Made available in DSpace on 2016-04-28T19:59:04Z (GMT). No. of bitstreams: 1 Alcina Aparecida Molina Ferreto.pdf: 423545 bytes, checksum: c1ca1b1ac49c4b9e8ca47f860f9dd8ad (MD5) Previous issue date: 2007-06-28 / The purpose of this dissertation is to analyze the parody on the novel O Evangelho Segundo Jesus Cristo by José Saramago. We pretend to establish a comparison between Jesus from the gospel s tests and Jesus made by Saramago, emphasizing the through test speech, which is used as a basis for dialog mechanisms, responsible for the critic-metalanguage-ironic of saramagy writing. The objective of this work is to make a reading of Jesus made by Saramago, trying to define the main difference between him and his gospel homonym. From all this mentioned above, we will demonstrate that the saramagy hero is a recreation of his model basis more human, which is the result from reading with criticism and irony of the biblike narrative again: the new character denies the values that characterize the Bible used to make this parody. This profaned version of Christ configurates as a twisted and uncharacterized image of this gospel character, imposing like a new model as much as from the human being as from the divine / A proposta desta dissertação é analisar o discurso paródico no romance O Evangelho Segundo Jesus Cristo, de José Saramago. O que se pretende é estabelecer uma comparação entre o Jesus dos Evangelhos canônicos e o Jesus de Saramago, pondo-se em destaque o discurso intertextual que serve de base para o mecanismo dialógico, responsável pelo movimento rítico-metalingüístico-irônico da escritura saramaguiana. O objetivo é fazer uma leitura do Jesus de Saramago, procurando-se definir as principais diferenças que existem entre ele e seu homônimo bíblico. A partir disto, tentamos demonstrar que o herói saramaguiano é uma recriação humanizada de sua matriz modelar, fruto de uma releitura crítica e irônica da narrativa bíblica: a nova personagem nega os valores que caracterizam aquela que está sendo parodiada. A versão dessacralizadora do Cristo da Bíblia configurase como uma imagem desautomatizada e descaracterizada da personagem evangélica, impondo-se como um novo modelo não só do humano, mas também do divino

This thesis examines the responses of non-indigenous pastoralists in Central Australian rangelands to two social movements that profoundly challenge their occupancy, use and management of land. Contemporary environmentalism and Aboriginal land rights have both challenged the status of pastoralists as valued primary producers and bearers of a worthy pioneer heritage. Instead, pastoralists have become associated with land degradation, biodiversity loss, and Aboriginal dispossession. Such pressure has intensified in the 1990s in the wake of the native Title debate, and various conservation campaigns in the arid and semi-arid rangelands. The pressure on pastoralists occur in the context of wider reassessment of the social and economic values or rangelands in which pastoralism is seen as having declined in value compared to ???post-production??? land uses. Reassessments of rangelands in turn are part of the global changes in the status of rural areas, and of the growing flexibility in the very meaning of ???rural???. Through ethnographic fieldwork among largely non-indigenous pastoralists in Central Australia, this thesis investigates the nature and foundations of pastoralists??? responses to these changes and critiques. Through memory, history, labour and experience of land, non-indigenous pastoralists construct a narrative of land, themselves and others in which the presence of pastoralism in Central Australia is naturalised, and Central Australia is narrated as an inherently pastoral landscape. Particular types of environmental knowledge and experience, based in actual environmental events and processes form the foundation for a discourse of pastoral property rights. Pastoralists accommodate environmental concerns, through advocating environmental stewardship. They do this in such a way that Central Australia is maintained as a singularly pastoral landscape, and one in which a European, or ???white???, frame of reference continues to dominate. In this way the domesticated pastoral landscapes of colonialism and nationalism are reproduced. The thesis also examines Aboriginal pastoralism as a distinctive form of pastoralism, which fulfils distinctly Aboriginal land use and cultural aspirations, and undermines the conventional meaning of ???pastoralism??? itself. The thesis ends by suggesting that improved dialogue over rangelands futures depends on greater understanding of the details and complexities of local relationships between groups of people, and between people and land.

