Echoing Edward Said’s Orientalism, and Homi Bhabha’s notion of the stereotype as mimicry (camouflage), this research project investigates the recent construction of a Muslim male identity as the Other and Self-Othering following the destruction by al- Qaeda of the World Trade Center on September 11, 2001, referred to colloquially as ‘post-9/11’. The fear of a bearded Muslim terrorist, of attacks from Muslim fundamentalist organizations, the distrust leading to extreme security measures and the subsequent laws contributing to the discrimination and radicalization of the Muslim community are analysed. This research identifies and explains the myths surrounding the Muslim cultural and religious practices relating to the traditional appearance of a Muslim male, specifically the beard and marks of prostration, along with associated imagery derived from the prayer rug, Muslim worship, Salat, and the mosque. Beehive metaphors in Western and Muslim art, history, literature and media are explored. The dualistic concepts surrounding the stereotypes and personifications that result in ‘otherness’ are the key aspects of this research. Using the binary nature of beehive metaphors, as well as both cultures’ propaganda about the West’s Crusade and Islam’s Jihad, the making of a post-9/11 Muslim identity as jihadi, martyr and terrorist are investigated, culminating in artworks comprising of self-portraiture, sculptures, prints, drawings and installation art. These express layers of interpretation of the clash of international political entities alongside the cultural contestations and religious belief systems within the Muslim culture, and reflections upon my own identity as a Muslim man divided between the East and the West. Due to its conceptual yet allegorical content, this research is descriptive, and is intended to lay the ground for future research aimed at examining the compounded variables of potential cultural clashes, religious conflicts, and political action.

This research examined the lived experiences of an Afghan Muslim male participant group. This study explored their immigration from a Southwest-Asian, highly non-secular society to a Western-style, liberal, secular nation-state. Further, this research was an examination of Muslim male identity as an attribute that is closely related to lived experiences, environment and cultural assimilation. Also, this study looked closely at the meanings that this Afghan Muslim male immigrant group attached to identity, as well as exploring their unique narratives during pre-immigration and post-immigration periods. This qualitative research study used narrative methods to unearth the lived experiences of five Afghan Muslim male citizens. These participants immigrated to the U.S. while serving as interpreters and translators for the coalition forces during the Afghanistan War between 2003 and 2012. Several researchers have examined Muslim immigration from Eastern to Western nations, focusing on their adaptation, assimilation, and developmental patterns. The research objective of this study was slightly different and important to social science in that it focused on how a select group of Afghan Muslim males conceptualized their own sense of identity and how their notion of identity was shaped and influenced by their own pre- and post-migration experiences. To this end, the discoveries in this study revealed that the nature of the identities for many in this study may be deemed more blended and in some instances renegotiated, holding onto parts of their core native identities while embracing aspects of the cultural, ethnic, and social elements of their new host land that fit within their own individual frame of reference.