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The politics of the traditional Korean popular song style T'ŭrot'ŭSon, Min-jung, January 2004 (has links)
Thesis (Ph. D.)--University of Texas at Austin, 2004. / Vita. Includes bibliographical references. Also available in an electronic version. Also available from UMI Company.
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Party people : mapping contemporary dance music cultures in Australia /Luckman, Susan Heather. January 2002 (has links) (PDF)
Thesis (Ph. D.)--University of Queensland, 2002. / Includes bibliographical references.
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"Punk rock is my religion" : an exploration of straight edge punk as a surrogate of religionStewart, Francis Elizabeth January 2011 (has links)
Using a distinctly and deliberately interdisciplinary approach to the subject of religion and spirituality as it presents itself within modern Western Societies today, this thesis argues that Straight Edge hardcore punk is a surrogate for religion. The term surrogate is used to denote the notion of a successor and a protector and provider of nourishment. It has been re-interpreted from Theodore Ziolkowski’s work on the same term in ‘Modes of Faith’, in which he examines surrogates for religion which emerged during the early part of the 20th century. An in-depth study, both theoretical and ethnographic in nature and presentation, of Straight Edge hardcore punk is provided to demonstrate that traditionally held categories of religion, secular, sacred and profane are being dismantled and re-built around ideas of authenticity, community, integrity, d.i.y and spirituality. Through the syncretic practices of the Straight Edge adherents they are de-essentialising religion and thus enabling us to re-consider the question of what religion is or could be. This thesis relies on theoretical ideas, interview quotes, informant quotes, researcher taken photographs, and interviewee created or utilised images, tattoos, graffiti and flyers. All of these are interspersed with song lyrics from various bands relevant to the time period under discussion and the themes being drawn out. Much like the adherents themselves, this thesis exists very much within the space of the ‘in-between’, which creates and reacts to necessary tensions throughout.
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Grace Jones in One man show music and culture /Guzman, Maria J. January 2007 (has links)
Thesis (M.A.)--Ohio University, August, 2007. / Title from PDF t.p. Includes bibliographical references.
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Thelogical implications of hip-hop cultureBranch, William. January 2004 (has links)
Thesis (Th. M.)--Dallas Theological Seminary, 2004. / Includes bibliographical references (leaves 75-79).
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Thelogical implications of hip-hop cultureBranch, William. January 2004 (has links)
Thesis (Th. M.)--Dallas Theological Seminary, 2004. / Includes bibliographical references (leaves 75-79).
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Theological implications of hip-hop cultureBranch, William. January 2004 (has links)
Thesis (Th. M.)--Dallas Theological Seminary, 2004. / Includes bibliographical references (leaves 75-79).
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Muslim punk rock in the United States a social history of the taqwacores /Hosman, Sarah Siltanen. January 1900 (has links)
Thesis (M.A.)--The University of North Carolina at Greensboro, 2009. / Directed by Rebecca G. Adams; submitted to the Dept. of Sociology. Title from PDF t.p. (viewed May 14, 2010). Includes bibliographical references (p. 116-120).
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The politics of the traditional Korean popular song style T'ŭrot'ŭSon, Min-jung. January 2004 (has links) (PDF)
Thesis (Ph. D.)--University of Texas at Austin, 2004. / Vita. Includes bibliographical references.
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The politics of the traditional Korean popular song style T'ŭrot'ŭSon, Min-jung. January 2004 (has links)
Thesis (Ph. D.)--University of Texas at Austin, 2004. / Vita. "Publisher's no.: UMI 3145359." Includes bibliographical references. Also issued online.
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