The enduring, mythical and antisemitic figure of Ahasuerus is central to the unraveling and reframing of post-Shoah Jewish identity in Rabinovici’s novel Suche nach M for it serves as the mythological color palette from which Rabinovici draws his characters and, to extend that metaphor, how the Jews have been immortalized in European culture. There is no escape in Suche nach M. When painting the Jew, both Jews and non-Jews can only use brush strokes of color from the Christian-created palette of the mythic, wandering Jew, Ahasuerus, who is stained in the blood of deicide, emasculated, treacherous, and evil. He is the constitutional “Other.” By deploying Urie Bronfenbrenner’s (Bio) Ecological Systems Theory, the Mythic Jew and the Ikhud (“Fusion”) Models that represent an evolving psychosocial environment combined with personal reflection, this thesis explores how Suche nach M invokes yet critiques the process of Jewish male identity formation in postwar Austria. / Graduate

This thesis examines the responses of non-indigenous pastoralists in Central Australian rangelands to two social movements that profoundly challenge their occupancy, use and management of land. Contemporary environmentalism and Aboriginal land rights have both challenged the status of pastoralists as valued primary producers and bearers of a worthy pioneer heritage. Instead, pastoralists have become associated with land degradation, biodiversity loss, and Aboriginal dispossession. Such pressure has intensified in the 1990s in the wake of the native Title debate, and various conservation campaigns in the arid and semi-arid rangelands. The pressure on pastoralists occur in the context of wider reassessment of the social and economic values or rangelands in which pastoralism is seen as having declined in value compared to ???post-production??? land uses. Reassessments of rangelands in turn are part of the global changes in the status of rural areas, and of the growing flexibility in the very meaning of ???rural???. Through ethnographic fieldwork among largely non-indigenous pastoralists in Central Australia, this thesis investigates the nature and foundations of pastoralists??? responses to these changes and critiques. Through memory, history, labour and experience of land, non-indigenous pastoralists construct a narrative of land, themselves and others in which the presence of pastoralism in Central Australia is naturalised, and Central Australia is narrated as an inherently pastoral landscape. Particular types of environmental knowledge and experience, based in actual environmental events and processes form the foundation for a discourse of pastoral property rights. Pastoralists accommodate environmental concerns, through advocating environmental stewardship. They do this in such a way that Central Australia is maintained as a singularly pastoral landscape, and one in which a European, or ???white???, frame of reference continues to dominate. In this way the domesticated pastoral landscapes of colonialism and nationalism are reproduced. The thesis also examines Aboriginal pastoralism as a distinctive form of pastoralism, which fulfils distinctly Aboriginal land use and cultural aspirations, and undermines the conventional meaning of ???pastoralism??? itself. The thesis ends by suggesting that improved dialogue over rangelands futures depends on greater understanding of the details and complexities of local relationships between groups of people, and between people and land.

This thesis examines the connection between Dominican history, the influence of American material culture, and the mythic American Dream as catalysts for migration. The two U.S. occupations and American propaganda through media had a great effect on the deceptive perception of an American life as an effortless method for attaining wealth. Let it Rain Coffee by Angie Cruz, will focus on the character, Esperanza Colon, and her obsession with the lavish lifestyle she views on the television show, Dallas. Material objects, as argued by Daniel Miller in his book, Stuff, work in subtle yet significant ways and determine our function, identification, and experience in society. If the ideal purpose of material culture is to presuppose our roles as individuals, one can conclude that the novel showcases the issues of a subordinate class struggling to attain the material goods that represent economic wealth while maintaining a sense of self-identification and self-agency.

Interfaith dialogue is no luxury for Christians living in a pluralistic~ effervescent world of intenningling, multi-religious realities. Many Christians take seriously their responsibility towards interfaith dialogue. However, different Christians understand this responsibility in different ways, which often leads to acrimonious accusations of unchristian dialogical approaches. The question is whether there is any means of ordering and assessing the Christian responsibility towards other religions in a mutually uplifting and increasingly holistic way? Ken Wilber provides an integral, or All-Quadrant, All-Level hermeneutics that may assist us with an answer. All holonswhich means everything in the "Kosmos" - emerge or arise in holarchical fashion. On one level, it is a whole, on the next transcendent level it is a part of the whole. This process is infinite and is only ever released in One Taste/salvation/Nirvana/the Kingdom of God, or simply unqualifiable Suchness. Wilber provides an integrated methodology for understanding the process by which holons find their release in One Taste. The holon of Christian responsibility towards interfaith dialogue also emerges through discreet, recognizable stages. Each stage is integrated into the next higher level. The lower levels are more fundamental since they exist as a part of the higher levels. However, the higher levels are more significant, since they have an increased capacity to explore aspects of dialogue previously hidden. The levels we explore are the mythic rational, the rational and the centauric. 'lbese levels emerge through four interrelated dimensions or Quadrants: the Upper Left or spiritual/faith dimension of the person entering into dialogue, the Upper Right Quadrant or theology of dialogue that emerges, the Lower Left or communal and interpretive realm, and Lower Right which covers the social organizational patterns with which the person in dialogue chooses to associate him or herself. We define responsibility in tenns of these four Quadrants: The response or theology (UR) of the person is dependent upon her response-ability, or interior faith development (UL), which is informed by the worldview (LL) of her faith community to whom she feels responsible, with the sociological patterns of her community (LR), to some extent, offers clues as to her stage of development. / Religious Studies and Arabic / D.Th.(Religious Studies)

