This study is a qualitative examination of my lived experiences and the lived experiences of my immediate family in sport. Using critical race theory (CRT) as my guiding theoretical framework, this research project answers Denzin’s (2003) call to advance “a radical performative social science” that “confront[s] and transcend[s] the problems surrounding the colour line in the 21st century” (p.5). As such, the purpose of this project was to explore issues of race, culture and power within our lived sport experiences and to present these experiences in such way so as to unpack the tensions associated with being an Aboriginal person living in today’s Canadian society.

Title from second page of PDF document. Includes bibliographical references (p. 54-62).

Thesis (Ed. D.)--National-Louis University. / Bibliography: leaves 106-120.

This dissertation examines the educational journey of a Chicano educator; from his early experiences with colonization while growing up in the Rio Grande Valley of south Texas to his role as a lecturer in a First Year Experience course at a Hispanic Serving Institution (HSI) along the U.S. - Mexico border. Ultimately asking the question, "what is his role as a Chicano educator?" and can the once colonized decolonize his own classroom? / text

Drawing on critical race theory, racial formation theory and the extant literature on the so-called post-racial turn in American life, this research explored the broad question of how young people of color make sense of issues of race and equity in the era of the first Black president. Using a case study design, as well as elements of visual research methods and narrative inquiry, I examined how a group of high school students of color at a predominantly White high school have learned about race and Obama, considering both formal school curricula and out-of school sources. I also sought to understand what significance the students placed on president Obama’s election, including their views on racial progress in the U.S. and their beliefs in the plausibility of a post-racial American era. Through the collection and analysis of interview, classroom observation, and artifact data, my findings suggest that schools can be unfriendly spaces for learning about these topics, but students pick up rich, though scattered, information through out-of-school sources such as family, community, and media. Additionally, students exhibited contradictory beliefs about race in America, with experiences of racial marginalization at school juxtaposed with measured optimism about racial progress in the U.S. Students also expressed personal inspiration in having a Black president and a willingness to hold multiple, competing narratives about race, Barack Obama, and their own lived experiences. These findings suggest a need for history and social studies teachers to provide formal curricular spaces for open discussion about race and President Obama to allow students to discuss and extend their multiple Obama narratives. Researchers must also consider the hybridized racial stories of both students of color and of the 44th president. / text

As an interdisciplinary project that integrates African and African American Studies, critical race theory, and Art History, this dissertation attempts to enrich our understanding of the politics of difference in contemporary art by interrogating the formal practices of artists and the social significance of their work. The artwork discussed reflects a pattern of creative engagement with archival institutions and documents that is characteristic of contemporary artists who are concerned with questions of consumption and the body; representation and erasure; the social construction of race and space; and the relationship between history, memory, and identity. Taken together, these themes constitute a discursive landscape within contemporary art that is central to the principle question raised here—namely, how do social genres of difference and relations of power influence artistic practices of representation, curatorial display, and reception? In an attempt to both answer and reverse the direction of this question, this text presents insightful perspectives from different artists on the complex relationship between art and society. Using the politics of difference as a lens through which to examine the aforementioned themes in contemporary art, I argue that the artists under consideration are transforming the meaning of race in post-slavery societies throughout the black diaspora. Through various creative practices, these artists are shifting the terms, coordinates, and representations of difference seen in the archive in order to reimagine the language of identity in the twenty-first century. Fundamentally, their work challenges the way certain bodies are recognized—compelling us, as viewers, to reinterpret the past from alternative and critical perspectives. Moreover, by focusing on the disclosure of a black presence in western cultures through the comparative formal and historical analysis of contemporary works of art that call our attention to misrepresentation, commodification, invisibility, and displacement, this dissertation contributes to developing conversations about how contemporary artists challenge dominant narratives and representational aesthetics. Through their work, these artists expand our conception of the archive—disclosing the overlapping ways in which objects, images, words, signs, ideas, ads, bodies, and spaces register social and historical meaning through the demarcation of racialized difference. Ultimately, this project demonstrates how art can transform the way we see and represent ideas of difference, and therein, the way we see and represent ourselves. / African and African American Studies

The current economic conditions in the United States have contributed to budgetary cuts to public education at both the federal and state levels. This attention to educational funding and political decisions regarding spending are linked to beliefs about what is valued in education and what proper policy solutions exist. Yet, contemporary actions and issues do not exist in isolation. These economic difficulties are situated in a specific context, history, and have been shaped by political ideologies. This dissertation is directly focused on critically examining the history and context of school finance policy. School finance policy has been an important political issue for over 40 years, beginning with the San Antonio Independent School District v. Rodriguez case (Koski & Levin, 2000). This case was first filed in 1968 and serves as the unit of analysis for this study. While much of the body of work regarding school finance is framed according to traditional economic methods and beliefs, this study is a historic narrative that utilizes critical policy analysis to examine educational funding. Though Rodriguez was a case filed by Mexican American parents on behalf of students in the Edgewood school district, which served a student population that was over 90% Latino, Mexican Americans and the voices of Mexican Americans were glaringly absent from the arguments made in court. This absence of race marks a need for critical policy analysis and work that calls attention to this silent area of political discourse. The purpose of this paper is to examine the inclusion and exclusion of race in the Rodriguez case to find out what is missing from the dominant narratives of school finance and begin to understand how current policies continue to ignore race. Historic methods, guided by a Latino Critical Race Theory (LatCrit) framework, are employed to analyze archival records, newspaper articles, legal documents, and oral histories. Narratives reveal themes of the social context that lead to legal action, the language used in the courts cases, and the lasting implications for continued understandings of school finance policy. / text

