Visual Reinterpretation of National Identity in the Public Space of Mexico Visual communication in public spaces of Mexico has been significantly shaping collective identity, from pre-Columbian times to nowadays. This PhD thesis analyzes the visual aspect of cultural and religious identity in pre-Columbian and colonial eras, later, the discussion is led through the development of the modern day national identity that followed while concurrently explaining how former structural characteristics were partially maintained. Those phenomena are explored from two vantage points: that of the cultural and political elites and that of the general population. However, these perspectives aren't presented in a sharp opposition, rather, as two conjugating cultural streams that have been continuously negotiating and shaping cultural and national identity in correlation with historical and cultural events, including influence from significant others. Accordingly, the thesis explores the official version of national identity, that is promoted by state power, but also how official identity is received into intimate spaces, the everydayness of the bearers of such identity, its reinterpretation and alternatively, the rejections. Since public art (mural art, popular graphics, graffiti, stencil art and other diverse means of...

Diploma thesis "Sects, new religious movements and identity in Russia in the nineties of 20th century in the context of overall societal changes" deals with the problem of minority religions in Russia after the dissolution of the Soviet Union. Terminological part explains the difference between the termin "sect" and "new religious movement", introductory historical overview outlines the role of sects in the history of Russia. The hub of the study lays in three large chapters. The first deals with the dynamics of the religious situation in relation to sects in the first half of the 90s, classifies them and names the main representants. The second part deals with concrete manifestations of changes in the middle of the decade, for example the process Yakunin versus Dvorkin or the change of legislation in 1997. The third part seeks answer to the question what was the underlying cause of changes in social and legal position of sects and finds the anspher in the sphere of national identity.

The purpose of this thesis is to analyze the role of the transnational actor at the national level in particular case of the American Chamber of Commerce in the Czech Republic. The study is divided into two main parts. The first, theoretical part focuses on three theoretical strands. The first chapter focuses on the development of theoretical perceptions of non-state actors in international relations since the 1970s. The goal of the first chapter is to examine concept of interdependence, global governance, the new transnationalism and transnational private governance. The second chapter focuses on multinational corporations. The analysis emphasizes the dynamics of research and development of transnational corporations and their relationship with the nation state. The goal of the third theoretical chapter is to explore the process of interest representation within the nation state. Attention is drawn to obstacles and conditions that transnational actor needs to overcome in order to successfully penetrate the process of interest representation and pursue its goals within the state. The second part of the thesis investigates activities of the American Chamber of Commerce in the Czech Republic that were carried out in an effort to amend the Public Procurement Act from 2010 to 2012. The hypotheses...

The thesis work deals with the system of linking-up education of librarians, which is implemented through the region's education centres which work in the county libraries.In this centre there is National Library of The Czech Republic, which in the partnership of the professional institutions digestedly operates and coordinates the function of the provided services which are operate by regional centres.The target is to provide relevant information, which might be use while framing the education activities of librarian regional centres.The part of my work is the research aimed to analyze of the partial implications, which might effect the quality and the enforcement of its function.

The master thesis Development of czech extreme right-wing after 1989 deals with three the most significant far right-wing parties in Czech republic after 1989. These parties are Association for republic - Czechoslovak Republican Party (SPR-RSČ), National Party (NS) and Workers' Party (DS). The only far right-wing body shall, which was able to enforce on Czech political scene and obtain representation in the Parliament was SPR-RSČ. Other two parties were unsuccessful in elections. Thesis has an ambition to make clear, why SPR-RSČ was that successful and other parties were not. But at the beginning of the thesis is explained concept of far right-wing. After this, is a chapter about SPR-RSČ, which was significant political party in the 90's. Nevertheless after unsuccessful elections in 1998 became piece by piece minor political force. Next part refers about NS, which was very unsuccessful in elections, but was able to attract attention of Czech media by its actions. Thesis also include chapter about DS, which was, as the only one after 1989, dissolved by the Supreme Administrative Court. However the party works under the name DSSS and nowadays is the most successful far right-wing party in Czech Republic. After that is a chapter, which clarifies the reasons why was SPR-RSČ successful and the other...

The study "Democrat Petr Zenkl (from teaching to the exile)" is a complex political monography of one of the most important Czechoslovak politicians, PhDr. Petr Zenkl. It focuses on his resistance to the rule of Austria-Hungary, his early activities and the beginnings of his political career, his municipal work in Prague, his participation in the governments of the First and Third Czechoslovak republic, his career in the Czechoslovak National Socialist Party and his leading role among anti-comunist exiles in the USA during the Cold War.