Cette thèse se propose d’étudier les façons dont la pensée et l’imaginaire grec de l’époque archaïque se représentaient quelques pans du réel qui ne se laissaient jamais voir ni atteindre: l’éther, l’air et l’abîme marin. Vu le caractère insondable de ces espaces, l’imagination et l’abstraction se sont ingéniées à les appréhender par un discours spécifique et à les intégrer dans le système de connaissances et de croyances propre à l’époque en leur assignant une place dans le système de l’univers, en les rattachant à une hiérarchie de l’ordre cosmologique, en leur donnant une forme, en classant leurs objets et en les rapportant aux modèles du monde connu, en les aménageant par les moyens les plus divers. Une étude des formes d’expression de la pensée grecque archaïque, autant littéraires qu’iconographiques, permet de cerner les diverses formes de représentation des domaines inaccessibles et les modèles d’organisation spatiale issus de ce type de pensée. Grâce à la dialectique particulière qui ressort du rapport entre espace et mouvement, cette thèse se propose également d’interroger le corpus des sources grecques archaïques sous des angles jusqu’ici peu explorés: comment maîtrise-t-on l’espace par les déplacements physiques en dehors des parcours terrestres? Comment les schémas du mouvement dans l’espace se sont-ils forgés? Comment les dichotomies issues de la logique spatiale archaïque (haut/bas, droite/gauche, est/ouest, en deça/au-delà, etc.) influent-elles sur la structuration spatiale? Quelles espèces d’espace révèlent les déplacements à travers les différents niveaux du monde, que ce soit ceux des dieux, ceux des mortels et d’autres entités, forces physiques et substances privilégiées dans le commerce avec le divin et le monde d’en haut? Ces analyses mettent en valeur les façons dont l’imagination et l’abstraction plutôt que l’expérience vécue ont contribué, à leur façon, à structurer l’espace et à forger l’image du monde comme κόσμος, monde mis en ordre et soumis autant aux lois physiques qu’aux lois divines. / The present dissertation aims to study the ways in which archaic Greek thought symbolically came to grips with three elements of physical reality, which can never be thoroughly accessed by humans: the ether, the air, and the marine abyss. Due to the rather fathomless character of the different spaces underlying these elements, human imagination and abstract thought endeavored to apprehend them through a specific discourse and system of knowledge and beliefs. Both this discourse and its inherent epistemological system were specific to the abovementioned historical period. They assigned the spaces in question a place in the universe via a hierarchy of the cosmological order. Thus, these spaces acquired a definite shape, while their contents have been classified and connected with patterns of the known world, while being combined in multifarious ways. In my doctoral work, I argue that it is possible to define the various forms of representations of such inaccessible domains of being, together with the patterns of their spatial organization, by paying close attention to the manner in which the archaic Greek thought expressed itself through literature and iconography. Drawing on the particular dialectic that pertains to the relation between space and movement, this thesis wishes to analyze the corpus of ancient Greek sources from multiple vantages which so far have been only vaguely explored. To exemplify, I shall tackle the way, in which space is understood in view of journeys other than terrestrial. I also discuss how certain paradigms of movement in space have emerged in this regard. Another question I shall answer concerns the manner, in which certain dichotomies of archaic logic related to space (up/down, right/left, east/west, within/beyond, etc.) have influenced the structuring of space. With that in mind, I expand upon the issue of the types of spatiality revealed through the journeys across the different levels of the world, namely the journeys of the gods, mortals, and other forces involved in the human interaction with the divine and any other superior region. These analyses will jointly show that the philosophical structuring of space and the emergence of an image of the world understood as κόσμος – i.e., as a world ordered by and obeying both physical and divine laws – are the result of imagination and abstract reflective efforts rather than subjective experience.

