The thesis analyzes immigration and integration policy of France at the three different levels (supranational, national and local), while the choice of France was inspired by the fact that this country has among the European ones the longest tradition of receiving immigrants. The work is based on theoretical and conceptual approaches to international migration as well as on immigration and integration policies. In case of theoretical and conceptual approaches, it was mostly inspired by the concept of Heckmann' four dimensions of the process of social integration (Heckmann and Schnapper, 2003; Bosswick and Heckmann, 2006), by the Entzinger' and Biezeveld' (2003) assessment of integration as the resulting state and especially by Alexander's (2007) classification of policies implemented by local authorities, which allows as one of rare concepts to compare policy-making at the national and local level. From the methodological point of view, two regions which best suited the preliminary requirements on different share of immigrants in population on each territory and the difference between "city in rural area - metropolis" were chosen: Paris (or more precisely its 14 districts) and seven cities in the region of Basse-Normandie (Caen, Hérouville-Saint-Clair, Cherbourg-Octeville, Flers, Alençon, Argentan...

in English This Master's Thesis deals with guidebooks about Paris published in France, Czechoslovakia and the United States of America between the years 1918-1939. It analyses how the French capital city is presented in the guidebooks and how far the representation differs according to the country of publishing. The first two chapters deal with the modern history of tourism up until the interwar period and with the formation of major collections of guidebooks. The following chapters use a comparative perspective to analyse three major aspects of tourist guidebooks about Paris: itineraries; recommended places and monuments (the so-called "must- sees"); and global images of Paris. The analysis reveals that the country of publishing had only a limited impact on the content of the guidebooks; rather, the books largely respected established rules and patterns within the genre. Key words: tourism, guidebook, Paris, interwar period, representation, image of the city Résumé en français Ce mémoire de master analyse des guides touristiques de Paris publiés en France, en Tchécoslovaquie et aux États-Unis entre 1918 et 1939. Le mémoire étudie de quelle façon la capitale de la France était présentée dans les guides et quelles étaient les différences de cette représentation en fonction du pays d'origine publiant...

As the title would suggest, the goal of my master thesis was to build the complete arch that would hold at the time of its brightest shine, at the times of Parisien and Viennese school. From my own opinion is this epoch of guitar, allocated by the end of classicism and the early romantism, in the universe of music, one of the most remarkable. This attractiveness is proven epecially thru the giutar literature of that time, that with its beauty, imaginativeness and permanent artistic recensy, is with no doubt the most significant. The first chapter is devided betwen the two subchapters. It pictures social-political and cultural situation of the turn of 18th and 19th century. In the first subchapter, I briefly capture the manners of changes of musical speech, predetermining then the speech of guitar composers of early romantism. Then in the second subchapter, I notice the most important genres and musical forms, preferred especially at the end of the 18th century and the beginning of 19th, from which our previously surveyed guitar schools were born. In second chapter I summarize the form of the early romantic guitar of the beginning of 19th century. I notice here the most significant names of master guitar builders and characteristics of their type of work. In following next two important chapters, 3rd and 4th, I talk about the most important modern guitar composers of Viennese and Parisien school of that time. Thru the short biographies and significant milestones of each personalities mentioned, I cite selected pieces for guitar, which by its meaning overcome typical expectations. The next subchapter then picks up the most influential contemporaries and followers who affect collaterally with both mentioned guitar schools, though not involved within them. The conclusion then in a few sentences points at the importance and unimaginable value of the guitar music of the first half of the 19th century, which has a worldwide merit revolutionary influence up to now.

The aim of this thesis is to look at the issue of the modern big city from the second half of the nineteenth century, when the knowledge of this new phenomenon began to form, to approximately first half of the twentieth century. The process of the development of the big city shall be studied by comparing two diverse urban areas: Prague and Paris. We shall focus mainly on two authors - Charles Baudelaire in the context of Paris, and Richard Weiner linking both Prague and Paris context in his work. The analysis of both authors shall be approached using scientific literature on literary image of the city. The city shall be looked as an ambivalent area that forms the existence of a modern human being fundamentally and that produces an entirely new type of experience and interpersonal relationships that need to be artistically expressed in a new way.

