• Refine Query
  • Source
  • Publication year
  • to
  • Language
  • 4
  • Tagged with
  • 4
  • 4
  • 3
  • 2
  • 1
  • 1
  • 1
  • 1
  • 1
  • 1
  • 1
  • 1
  • 1
  • 1
  • 1
  • About
  • The Global ETD Search service is a free service for researchers to find electronic theses and dissertations. This service is provided by the Networked Digital Library of Theses and Dissertations.
    Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
1

The music for unaccompanied mixed chorus of Einojuhani Rautavaara /

Lokken, Fredrick. January 1999 (has links)
Thesis (D. Mus. Arts)--University of Washington, 1999. / Vita. Includes bibliographical references (leaves 228-234).
2

Part I: The Last Dream of Don Quixote: A Symphonic Poem for Saxophone and Orchestra; Part II: Angels and Transformations: Symphonic Unity in Rautavaara, Symphony No. 7, <i>Angel of Light</i>

Leatherbarrow, James W. 25 March 2011 (has links)
No description available.
3

The solo piano music of Einojuhani Rautavaara

Matambo, Lotta Eleonoora January 2012 (has links)
Einojuhani Rautavaara's oeuvre is characterised by four distinctive creative periods, each demonstrating a remarkable variety of compositional idioms and styles. His application of multifaceted elements, often within a single work leading to notions of postmodernism, is derived from multifarious sources, such as (Finnish) folklore, Orthodox mysticism and a wide variety of standard twentieth century compositional techniques. Furthermore, Rautavaara regularly quotes from his own material, thus creating elements of auto-allusions within his oeuvre; a predisposition which forms an essential part of his compositional aesthetic. Analyses of eight piano works (1952-2007) provide a cross-section of Rautavaara's output which, together with a consideration of biographical factors and analytical focus on the intertextual elements of his writing, offers a rationale for determining the development of his musical identity. The analyses conclude that intertextual elements, which appear through a diverse array of expressive modes (such as mysticism, nationalism and constructivism) are an essential part of Rautavaara's eclectic compositional style and contribute to an understanding of the on-going development of his musical identity.
4

Pedagogy and Artistry in Select Twentieth-Century Piano Etudes

Lee, Grace E. 15 October 2020 (has links)
No description available.

Page generated in 0.0346 seconds