Cette thèse se propose d’étudier les façons dont la pensée et l’imaginaire grec de l’époque archaïque se représentaient quelques pans du réel qui ne se laissaient jamais voir ni atteindre: l’éther, l’air et l’abîme marin. Vu le caractère insondable de ces espaces, l’imagination et l’abstraction se sont ingéniées à les appréhender par un discours spécifique et à les intégrer dans le système de connaissances et de croyances propre à l’époque en leur assignant une place dans le système de l’univers, en les rattachant à une hiérarchie de l’ordre cosmologique, en leur donnant une forme, en classant leurs objets et en les rapportant aux modèles du monde connu, en les aménageant par les moyens les plus divers. Une étude des formes d’expression de la pensée grecque archaïque, autant littéraires qu’iconographiques, permet de cerner les diverses formes de représentation des domaines inaccessibles et les modèles d’organisation spatiale issus de ce type de pensée. Grâce à la dialectique particulière qui ressort du rapport entre espace et mouvement, cette thèse se propose également d’interroger le corpus des sources grecques archaïques sous des angles jusqu’ici peu explorés: comment maîtrise-t-on l’espace par les déplacements physiques en dehors des parcours terrestres? Comment les schémas du mouvement dans l’espace se sont-ils forgés? Comment les dichotomies issues de la logique spatiale archaïque (haut/bas, droite/gauche, est/ouest, en deça/au-delà, etc.) influent-elles sur la structuration spatiale? Quelles espèces d’espace révèlent les déplacements à travers les différents niveaux du monde, que ce soit ceux des dieux, ceux des mortels et d’autres entités, forces physiques et substances privilégiées dans le commerce avec le divin et le monde d’en haut? Ces analyses mettent en valeur les façons dont l’imagination et l’abstraction plutôt que l’expérience vécue ont contribué, à leur façon, à structurer l’espace et à forger l’image du monde comme κόσμος, monde mis en ordre et soumis autant aux lois physiques qu’aux lois divines. / The present dissertation aims to study the ways in which archaic Greek thought symbolically came to grips with three elements of physical reality, which can never be thoroughly accessed by humans: the ether, the air, and the marine abyss. Due to the rather fathomless character of the different spaces underlying these elements, human imagination and abstract thought endeavored to apprehend them through a specific discourse and system of knowledge and beliefs. Both this discourse and its inherent epistemological system were specific to the abovementioned historical period. They assigned the spaces in question a place in the universe via a hierarchy of the cosmological order. Thus, these spaces acquired a definite shape, while their contents have been classified and connected with patterns of the known world, while being combined in multifarious ways. In my doctoral work, I argue that it is possible to define the various forms of representations of such inaccessible domains of being, together with the patterns of their spatial organization, by paying close attention to the manner in which the archaic Greek thought expressed itself through literature and iconography. Drawing on the particular dialectic that pertains to the relation between space and movement, this thesis wishes to analyze the corpus of ancient Greek sources from multiple vantages which so far have been only vaguely explored. To exemplify, I shall tackle the way, in which space is understood in view of journeys other than terrestrial. I also discuss how certain paradigms of movement in space have emerged in this regard. Another question I shall answer concerns the manner, in which certain dichotomies of archaic logic related to space (up/down, right/left, east/west, within/beyond, etc.) have influenced the structuring of space. With that in mind, I expand upon the issue of the types of spatiality revealed through the journeys across the different levels of the world, namely the journeys of the gods, mortals, and other forces involved in the human interaction with the divine and any other superior region. These analyses will jointly show that the philosophical structuring of space and the emergence of an image of the world understood as κόσμος – i.e., as a world ordered by and obeying both physical and divine laws – are the result of imagination and abstract reflective efforts rather than subjective experience.

Interfaith dialogue is no luxury for Christians living in a pluralistic~ effervescent world of intenningling, multi-religious realities. Many Christians take seriously their responsibility towards interfaith dialogue. However, different Christians understand this responsibility in different ways, which often leads to acrimonious accusations of unchristian dialogical approaches. The question is whether there is any means of ordering and assessing the Christian responsibility towards other religions in a mutually uplifting and increasingly holistic way? Ken Wilber provides an integral, or All-Quadrant, All-Level hermeneutics that may assist us with an answer. All holonswhich means everything in the "Kosmos" - emerge or arise in holarchical fashion. On one level, it is a whole, on the next transcendent level it is a part of the whole. This process is infinite and is only ever released in One Taste/salvation/Nirvana/the Kingdom of God, or simply unqualifiable Suchness. Wilber provides an integrated methodology for understanding the process by which holons find their release in One Taste. The holon of Christian responsibility towards interfaith dialogue also emerges through discreet, recognizable stages. Each stage is integrated into the next higher level. The lower levels are more fundamental since they exist as a part of the higher levels. However, the higher levels are more significant, since they have an increased capacity to explore aspects of dialogue previously hidden. The levels we explore are the mythic rational, the rational and the centauric. 'lbese levels emerge through four interrelated dimensions or Quadrants: the Upper Left or spiritual/faith dimension of the person entering into dialogue, the Upper Right Quadrant or theology of dialogue that emerges, the Lower Left or communal and interpretive realm, and Lower Right which covers the social organizational patterns with which the person in dialogue chooses to associate him or herself. We define responsibility in tenns of these four Quadrants: The response or theology (UR) of the person is dependent upon her response-ability, or interior faith development (UL), which is informed by the worldview (LL) of her faith community to whom she feels responsible, with the sociological patterns of her community (LR), to some extent, offers clues as to her stage of development. / Religious Studies and Arabic / D.Th.(Religious Studies)

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