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  • About
  • The Global ETD Search service is a free service for researchers to find electronic theses and dissertations. This service is provided by the Networked Digital Library of Theses and Dissertations.
    Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
71

The role of the (postcolonial) intellectual/critic textualization of history as trauma: the African American and modern Greek paradigm /

Mavromatidou, Eleni, January 2008 (has links)
Thesis (Ph. D.)--Ohio State University, 2008. / Title from first page of PDF file. Includes bibliographical references (p. 185-196).
72

Du roman policier au roman noir : Le polar comme allégorie de la modernité : le cas Scerbanenco / From detective novel to hard boiled as allegory of the modernity : The Scerbanenco's case / Dal «giallo» al «nero» : Il genere poliziesco come allegoria della modernità : il caso Scerbanenco

Boni, Fausto 20 March 2015 (has links)
Vladimir Giorgio Scerbanenco naît à Kiev en 1911, s’installe en Italie à six mois et meurt à Milan en 1969. Auteur d’une centaine de romans, de plusieurs nouvelles et de nombreux articles, il pratique avec aisance tous les genres littéraires, véritable « machine à écrire » qui n’obtient qu’une gloire assez brève auprès du public et de la critique avec ses romans noirs de la fin des années soixante. Le protagoniste récurent y est alors Duca Lamberti, un jeune médecin expulsé de l’Ordre pour avoir pratiqué l’euthanasie qui devient une sorte de détective privé travaillant aux côtés de la police de Milan. Dans ces romans, pour la première fois en Italie, il ne s’agit pas seulement de résoudre une énigme, mais plutôt de représenter et comprendre la sphère des souffrances individuelles dans ses déterminations sociales plus larges, qui pèsent fatalement sur la possibilité d’expérimenter rationnellement la réalité. A la forme toujours égale des romans policiers, Scerbanenco ajoute des éléments référentiels nouveaux qui nous placent face au paradoxe continuel du couple dialectique « répétition/innovation ». En effet, c’est avec ces romans violents reposant sur ce personnage, Duca Lamberti, que la littérature de masse, grâce à l’accumulation hyperréaliste des éléments les plus évidents de la contemporanéité, commence à montrer la transformation rapide de la vie quotidienne italienne. / Vladimir Giorgio Scerbanenco was born in Kiev in 1911, but moved to Italy as a child and died in Milan in 1969. Author of more than a hundred novels, several short stories and numerous articles, he practiced all literary genres and reached a brief critic and public success only with his hard boiled novels from the late sixties, who see as a recurrent protagonist Duca Lamberti, a young doctor expelled from the Order for practicing euthanasia who becomes a sort of private detective, working with the Milan police. For the first time in Italy, these novels are not only about solving an enigma, but rather representing and understanding the sphere of individual suffering amid its wider social determinations, which inevitably compromise one’s opportunity to rationally experience reality. Scerbanenco added new referential elements to the formal identity of the detective novel that leave us facing the continuous repetition of the dialectic couple « repetition / innovation » paradox. Indeed, thanks to the hyper-realistic accumulation of the most evident elements of contemporaneity, it is with these novels, centered on the character of Duca Lamberti, that mass literature begins to reveal in a violent form the rapid transformation of the Italian daily life.
73

J.M.Coetzee and the Novel: A Return to the Eighteenth- and Nineteenth-Century Novel

Salman, Dina Faisal 01 May 2017 (has links)
Scholars argue that Coetzee’s novels critique and disavow the origins and legacy of the novel tradition and its influence on the contemporary novel. They also claim that J.M. Coetzee’s novels herald in the demise of the contemporary novel. These interpretations are motivated by the political readings of postcolonialism and postmodernism. The premise of this dissertation is to depart from those postcolonial and postmodern approaches and offer close readings of Coetzee’s novels through the origins and legacy of the early eighteenth-and nineteenth century novel. My study argues that several of Coetzee’s novels allude to the intellectual, historical, and cultural legacies of the eighteenth-and nineteenth-century novel. I argue that the origin and rise of the English novel and its subgenres provide Coetzee with ideas to use in his own novels. These paradigms in Coetzee’s novels espouse —rather than renounce — the influence and tradition of the early novel, showing that its inspiration remains relevant in the contemporary novel. Thus, the general premise of this dissertation is that Coetzee does not necessarily “write back” to the canon and the origins of English novel, but rather he writes through and with those enduring forms and structures. This study shows that there are literary connections between the early beginnings of the novel and the contemporary novel that offer cogent examinations —examinations that find compromise between the past and present rarely made through postcolonial or postmodern approaches.
74