The thesis focuses on the form changes of postwar Czechoslovakia at the Paris Peace Conference in 1918-1919 concerning the personality of Foreign Minister Edvard Benes and describtion and interpretation of his ideas, which were confronted with the reality of the political elites of the time and the views of the contemporary press. The aim of this thesis is to analyse the Benes's efforts related to the formation of postwar Czechoslovakia, his foreign anchorage, international guarantees and bonds, its borders and relations with neighboring countries, etc., whose final form we know, but we're not already familiar with their alternative tendencies and ideas, which changed at the Paris Peace conference.

The main topic of the Diploma thesis is a complex design to rescue cathedral Notre-Dame in Paris. The work is firstly focused on the reconstruction of the structure including its collapsed parts and preserving a link to the destructive fire in 2019. The mainstay of the thesis is a design of new roof space and its use by broad public. Due to uncertainties about the structure stability disrupted by the fire a great emphasis has been put on the weight reduction of the newly built roof structure. The design makes a genuine attempt to be sensitive with respect to the spiritual function of the cathedral, thus the public roof access is separated from the cathedral itself thanks to a newly built underground spaces that are also included in the design.

This thesis deals with the concept of place and its transformation in the context of transatlantic transformations that still till nowadays stood aside the interests of the professional community. Representative place in the thesis is an example of the american bar, where the institution symbolized the newly established cultural elements gradually penetrated into the whole society and to this extent it could be viewed as a passenger concept venue. The main pillar of the thesis is to take into account sociocultural, economic, demographic and political aspects of bar environment as a peculiar manifestation of transatlantic communication. The key question to the concept of place is therefore whether the European continent was in the interwar period under a wave of Americanization, which in various locations showed a totally unique way that reflected the rising standard of living, while within the United States shaped this culture again by different way. On the other side, we meet with the complicated situation in the form of "dry" America and "thirsty" of Europe, or whether it was just an extraordinary manifestation of transatlantic relations and interaction, which would have thus secondarily been demonstrated modifications to the original concept in a European environment. The thesis is designed on...

Peggy Guggenheim belongs to the essential collectible figures of the 20th century art. She has created a unique art collection during her lifetime and she has opened up new artistic movements (in particular Abstract art) by organizing exhibitions, debates and by publishing catalogues in which she participated. She was active in many art projects and she had friendship among many after-war modern artists. Her collection included front works of Cubism, Futurism, Metaphysical art, Abstract art, Surrealism and Avantgard sculpture. Peggy moved to the Venetian palace Venier dei Leoni in 1949, where she was living following thirty years. Today her extensive collection is opened to public under the patronage of Solomon R. Guggenheim Foundation. The Diploma thesis "Peggy Guggenheim in a Cultural-Political Picture of her Time" will outline Peggy Guggenheim's life in context of emerging modern art (particularly American art) and her diverse activities which were connected with it. Furthermore it will focus on culture-political context of post-war time and finally it will evaluate her contribution to evolution of abstract art and its approach to the general public.

This Master Thesis describes the Expérience Grand-Guignol project, consisting on the one hand of research of the texts preserved in the Parisian Theatre Grand-Guignol (1897 – 1963) and on the other hand of a graduation performance in Theatre DISK which staged four plays from the repertory of this famous theatre of horrors. The Expérience Grand-Guignol project explored in practice various approaches to the historical material of Grand-Guignol placed in a contemporary context. It examined limits of the genre and methods of staging favorable to the Grand-Guignol experience today. The thesis is structured in three parts. The first part presents the Grand-Guignol theatre phenomenon, its history and theory compiled from accessible literature. The second part is dedicated to a detailed preparation and realization of the project. It presents four performed shows, including the overall set design and storyline, which provides the frame for the cycle. The last part presents a short reflection on fear as an effect of a theatre performance, a summary of observations from the practical examination, and an evaluation of project.

The present thesis treats the importance of a particular cultural institution, i.e. Rodin museum, for cultural tourism in France. In the theoretical part, it deals with cultural tourism in general, tourism and culture in France, and finally it associates those two in cultural tourism in France. Then it concentrates on the tourism of Paris. In the practical part, a deep analysis of Rodin museum is elaborated. All discovered facts were used to compose a SWOT analysis and recommendations.