The issue of the diploma thesis is the design of the philharmonic house in the city of Ostrava. The solution is the concert house which includes the main concert hall with the capacity of 1200 persons. The diploma thesis brings the solution of the object within the context of the environment of Cerna louka in Ostrava and its aim is the solution of mail concert spaces in terms of accoustics and visibility. The thesis includes the design the the pipe organ and all the necessary spaces required by the staff and employees and for the longtime use of the building.

Design of Moravian Slesian Philharmonic in Ostrava. The concept of vertical foyer to make this institution more open to the city and society. The visual connection between people inside of foyer and people on the square.

Ostrava as a minig town, Ostrava as a black city. The Moravian Philharmonic Orchestra Ostrava as Black Pearl. Object Philharmonic has a raw lump of coal situated at Black Meadow site, the former heap. The building is a single mass laceration and shaped by the action of time, relative motion and contact materials are to each other and breaking moves. Tectonics of the facade symbolize brutality material, the piece of coal. On its surface has many different faces, edges, ridges and grooves. It is divided into layers of solid material, opaque and transparent gloss of the opening to the surroundings, providing visual contact with the interior and its interaction with the exterior. Inside, as the energy in coal is burning up, tuned in warm orange tones. It has the power to evoke heat of building, especially at night when during concert. Urban solving a broader relationship Philharmonic building is situated in the area of Black Meadow. The site is in close contact with cents and direct linkage to Masaryk Square. Philharmonic with its position linking a group of cultural objects, which are oriented in Theatre Street. The line begins at the Music Gallery Square, Philharmonic continues to object, bandstand, puppet shows to the theater of Antonin Dvorak. The building is oriented with its longitudinal axis in the direction northeast - southwest. The orientation of the main facade of the north side and is oriented to the Music of the square.

Hlavním cílem práce je celková analýza cestovního ruchu Ostravska s přihlédnutím k jeho geografické příslušnosti k Moravskoslezskému kraji. Zaměřuje se na jednotlivé prvky CR, zejména atraktivity. Rozebírá jejich charakteristiku a funkčnost v rámci CR. Jmenuje jednotlivé památky a zajímavosti zvláště v centru Moravské Ostravy a Přívozu. Pojednává o struktuře návštěvníků. Smyslem práce je představit město v tom pravém a turisticky zajímavém světle. Dále zkoumá použité prezentační prostředky a jejich užitečnost při snahách o zvýraznění dobrého jména Ostravy. Dílčím cílem je analýza smýšlení veřejnosti o Ostravsku.

The approach, that a I chose to fullfil my idea as well as the diploma project, was bassed on solving problems, which I consider as key in the context of the whole urban setting. The parameters which I collected led me through the designing process. The result of my work followed in the foodsteps of the international competition, which took place in this area. transformation of the nonfunctionl part of town and recreat it towards new cultural cluster, where the first flagship suppouse to be this concert hall. In this case was important, to find and melt together all the possitive influences of this urban area.

Volume of philharmonic is opened to the square. The volume is devided to three parts.

This thesis focuses on the topic of photography in the work of Television studio Ostrava, a part of Czechoslovak television, during a period of the communist regime, called normalisation, and the reflection of this period after the year 1989. It may be presumed that communist propaganda and other efforts of normalisation will be apparent in the documentaries and other products concentrating on photography. The region of Ostrava also has its own cultural specificity due to its mainly industrial nature; the region is characterised by coal mining and metallurgy. Thus it may be presumed that communism will be planted in the minds of the people more firmly. The thesis also contains a theoretical framework, describing socialist realism in photography and normalisation in photography as well as in the television studio in question. In order to verify these hypotheses and to discover other important facts of the topic in question, a content analysis of data available in the archive of Television studio Ostrava was carried out. The archive suffered grave losses during major flooding of Moravia and Silesia in 1997, some films and actual photographs were however still available for analysis. The findings relevant to each document are stated in their respective parts and are summarised as a whole in the...

This thesis focuses on photography in the work of Television studio Ostrava, a part of Czechoslovak television, during a period of 1969-1989, called normalisation, the reflection of this period after the year 1989 and mainly the photography archive of said institution. It may be presumed that communist propaganda and other efforts of normalisation will be apparent in the documentaries and other products concentrating on photography. The region of Ostrava also has its own cultural specificity due to its mainly industrial nature; the region is characterised by coal mining and metallurgy. Thus it may be presumed that communism will be planted in the minds of the people more firmly. The thesis also contains a theoretical framework, describing socialist realism in photography and normalisation in photography as well as in the television studio in question. In order to verify these hypotheses and to discover other important facts of the topic in question, a content analysis of data available in the archive of Television studio Ostrava was carried out. The archive suffered grave losses during major flooding of Moravia and Silesia in 1997. However, some films and many actual photographs were still available for analysis. The findings relevant to each document are stated in their respective parts and are...

This thesis is focused on the evaluation of succession on spoil heap complex Petr Bezruč and spoil heap of the coking plant Svoboda since the last research carried by Koutecký (2004) and the care proposal of similar devastated sites. A total of 100 phytosociological relevés were made and 100 soil and 204 dendrochronological samples were taken on both sites. The analysis of the obtained data revealed identical changes of EIV on both sites, indicating the canopy increase of the tree species and alteration of the species composition, which was attributed to the ongoing succession. The difference among plots on spoil heaps and the difference among both spoil heaps was also evaluated. Spontaneous and directed succession was determined as the most appropriate means of restoration.

The subject of my diploma project is reconversion of a gasholder placed in Ostrava Vitkovice. The gasholder is noted as national culture heritage and is strongly contaminated. The concept is following the functional structure of the objects around and counts with their new use. The gasholder is placed in the middle of the area and lays on the crossing of conjuction of the main dominant s of the area. These cojuctions create streets which meet in the middle of the gasholder and create the square. The gasholder has now two faces, the old one faces the area is monofunctional and the other, new one faced to the inside is polyfunctional. The square is covered by the existing roof construction and creates safe place full of nice views and visual conjunctions of the main dominants.