The goal of this thesis is to show the life and functioning of the Senate of the National Assembly of Czechoslovakia. The upper house of the Czechoslovak Parliament functioned between 1920 and 1939 after which it was officially dissolved during the Protectorate of Bohemia and Moravia. In the concerned period, the chamber was gradually saw 444 lawmakers of seven different nationalities. The biggest number consisted of Czechs and Germans. The functioning of the Senate is analyzed from multiple angles. First the debate accompanying the establishment of a second chamber before the adoption of the new Constitution in 1920 is analyzed. Attention is also paid to the period debates and unrealized proposals for a Senate reform at the end the 1920's, linked to the proposed creation of the Economic Parliament. Also shown is the proportional representation electoral system used for elections to the Senate. The results were reflected in a large number of political parties with low electoral gains, which in turn hindered the creation of a stable political environment. The thesis considers the party, ethnic, social, intellectual and oratory activities of individual senators. The lives of some of the lawmakers who held seats in the upper chamber in the First Republic and were negatively affected by the German...

This thesis focuses on issues of multi-layered identities within a social space. It analyzes ritual (or ceremony) as one of the codified displays of culture within which collective ideas and attitudes regarding identity are manifested, shared, and strengthened. Bosnian Serbs - due to political and social change - were forced to redefine their position in society, as well as their (collective) identities and social ties. Slava is a fundamental ritual seen as an attribute of "Serbianness", and in the context of this study, manifests itself as an indicator of establishment and validity of collective identities. Slava is a traditional celebration practiced by Orthodox believers in Serbia, Bosnia and Herzegovina, Montenegro, Bulgary, Albania, and Macedonia. It is a festivity of either a family, village, or local church patron. At the center of this research will be an individual slava of a family patron saint, krsna slava, or krsno ime. For Bosnian Serbs, krsna slava is currently a revitalized ritual concurring with local tradition and convening with social ambitions of current inhabitants in the region (otherwise it would not be revitalized). The pertinence of this research subject is given by the nature of ritual itself as it is founded on collective sharing and the manifestation of common ideas1 ....

In this work we will deal with financial analysis of construction company and design possible solutions for stabilization. In the theoretical part of this work we will first focus briefly on the basic issues of macroeconomics, microeconomics, economic situation, especially in construction and perceive financial analysis of company. Based on this knowledge we will analyze a specific company and will draw possible solutions enabling us to achieve a profit or at least overcome the crisis period. For financial analysis will be the part of this work used primarily horizontal and vertical analysis ratios and analysis of financial statements.

The design of the new stage of the Slovene National Theatre in Ljubljana adheres to, among other things, the motto of the “TACE” (Theatre Architecture in Central Europe) project, i.e. a search of forms and types of buildings for the "New Theatre for the 21st Century". Therefore, I confront three topics: 1/ the conventional binocular conception for the drama chorus of the National Theatre, 2/ the unconventional solution of the "TACE" and 3/ the urban conception of the location, the so-called "Southern Square", designed by Josip Plečnik. Ad1/ The serious and classical feeling of the conventional form of the theatre hall is required, for this is the National Theatre. Slovenia, as a relatively young state, strives to build and strengthen its historical and national existence; therefore, the classical conception should be preferred because most plays dealing with the national identity are written for this type of theatre. Unlike the unconventional type of “performance” theatres that tend to present international rather than national art. Ad 2/ The search for spatial forms of unconventional and interactive staging of traditional types, such as ballet, opera, musical or drama as well as new forms such as “performance” resulted in a clear conclusion - “black box”. The ideal theatre of the future is infinitely multifunctional neutral space equipped with technologies that enable using the area for virtually any purpose. The principle comes very close to that of film studios, yet equipped with theatrical and other technologies. Ad 3/ A controversial location in the centre of Ljubljana, which has been waiting for an urban conception since the 1930s. It is situated at the end of Plečnik’s “Ljubljana diameter”, with the obelisk in the French Revolution Square as the opposite pole. The unfinished axis obelisk-square-theatre is quite apparent. The location features a clearance and an inner block with a poor urban development; yet it also features the so-called Knafijev prehod, a socially well functional part. The building is divided into 2 functional units - the theatre with its halls, lounge, gallery and cafe, and a commercial passage with the theatre’s administration. The facade of the theatre is a composite of several elements: From left, a decoration consisting of a ruptured pillar with a statue of an actor with a background of the fly, as we move to the right, a “curtain” going down in a curve from a glass “heaven” of the theatre’s hall towering over the passage, out of which rises the solid pylon of the gallery made of half-transparent material LitraConTM. This composition shifts the axis of the lounge beyond the axis of the park to the axis of the diameter and makes thus room for service access. The theatre’s area with the passage beneath is linked by a number of newels which can spin and thus close and in this way enable changing the mode of the passage from a lounge to a public area. The conception of the theatre's area combines sections 1/ and 2/ mentioned above. It consists of the classical stage with a trap cellar, portal and fly, which can be used a classical opera-glasses theatre for as many as 800 persons in the audience and/or, if the iron curtain is closed, as a small scene with approximately 100 seats. The remaining area functions as experimental and consists of a revolving auditorium and 4 stages whose back walls feature panorama windows.