinity femininity power relationships medieval medieval studies performativity Medeltida ballader genusforskning genus maskulinitet femininitet maktrelationer medeltid medeltidsforskning performativitet. History Historia
4	Spegel, spegel på väggen där: : En studie kring balladens textliga funktion i kvinnliga traditionsbärares liv under 1800-talet Henriksson, Christina, Eriksson, Emma January 2006 (has links) Emma Eriksson and Christina Henriksson: Mirror mirror on the wall: A study on how ballad texts reflect women as carriers of tradition in nineteenth century Sweden, Växjö: Musikvetenskap C, 10 p 2005. The aim of this essay is to analyze relations between ballad texts and the lives of female carriers of tradition in nineteenth century Sweden. Four carriers of tradition have been chosen, connected by being informants to Gunnar Olof Hyltén Cavallius, a collector of medieval ballads in Sweden around 1850. The four women are Anna Ehrenström (1786-1857), Catarina Andersdotter (1792-1857), Johanna Gustafva Angel (1791-1869) och Wendela Hebbe (1808-1899). Their lives are seen from a women’s historical perspective. Although there are uncertainties regarding to what extent the collected repertoire of the four women reflects their repertoire as a whole, some conclusions can be drawn regarding relations between remaining ballads and their lives as women. These relations are traced in textual themes and in textual form (e.g. repetition of words and phrases). The closeness between life situation, and choice and shape of ballad texts, leads us to conclude that these occurrences are due to deliberate choices, and that the ballad text thus mirror the lives of these women. Keywords: medieval ballad women carrier of tradition nineteenth century Lisa och Nedervåld Harpans kraft Stolts Margareta Anna Ehrenström Catarina Andersdotter Johanna Gustafva Angel Wendela Hebbe Gunnar Olof Hyltén-Cavallius Styvmodern Music Musikvetenskap
5	Spegel, spegel på väggen där: : En studie kring balladens textliga funktion i kvinnliga traditionsbärares liv under 1800-talet Henriksson, Christina, Eriksson, Emma January 2006 (has links) <p>Emma Eriksson and Christina Henriksson: Mirror mirror on the wall: A study on how ballad texts reflect women as carriers of tradition in nineteenth century Sweden, Växjö: Musikvetenskap C, 10 p 2005.</p><p>The aim of this essay is to analyze relations between ballad texts and the lives of female carriers of tradition in nineteenth century Sweden. Four carriers of tradition have been chosen, connected by being informants to Gunnar Olof Hyltén Cavallius, a collector of medieval ballads in Sweden around 1850. The four women are Anna Ehrenström (1786-1857), Catarina Andersdotter (1792-1857), Johanna Gustafva Angel (1791-1869) och Wendela Hebbe (1808-1899). Their lives are seen from a women’s historical perspective.</p><p>Although there are uncertainties regarding to what extent the collected repertoire of the four women reflects their repertoire as a whole, some conclusions can be drawn regarding relations between remaining ballads and their lives as women. These relations are traced in textual themes and in textual form (e.g. repetition of words and phrases). The closeness between life situation, and choice and shape of ballad texts, leads us to conclude that these occurrences are due to deliberate choices, and that the ballad text thus mirror the lives of these women.</p> Keywords: medieval ballad women carrier of tradition nineteenth century Lisa och Nedervåld Harpans kraft Stolts Margareta Anna Ehrenström Catarina Andersdotter Johanna Gustafva Angel Wendela Hebbe Gunnar Olof Hyltén-Cavallius Styvmodern Music Musikvetenskap

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