The Way We Get By

Drabick, Christopher L. 12 June 2013 (has links)
No description available.
75

Transition-metal derivatives of phosphine, arsine and stibine

Mayo, Richard Andrew January 1986 (has links)
No description available.
76

Amor y Violencia: Erotismo en Novela Colombiana Contemporánea

Betancur Carmona, Adriana Maria January 2012 (has links)
This dissertation examines the way violence in Colombia, in its multiple forms and manifestations, has shaped the representations about eroticism in three contemporary novels: Héctor Abad Faciolince's Fragmentos de amor furtivo, Fernando Molano's Un beso de Dick and Albalucía Ángel's Misiá Señora. This project specially focuses on the different forms in which violence has become a factor in the way these works represent eroticism and its discourse. Drawing from the theoretical framework of authors such as Slavoj Žižek, Michel Foucault and Judith Butler, the dissertation proposes the existence of an erotic violent space in which three elements intertwine. The first element, evident in Faciolince's work, is the design of a new form of urban space based on the need to be protected in a dangerous city. This form of cartography restricts mobility for the city's inhabitants, opens up new spaces for segregation based on movement and access to space and restricts erotic manifestations to the boundaries of a ghetto-type city. The second element, from Molano's novel, deals with the establishment of gender roles based on homoerotic desire. The violence in this piece is connected to family and school institutions, and the way they determine the creation of public and hidden forms of identity. Finally, Angel's novel deals with the different ways in which the female body can be used as a symbolic battlefield where patriarchal and religious discourses try to impose limitations, promoting the establishment of alienated women.I propose that eroticism is the intimate space where social, discursive and ideological violence is executed, while simultaneously acts as the sphere of individual life where resistance can be enforced. In a country where so much attention is given to the overt, material consequences of violence, such as the number of deaths, massacres and kidnappings, it is easy to overlook the importance of how violence impacts identity and intimacy.
77

An Original Novel: Public, like a Frog / Public, like a Frog

Huffaker, Robert, 1936- 08 1900 (has links)
This thesis is a creative novel depicting the adventures of Tim Collier, a small-town broadcaster in his new job in the big city.
78

Francisco Garcia Pavon: Creator of the Literary Detective Story in Spain

Sanders, Marja-Terttu 08 1900 (has links)
The problem with which this investigation is concerned is that of determining how Francisco Garcia Pavon's concept the detective novel evolved throughout the period during which he cultivated that literary form. To trace this evolution Garcia Pavon's detective novels and novelettes are studied in chronological order of publication, each work being given a chapter of its own. The character development is analyzed and the style is given consideration in the study.
79

Novice Teachers' Stories Represented As a Graphic Narrative

Deardorff, Philip 05 1900 (has links)
The issue of alternative certification teacher training has greatly affected art education over three decades. As a result of training through alternative certification, many art educators enter the profession unprepared and unable to cope with the realities of teaching. This study attempts to understand and represent the experiences and struggles of four alternatively certified art teachers, including myself. By reading these stories, others within the education community can empathize with and provide support for struggling novice teachers. This creative thesis uses a graphic novel format to represent participants' stories. By combining text and imagery, the graphic novel format provides different meanings, interpretations, and insights into the teachers' lives. This medium offered a unique and rich perspective on the stories of what it is like being an alternatively certified art teacher.
80

The Agolmirth Conspiracy

Elston, James C. (James Cary) 12 1900 (has links)
Written in the tradition of the classic spy novels of Ian Fleming and the detective novels of Raymond Chandler, The Agolmirth Conspiracy represents the return to the thriller of its traditional elements of romanticism, humanism, fast-moving action, and taut suspense, and a move away from its cynicism and dehumanization as currently practiced by authors such as John Le Carre' and Tom Clancy. Stanford Torrance, an ex-cop raised on "old-fashioned" notions of uncompromising good and naked evil and largely ignorant of computer systems and high-tech ordinance, finds himself lost in a "modern" world of shadowy operatives, hidden agendas, and numerous double-crosses. He is nevertheless able to triumph over that world when he puts his own honor, his own dignity, and his very life on the line, proving to himself and to his adversaries that such things can still make things easier to see amid today's swirling moral fog.

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