The thesis is written from a practical director´s perspective. It focuses on the problematics of the ensemble cast as one of the most important diegetic units in production. The thesis accents the ensemble cast as a part of directing and realization of the dramaturgical-directing concept. It is divided into two parts. The theoretical part deals with the use of the mimetic and diegetic means in modern theatre and transformation of the classic directing principles within the birth of the post-dramatic theatre. The other chapters reflect the author´s 2011 graduation production and describe the procedures of the realization of her professional productions up to 2016.

Polish Party System 1989-2016: A Case of Polarization Abstract The dissertation thesis analyses the Polish party system focusing particularly on the issues of polarization and anti-communism. The analysis is partially carried out in comparative perspective, especially in exploring anti-communism. Throughout the post-transition period, Poland has been displaying high levels of polarization, without any substantial link to the fragmentation of the party system. Seeking the sources of the polarizing tensions, the thesis has identified the construction of language of politics, as well as historicising and identity- based understanding of political divisions in Poland. The thesis specially focuses on the issue of anti-communism, as a key factor in creating and launching various polarizing impulses. The periodization of the Polish party system developments, as well as its categorization as a case of Satori's polarized pluralism is also proposed in the text. Key words: party system, Poland, polarization, anti-communism, fragmentation, alternation, competition, cleavages, dimensions of competition

This dissertation analyses narratives of the Mašín brothers and their father, Josef Mašín senior. The Mašín brothers established what they called 'a resistance group' against the Communist regime in Czechoslovakia, which between 1951 and 1952 killed three people. The brothers, alongside the other member of the group, Milan Paumer, escaped from the country in 1953, heading for the Western sectors of Berlin. Despite more than 20,000 East German and Soviet troops hunting them, the group reached West Berlin safely. Later, the brothers went to the USA where they joined the U.S. army. The dissertation analyzes a whole range of discourses including newspaper articles, historical papers, books, detective stories, novels, memoirs and also one episode of the Czechoslovak television series, Třicet případů majora Zemana ('Major Zeman's Thirty Cases'), entitled Strach ('Fear'), from 1975. The dissertation is conceptually embedded in cultural studies and critical theory. Drawing on Roland Barthesʼs work on mythologies, Hayden Whiteʼs theory of history and Slavoj Žižekʼs theory of ideology, the dissertation considers the relationship of the Mašín brothersʼ narrative representations with respect to the dominant ideology of the time. The first chapter of the dissertation deals with narratives produced in Communist...

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The thesis deals with state-owned enterprises and their potential for corruption. In the first chapter is characterized corruption in the Czech Republic in the context of social, economic and political changes in the end of the twentieth century. This section also contains typology of corruption from Rasma Karklins, which is also the methodological basis of this work. The second part focuses on the characteristics of state-owned enterprises, and also on internal and external control mechanisms, which should reduce their potential for corruption. The third chapter presents in detail the processes and results of legislative changes in recent years, regarding the increase of external control mechanisms of state-owned enterprises.

The thesis of Dissent after 1989. The use of Pierre Bourdieu's theory of habitus change on the example of selected post-dissent organizations deals with the topic of dissent after 1989 and his subsequent life and influence in the Czech society after 1989. The theme of the post-dissent is conceived through a qualitative the research of organizations whose activity is based on the legacy of dissent or refers to its activities. With the help of the research design of instrumental case studies, the following organizations are organized: Charter 77 Foundation, Václav Havel Library, Babylon, Libri prohibiti. The monitored themes are the development of the organization's relationship towards disentanglement, the dissent reflection in the current activities of the organization, and how the organization communicates these themes towards the public. The theoretical part of the thesis outlines the issues of dissent and post-dissent, which are further embedded in the post-communist transition and presentation of the methodology of qualitative studies. In the second part of the case studies of the above mentioned organizations. I outline their focus and development towards dissent. The last part is an analysis of this development through the theoretical concepts of habitus change of Pierre Bourdieu. The aim is...

The aim of this diploma thesis is an analytical comparison and deconstruction of views of social historians on labouring men. The object of my interest will be views of Czech and East German historians from the period of the socialist dictatorship, and the views of Czech and German historians from the period of post-socialism. Using the methods of poststructuralist approaches, I will place the comparison and deconstructions in the contextual analysis of ideological determinations. At the same time, I will pay special attention to the changes in the determinations and epistemological breaks, with the help of which I will analyze the changes in the position of workes's research in relation to science and society. Key words: labouring men, comparison, deconstruction, historiography, ideology, epistemological break, science, socialist dictatorship, post-socialism

The problematic of Romanian transition to democracy after the year 1989 was by its major part determined by the form of previous regime. Because of the extreme pressure and control exercised on the opposition and personal dictatorship of the regime of Nicolae Ceaușescu, no major dissent groups or centers existed, bearing the potential to take part in the overthrow of the regime. In the swift and still unclear events of December 1989, National Salvation Front rose to hold the power, being directed by Ion Iliescu. As a formerly top positioned communist apparatchik, who had been swept out from status and power after several conflicts with Ceausescu, he transferred almost complete communist structure to the newly formed regime, including Securitate, the secret service. Deconstruction of the former regime was actually performed by the execution of the former president and his wife and by trials of several Securitate generals. Iliescu concentrated most of the power around NSF and in contradiction with the original proclamation postponed transition to democracy. The new regime, which was led by Ion Iliescu demonstrated in its ideological presentation and exercise of power apparent similarities with the era of communist rule, nevertheless, it worked under formal democratic framework. Because of this fact,...

Thesis Abstract The thesis deals with the visual content of the media of official memory, in particular the visual material of history textbooks and the exhibition of the National Museum. It examines the formal and content features of the representation of four key events of modern Czechoslovak and Czech history which entered the awareness of the general public as "eight" events: the founding of Czechoslovakia (1918), the signing of the Munich Agreement (1938), the communist coup (1948) and the invasion of the Warsaw Pact armies (1968). Moreover, it relates the modes of representation of these events to the issue of the political transition of 1989. By means of mixed methods research, it examines a sample of textbooks published during the communist era (1967, 1973, 1982, 1983, 1983), the post-communist era (1995, 1996, 1999, 1999, 2000, 2009, 2011) and the exhibits from the permanent exhibition Crossroads of Czech and Czechoslovak Statehood (opened in 2009). In its findings, the thesis presents 34 visual memory figures related to the representation of the selected historical events. It points out the circulation of these images between the medium of the textbook and the historical exposition, thus following the dynamic concept of memory discussed in the theoretical part of the thesis. It finds both...

False heroes. Removal of communist monuments in Prague after year 1989 This thesis will examine monuments, established to promote communist ideology, that were removed after the Velvet Revolution and in the next few years of the 1990s in an attempt to symbolically abolish former regime. Firstly it will outline the historical context. Based on contemporary periodicals and public politicians speeches it will show social discourse regarding relation towards communism and notions what the new regime should be like. After it will deal with the concept of historical memory, places of memory and their change and rewriting. It will also compare this momument removal with iconoclasm that accompanied other revolutions. In its main part the thesis will follow several cases of monument displacements of statues of heroes and leaders, constituting events and artifacts - symbols. It will attempt to demonstrate how the monuments disappeared from the public space and how these events and the removal itself helped construction of historical memory besides the creation of monuments that are supposed to commemorate communist totalitarianism. It will also mention existing monuments that were put up during years 1948 - 1989, that stir up discussion to this day and it will touch how other countries of the Eastern Bloc...