The aim of the work is to find a suitable way and solution of mediating architecture and its broad themes into the lives of the public. To design an ideal space and suitable conditions for the popularization not only of architecture, but also of related fields such as art, landscape architecture and construction, where all these disciplines will be connected. The main part of the design is to find a suitable way to "transfer" architecture from large cities and those in which it is taught to regional cities or villages. This way of presentation and sharing would be carried out by mobile pavilions, which would create mobile studios. The entire system will be coordinated and managed by the building, where these mobile pavilions will be merged and modularized. The building will create a "center of architecture", where all functions will be combined. This centre serves as a complementary function to the schools of architecture, civil engineering, fine arts and landscape architecture. Thus, there will be cooperation between students across all disciplines with a place for presentation and exhibition to the public.

The aim of this diploma thesis is to create design of home for humanitarian purposes. The dwelling is designed for people who find themselves in emergency situation in which they lose their home. This situation mainly occurs after varies disasters, which are natural or caused by human fault. The dwelling is intended for temporary living for several months in conditions of temperate zone. The most important part of design is the dispositional solution. The layout of rooms and interior equipment create fully functional space. The shape of house is inspired by the pinwheel that is applied mainly on the roof. The rest of the complex is mainly geometrically shaped. It allowed producing particular pieces of building simply with lower financial charges. There is an effort to touch on inhabitants by pleasant and comfortable expression. This is the reason why the yellow color dominate in interior and orange color is ascendant in exterior. There is a possibility to built various number of rooms. This dwelling is demountable, easily transportable and prepared to be built again.

Esta pesquisa disserta sobre o processo de convergência entre o espaço urbano e as mídias locativas, que forma um terceiro espaço: o espaço cíbrido. O termo cíbrido foi criado pelo arquiteto Peter Anders, para designar um meio híbrido onde se desenvolvem as práticas sociais relacionadas à cibercultura. Com a difusão da Internet 1.0 na década de 90, que ocorre a partir da venda massiva de computadores pessoais, as mais variadas vertentes do conhecimento se debruçaram sobre as implicações do surgimento de um novo lugar: o espaço virtual. Porém é especialmente entre os \'artistas digitais\' da Net.art e arquitetos que se investigou as formas de perceber, produzir e criar esteticamente este novo lugar. Uma década mais tarde, o meio virtual sofreu uma nova guinada: a difusão dos dispositivos portáteis de telecomunicação: os smartphones, acoplados com dispositivos de rastreamento, demarcação e mapeamento espacial. As práticas resultantes destas novas mídias: as mídias locativas, associam camadas informacionais aos objetos, às pessoas e aos agenciamentos em rede e localizam esta rede espacialmente. Para investigar o processo de hibridização entre a esfera informacional e o espaço, traçou-se um mapeamento de obras de arte e arquitetura que tratam especificamente deste tema. A seleção desses dois campos de conhecimento para a análise, se justifica por serem áreas correlatas que vêm promovendo mudanças paradigmáticas neste campo e trazendo contribuições essenciais para a compreensão das práticas sociais que envolvem os espaços cíbridos. Cada projeto selecionado oferece em sua especificidade, o suporte teórico, descritivo, sobre as atuais formas de convergência telemática no espaço e tensionam questões específicas desse processo de hibridização, contribuindo para o avanço do conhecimento acerca do processo de produção, apropriação e compartilhamento destas tecnologias com o espaço urbano. / This research talks about the issue and process of convergence between urban space and locative media, which form a third space: the Cybrid space. The Cybrid is a term coined by the architect Peter Anders, to designate a hybrid environment where to develop social practices related to cyberculture. With the spread of Internet 1.0 in the 90\'s, which takes place from the massive sales of personal computers, the aspects of knowledge have addressed the implications of the emergence of a new place: the virtual space. But it is especially among \'digital artists\' of Net.art and architects who investigated the ways of perceiving, producing and aesthetically create this new place. A decade later, the virtual environment has suffered a new twist: the distribution of portable telecommunication devices: smartphones, coupled with tracking devices, demarcation and spatial mapping. The resulting practices of these new media: locative media, associated informational layers to objects, people and assemblages networking and spatially locate this network. To investigate the process of hybridization between the informational sphere and space, drew up a mapping of art and architecture works that specifically address this issue. The selection of these two fields of knowledge for the analysis is justified because they are related areas that are promoting paradigmatic changes in this field and bringing essential contributions to the understanding of social practices involving cybrids spaces. Each project offers, the theoretical, descriptive support, on current forms of telematics convergence in space and tense specific issues that the hybridization process, contributing to the advancement of knowledge about the production process, ownership and sharing of these technologies urban space.

