Diss. Linköping : Univ., 2004.

Thèse : Linköping : 2004. / Résumé en anglais. Bibliogr.p.237-251.

PEKÁRIK, Vojtech. Hussite tradition in South Bohemia. Prague 2018. Thesis. Charles University. Hussite Theological Faculty. Department of Historical Theology and Church History. Leader Jaroslav Hrdlička. Keywords: Jan Hus, Hussite Tradition, Památník Mistra Jana Husa, Husinec, exposition, birth house, Hus` birth room, Hus` Celebrations, Respect, Prachatice, Kozí Hrádek, Hus` linden The work maps the development of the Hussite tradition in South Bohemia from the historical point of view. The first part summarizes the development of the Hussian tradition during the centuries from the Poděbrady and Jagellon periods, through the period after Bílá Hora battle, the 19th century, the First Republic, the Protectorate, the Socialist period up to the present. In the second part there are places in southern Bohemia, which are connected with the stay of Master Jan Hus. It is primarily his birth house in Husinec, the Literary School in Prachatice, the Church of St. Jacob Mayor in Prachatice, Hus` Rock near Husinec and Kozí Hrádek near Sezimovo Usti. The third part deals briefly with the iconography of Master Jan Hus in the monitored area. In the fourth part is a detailed history of Hus' celebrations at the birthplace of Jan Hus thru various historical periods. In the other parts there are mentioned Hus's Chapels...

The work is devoted to The Memorial of Master John Hus as his presupposed birthplace. The first part deals with the history of this monument, it brings the summary of proprietary relations and maps the care about this historical object and the looks of Hus{\crq}s house. It also deals with the honour to the personality of Master John Hus and its forms through the historical periods. There are the oldest mentions about this respect, some legends, celebrations and other forms of respect in various periods. The second part deals with contemporary effort of professional public which is aimed to preparation of a new expozition in the Memorial of Master john Hus in Husinec. This preparation started in 2004 - 2005 by means of professional lectures. Finally the work introduces the project The Restoration of the Birthplace of Master John Hus which reakts on professional discussions from previous years and which is the alternative solution of current renewal of actual expozition installed in 1975. There is also pictured enclosure prezenting previous and current looks of Hus{\crq}s birthplace.

The topic of this diploma thesis is the analysis of three novels (Il pendolo di Foucault and Numero zero by Umberto Eco and The Da Vinci Code by Dan Brown) with usage of triadic model of literature. The thesis is based mainly on the concept of triadic model published by Umberto Eco in his study Apocalittici e integrati. The usage of his model is made difficult by the fact that the specific characteristics of the middle literary plane are not defined. Therefore we supplement Eco's concept with several additional studies. We hypothesized that Il pendolo di Foucault, Numero zero and The Da Vinci Code belong to the high, middle and low literary planes respectively. The results of this diploma thesis support our hypothesis. However, it is clear that the classification of Numero zero into the middle literary plane can be a matter of the discussion, while the specific characteristics of this plane are not yet strictly defined. The confirmation or refutation of the above mentioned hypothesis was not the only aim of this study. Additional aim was to focus on the novel which could belong to the middle literary plane and through the comparison with other novels contribute to the delimination of this literary plane. To this end, we found that the novel classified into middle literary plane uses very similar...

In comparison with the art production at Nurnberg or at the cities of the so-called Danube School at the end of 15th century stands the simultaneous painting at Munich in the background. Therefore is sometimes forgotten, that there, in this period, a painter Jan Polack with his workshop was active. To his important customers/patrons belonged the dukes Sigmund and Albrecht of Wittelsbach and the Bavarian monasteries (Weihenstephan near Feising), for which he made few altars or portraits. A most of these altars were after that removed from the original sacral areas and today they are presented in the Bavarian National-museum at Munich or in other galleries. Only a few altars, for example three altars for the chapel in Blutenburg near Munich, have been staying on the original place in this small chapel. These Master thesis would like to compare his most representative pictures in the context with the others paintings, which were created in the middle or at the end of the 15th century in Bavaria (circle of Hans Pleydenwurff, Wolfgang Katzheimer etc.). This comparison can help to find the sources of the Polacks artistic expression. A special attention should be devoted his cooperation with Mair of Landshut, because few pictures of Polacks altar from the church of St. Peter in Munich have just been to Mair inscribed. It is also important to point to same compositional connections between the altar-pictures of Jan Polack and the graphics (Master E. S., Martin Schongauer) One highly-valued contribution of this thesis could be a capitol about the possible inspiration of the Polacks artistic expression for the artists, who came from Bohemia and who have been working here for a long times, but who could gain their training in the Bavaria (Munich). At the literature (Jaroslav Pešina) was one opinion expressed, that an altar in a church in Chudenitz concludes the formal features, which reveal a connection to the art at Munich in the middle of the 15th century. However, other authors (Roman Lavička) think that the painted boards of an original altar of Doudleby were inspired by Polacks artistic expression, although any concrete related features were not in the literature mentioned. It is appropriate too, point to the several compositional connections between the pictures of Jan Polack und a so-called Master of an altar from Litoměřice. This anonymous Bohemian painter, who is knowed only according to his most important commission, would be supposed to study in the Bavaria (an artistic circle of Rueland Frueauf at Passau) at the end of the 15th century. It is possible, that he could visit Munich und he could be inspired by the Polacks paintings.