John Cheever uses nature imagery, particularly images of light and water, to support his main themes of nostalgia, memory, tradition, alienation, travel, and confinement in his five novels. In the novels these images entwine and intersect to reveal Cheever's vision of an attainable earthly paradise comprised of familial love and an appreciation of the beauties and strengths of the natural world.

The present study lays bare the relationship between nature and the individual in the novels of D.H. Lawrence and Virginia Woolf through an analysis of their uses of natural images. It starts with an overview of the different view points of different critics who have studied these writers&rsquo / uses of nature and the way these writers treat nature. This critical overview eventually affirmed that the relationship between the individual and nature is central to these writers&rsquo / uses of nature. Being modernist writers, D.H. Lawrence and Virginia Woolf are both interested in the psychology of individuals. Although they differ in their ways of depiction, they employ natural imagery to depict the psychology of the individuals, which can be defined as their Romantic sensibility toward nature. In both writers, though nature is more central to Lawrence&rsquo / s works than to those of Woolf&rsquo / s, nature is of great importance in the creation and representation of characters. Through their contact with nature, their characters experience self-realization as they reveal their hidden selves and as they find ties between their selves and nature. More specifically, this study tries to examine how Lawrence and Woolf depict nature in order to reveal the psychology of characters in relation to their experiencing self-realization in Lawrence&rsquo / s Women in Love (1920) and The Plumed Serpent (1926) and Woolf&rsquo / s The Voyage Out (1915) and Orlando: A Biography (1928).

The Edge of Things is what I like to call a love song to the dispossessed. Each of the eight stories in the collection is an examination of the lives of women who are exiled from modern American consumer culture, whether by circumstance or by choice. This separation brings them heartache, risk, and sometimes even hope. The collection is fueled by the landscape of Florida, observed at its most beautiful and most corrupted, from highways, landfills, and trailer parks to housing developments, gardens, and secret forests. Setting is a constant source of revelation, the external landscape offering insight into the internal struggles of the characters. Regardless of age, race, or sexual orientation, the women of The Edge of Things find themselves moving toward, or just past, incredible changes in their lives. In "Seed of the Golden Mango", "Raising the Dead", and "The Girl Who Loved Bugs", young women deal with the loss of loved ones. The women of "Zyczenie", "It Cannot Hold", and "Wasp Honey" must deal with old losses in order to survive the realities of the outside world that they have long ignored. "The Edge of Things" and "The Secret Letters" both deal with love, and the consequences of an inability to communicate. In each of these tales I hope to present unforgettable characters, women whose journeys will haunt, reminding readers that on some level, the love song of the dispossessed calls to us all.

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