This thesis deals with dramatizations of literary works that were introduced at the National Theatre after1990. Compares prose texts with newly formed theatrical texts. It also focuses on the transformation of interpretations of individual works, which occurred as a result of dramatization. For each unfinished work also always gives relevant circumstances relating to the production.

(in English): The figure of Judas Iscariot is one of the most controversial ones in Christianity and Christian reception. Traditionally Judas used to be synonymous for the ultimate sinner, who would not deserve any compassion at all. He was first and foremost conceived as the traitor of Jesus and was judged and damned accordingly. In every period he attracted attention, was commentated upon and interpreted anew. The paper at hand deals with one of the latest interpretations of Judas: Uwe Saeger's novel Die gehäutete Zeit: Ein Judasbericht (The skinned time: A Judasreport). Published in 2008, this novel is a retelling of the gospel, as seen through Judas' eyes. Uwe Saeger re-interprets the founding story of Christianity and casts a new light on Judas. Saeger disengages himself from a simple black and white perspective on Judas, which was popular for many centuries not only among laymen, but also among theologians. The author does not divide the characteristics into a pure and good Jesus on the one hand, and a bad and dishonest Judas on the other hand, but rather merges the two into one figure, expressed by making up the name Je-Judas-us at one point of his book. Saeger describes the two as an inseparable couple, where each of them has his special task to fulfil. Throughout the novel, Judas is being...

This Thesis refers to ancient iconography themes and symbols, which were received by early Christian Art. Primaly, it concerns the reception of form. By means of analysing ancient content and context the paper tries to find a parallel between ancient and christian motives. In this way it intend to answer the question why a concrete theme was taken over. In case the reinterpretation is possible, the thesis offers the interpretation based on biblical theology. This volume presents motives from the Christian catacombs of Rome and also motives derivated from Roman triumph Art, dated to the first centuries.

Though the trinitarian iconography is fairly easy to understand, it remains with many of the 4th and 5th century works it is unclear and difficult to explain. In the literature of the last century, we often encounter ideas that have been absorbed in older works and subsequently only mechanically repeated in subsequent works. Such a way of interpreting can lead to controversial iconographic analyzes in order to focus in a trinitarian way and to attempt in a tricky way to explain the iconography of "non-trivial" artefacts. This diploma thesis attempts to open a difficult question of the origin, development and interaction of individual types of symbols representing the Trinity. The aim of this work is to mark the effort of a complex view, which will try, especially with similar motives and symbols, to lead to a more precise interpretation and classification within the framework of trinitarian iconography. The main aim of this diploma thesis is the effort of theological, artistic, historical and philosophical grasp of the issue of the image of God in the first millennium of the Christian faith. Due to the vastness and considerable lack of clarity of this topic, the work is conceived with a focus on the first millennium of Christianity. Many examples of depictions and symbolic references to the Triune...

The thesis is focused on the communication inclusion and exclusivity of Czech journalist on Twitter and how they use conventions of this platform to connect with other users. Through the description of current communication layers and functions of Twitter this thesis depicts how it became one of main sources of news and how it pushed journalists to reinterpret their traditional roles in the society. It also describe how digital humanities and digital trace data gathered from social media can be used as means of analysis of social interactions of its users. The practical part presents a cluster analysis based on Twitter data of 457 Czech journalists that shows how is Twitter used to communicate within and outside the Czech media system.