Diss.--Bonn--Universität, 1991. / Bibliogr. p. 239-260. Index.

Thesis--Amsterdam. / Includes bibliographical references (p. 249-255).

Inaug. diss.--Leipzig. / "Literaturezur primitiven ornamentik": p. [xv]-xxiii. Studiengang.

Thesis--Columbia University. / Includes bibliographical references (leaves 180-188).

Thesis (Ph. D.)--New York University, 1911. / Bibliography: p. 56-58.

Dissertation--Evangelisch-Theologische Fakultät--München--Ludwig-Maximilians-Universität, 1996. / Bibliogr. p. 278-287.

Akademisk avhandling--Teologiska fakulteten--Abo, 1978. / Bibliogr. p. XIX-XXIII. Index.

This thesis is devoted to the motion of the incompressible and inviscid flow which is ax- isymmetric and swirl-free in a cylinder, where the hydrostatic approximation is made in the axial direction. It addresses the problem of local existence and uniqueness in the spaces of analytic functions for the Cauchy problem for the inviscid primitive equations, also called the hydrostatic incompressible Euler equations, on a cylinder, under some extra conditions. Following the method introduced by Kukavica-Temam-Vicol-Ziane in Int. J. Differ. Equ. 250 (2011) , we use the suitable extension of the Cauchy-Kowalewski theorem to construct locally in time, unique and real-analytic solution, and find the explicit rate of decay of the radius of real-analiticity. Furthermore, this thesis discusses the problem of finite-time blowup of the solution of the system of equations. Following a part of the method introduced by Wong in Proc Am Math Soc. 143 (2015), we prove that the first derivative of the radial velocity blows up in time, using primary functional analysis tools for a certain class of initial data. Taking the solution frozen at r = 0, we can apply an a priori estimate on the second derivative of the pressure term, to derive a Ricatti type inequality. / Graduate

This study attempted to determine whether ova are formed from the epithelial covering of the ovary during sexual maturity, and if so to determine how they are formed and to see if there is any relation between the formation and the breeding season.

The thesis investigates how ambiguity - created through a smooth, continuous building envelope- can be used to alter the perception and understanding of discrete typological or primitive forms with a focus on material expression. The use of basic, primitive forms is tied to a contemporary discourse of discreteness. Contemporary practitioners are exhausted with the seductive, smooth, continuous envelopes from the 90s digital project. As a result, they have turned to generating form through loosely associated, blocky parts. However, the thesis proves - through a vast series of investigations - that there is still room to explore smooth envelopes and gradients from the 90s project - as it relates to the creation of ambiguity - with the discrete, primitive forms of contemporary discourse in order to propose an alternative way of generating form through loosely associated, blocky parts. Furthermore, by deploying basic, primitive forms, the task of analysis and interpretation is open to a larger audience. The ambiguous techniques that the thesis explores serve to challenge the typical viewer's perception of the familiar, primitive forms. By challenging their perceptions, the thesis asks for their participation and reinterpretation of the basic volumes. As a result of this participation from multiple audiences, the discipline of architecture becomes open to more people and ideas. / Master of Architecture / The thesis investigates how a continuous and ambiguous building envelope can be used to alter the perception and understanding of individual, familiar forms with a focus on material expression. Contemporary practitioners are focusing on how to generate form through individual, basic geometric objects - cubes, cylinders, cones, etc. However, the thesis proves - through a vast series of investigations - that there is room to explore continuous, smooth building envelopes with the contemporary discrete, basic objects in order to propose an alternative way of generating form through individual, basic parts. Furthermore, by deploying basic objects, the task of analysis and interpretation is open to a larger audience. The ambiguous techniques that the thesis explores serve to challenge the typical viewer's perception of the familiar objects. By challenging their perceptions, the thesis asks for their participation and reinterpretation of the volumes. As a result of this participation from multiple audiences, the discipline of architecture becomes open to more people and ideas.