The purpose of this story rug is to acquire a deeper understanding of 10 Navajo students' experiences as they journey toward college. Utilizing Indigenous theoretical frameworks including Tribal Critical Race Theory, Cultural Resilience, and Cultural Threads, this story rug centered attention on the systematic, structural forces and students' sources of strength that have shaped and continue to influence educational pathways for Navajo students. This story rug was guided by a qualitative mixed-method approach including Indigenous Storywork and narrative analysis. Through the assertion of the Navajo traditional oral story of the Twin Warriors, this story rug weaves in 10 Navajo students' experiences including the sociocultural and personal barriers, referred to as "monsters," that hindered their life and their college enrollment goals, how they internalized those "monsters," and then what were the sources of strength, referred to as "weapons," that guided them in life and toward college. The findings revealed systematic and personal monsters that intertwined within community, school, family, and self. The Financial Hardship Monster illustrated the struggles of poverty and its influence on students' educational aspirations. The Addiction Monster revealed how alcohol and drugs within community and family shaped students' pre-college journey. The Educational Deficit Monster uncovered Reservation schooling challenges that limited students' academic ability and college access. The final and more intimate monster, The Personal Struggles Monster, shed light on private and often unspoken challenges that students faced during a crucial time in the college-choice process. To overcome the monsters, students activated powerful weapons. The first set of weapons, Trusting Relationships and Vulnerability, entailed students' awareness of lessons learned during vulnerable moments and stories shared with mothers, grandmothers, and teachers. The Courage to Challenge Self weapons demonstrated that participation in college readiness opportunities and applying to high-stakes scholarships affirmed confidence that they were college material. The Transforming Obstacles to Positives weapons uncovered students' abilities to transform negative conditions into positive intentions, which motivated them to continue their journeys toward college. The final weapons, Faith in Spiritual Teachings, were spiritual and traditional teachings that reminded students that they were not alone and that they were unstoppable in proceeding toward college. This study underscored how context matters and penetrated in students' lives including systematic poverty, structural forces that fueled addiction, and systematic educational deficit and meritocracy ideologies. These stories have the power to transform discourses of deficiency to those of strength and honor for future Native student warriors and their educational attainment.

Purpose: Describe the Suquamish cultural influences on defining living a life worthwhile and to describe the compatibility of a culturally modified Dialectical Behavior Therapy (DBT) with a Native American community's culture and context. Background: Native Americans experience serious psychological distress, suicide, and substance abuse at higher rates than other racial groups. Studies using DBT found a significant decrease in parasuicidal risk behavior and substance abuse. However, research has not demonstrated that DBT is efficacious or compatible within the Native American culture. Specific Aims: 1) Describe the Native American cultural influences on defining living a life worthwhile. 2) Describe the compatibility between Healthy and Whole, a culturally modified DBT intervention with Native American culture. Methodology: Critical ethnographic study with in-depth interviews (13) and participant observations (10 months) was conducted. Sample was tribal members and clinicians exposed to the Healthy and Whole and tribal members who are identified as knowledgeable regarding tribal tradition. Analyses included semantic domain, taxonomic, and theme analysis for aim1 and compared DBT curriculum to results of aim 1 to accomplish aim 2.Findings: An intergenerational cycle of relational trauma was initiated by structural cultural genocide with systematic abuse and neglect of Native Americans especially children. Relational trauma of abuse and neglect is the source of a variety of maladaptive behaviors. These maladaptive behaviors lead to relational trauma in the next generation. A dual process of maintaining and revitalizing Suquamish cultural values coupled with skills taught in a culturally modified DBT intervention, Healthy and Whole, help Suquamish members live more worthwhile lives and recover from intrapersonal trauma. Implications: Healthy and Whole is a community approach to healing from relational trauma. Healthy and Whole approach to DBT may help other indigenous people live more worthwhile lives and recover from relational trauma and break the cycle because Suquamish cultural values are collectivist and many indigenous peoples share similar values and histories of historical trauma.

This case study provides empirical evidence of the master and counternarrative described by Critical Race Theory (CRT) and seeks to understand the impact of these narratives in educational policy and practice. In 2010, Arizona passed A.R.S. §15-112, a law that was designed to eliminate the Mexican American Studies (MAS) program in the Tucson Unified School District. Utilizing the literature on culturally-relevant pedagogy and leadership, this case study uses a CRT theoretical framework and Critical Discourse Analysis (CDA) methodology to analyze the narratives of 26 participants. While the program was under investigation by the State for violation of A.R.S. §15-112 all of the teachers involved in MAS participated in qualitative interviews. In addition, this case study analyzes the narratives of two student focus groups, school administrators, and district governing board members well as the written findings of two former State Superintendents of Public Instruction both of whom found the program in violation of the law. By specifically focusing on the styles and genres described in a CDA methodology the findings provide evidence of both the master and counternarrative but also a spectrum of discourse in which other forms of narrative reside. Implications from this research include a more complex theory of discourse beyond the dichotomy of the master and counternarrative, the application of a new methodological tool in CRT, and recommendations for educational leaders and policy makers interested in advocating for a culturally relevant approach.