Esta pesquisa disserta sobre o processo de convergência entre o espaço urbano e as mídias locativas, que forma um terceiro espaço: o espaço cíbrido. O termo cíbrido foi criado pelo arquiteto Peter Anders, para designar um meio híbrido onde se desenvolvem as práticas sociais relacionadas à cibercultura. Com a difusão da Internet 1.0 na década de 90, que ocorre a partir da venda massiva de computadores pessoais, as mais variadas vertentes do conhecimento se debruçaram sobre as implicações do surgimento de um novo lugar: o espaço virtual. Porém é especialmente entre os \'artistas digitais\' da Net.art e arquitetos que se investigou as formas de perceber, produzir e criar esteticamente este novo lugar. Uma década mais tarde, o meio virtual sofreu uma nova guinada: a difusão dos dispositivos portáteis de telecomunicação: os smartphones, acoplados com dispositivos de rastreamento, demarcação e mapeamento espacial. As práticas resultantes destas novas mídias: as mídias locativas, associam camadas informacionais aos objetos, às pessoas e aos agenciamentos em rede e localizam esta rede espacialmente. Para investigar o processo de hibridização entre a esfera informacional e o espaço, traçou-se um mapeamento de obras de arte e arquitetura que tratam especificamente deste tema. A seleção desses dois campos de conhecimento para a análise, se justifica por serem áreas correlatas que vêm promovendo mudanças paradigmáticas neste campo e trazendo contribuições essenciais para a compreensão das práticas sociais que envolvem os espaços cíbridos. Cada projeto selecionado oferece em sua especificidade, o suporte teórico, descritivo, sobre as atuais formas de convergência telemática no espaço e tensionam questões específicas desse processo de hibridização, contribuindo para o avanço do conhecimento acerca do processo de produção, apropriação e compartilhamento destas tecnologias com o espaço urbano. / This research talks about the issue and process of convergence between urban space and locative media, which form a third space: the Cybrid space. The Cybrid is a term coined by the architect Peter Anders, to designate a hybrid environment where to develop social practices related to cyberculture. With the spread of Internet 1.0 in the 90\'s, which takes place from the massive sales of personal computers, the aspects of knowledge have addressed the implications of the emergence of a new place: the virtual space. But it is especially among \'digital artists\' of Net.art and architects who investigated the ways of perceiving, producing and aesthetically create this new place. A decade later, the virtual environment has suffered a new twist: the distribution of portable telecommunication devices: smartphones, coupled with tracking devices, demarcation and spatial mapping. The resulting practices of these new media: locative media, associated informational layers to objects, people and assemblages networking and spatially locate this network. To investigate the process of hybridization between the informational sphere and space, drew up a mapping of art and architecture works that specifically address this issue. The selection of these two fields of knowledge for the analysis is justified because they are related areas that are promoting paradigmatic changes in this field and bringing essential contributions to the understanding of social practices involving cybrids spaces. Each project offers, the theoretical, descriptive support, on current forms of telematics convergence in space and tense specific issues that the hybridization process, contributing to the advancement of knowledge about the production process, ownership and sharing of these technologies urban space.

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